A CRY IN THE WOODS The scream Lena Riddle hears in the woods behind her house is enough to curdle her blood—she has no doubt that a woman is in real danger. Unfortunately, with no physical evidence, the local law officers in small-town Ash, Kentucky, dismiss her claim. But Lena knows what she heard—and it leaves her filled with fear and frustration. Ezra King is on leave from the state police, but he can’t escape the guilty memories that haunt his dreams. When he sees Lena, he is immediately drawn to her. He aches to touch her—to be touched by her—but is he too burdened by his tragic past to get close? When Ezra hears her story of an unknown woman’s screams, his instincts tell him that Lena’s life is also at risk—and his desire to protect her is as fierce as his need to possess her.

A FACE IN THE MIRROR Hope Carson may not look like a survivor, but she has escaped an abusive ex-husband and recovered from a vicious assault. Now she endures the painful memories and suspicious rumors surrounding her involvement in the attack. Her ex is a cop, so the last people she trusts are law enforcement officials—and she certainly doesn’t trust how the local DA makes her feel inside. Remy Jennings should know better. He has no business falling for a woman who he suspects may have a deeply troubled mind. And even if he did make a move, she’d bolt like a frightened rabbit. But how can he deny a burning desire that threatens to consume him? As Hope’s past catches up with her in the worst way, Remy is determined to break through her defenses, earn her trust, and keep her safe in his arms—before it’s too late.

Presents an introduction to music and musical instruments, through the matching of excerpts of classical music with art works selected from the collection of the Metropolitan Museum of Art.

Contains an excerpt from the forthcoming novel, "If you know her."

My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

A SHADOW IN THE WINDOW Nia Hollister doesn’t scare easily. She’s returned to Ash, Kentucky, with a vengeance—and with a mission: find the killer who brutally ended her cousin’s life. What she didn’t count on was trembling with desire every time she sees Law Reilly. If any man can help her escape the nightmares for a while, it’s him. But can she allow herself to take comfort in those strong arms when her sister’s killer still roams free? She may think she’s a bad ass, but she should not have come back to his town. He is watching her—as she slips into Law Reilly’s house, as she storms into the sheriff’s office. These men won’t be able to protect her when her time comes. Timing is everything, though he can’t wait forever. She’s nosing around the woods, looking for his hiding place. Yes, he is watching her . . . through the window . . . in her bed . . . If she’s not scared, she should be . . . because he is very good at what he does.

Tom Sullivan was born blind but grew up unwilling to be constrained by his lack of sight, taking on wrestling, baseball, piano, writing and girlfriends with vigorous enthusiasm.

BONUS: This edition contains an excerpt from Pearl Cleage's Just Wanna Testify and a Till You Hear from Me discussion guide. From the acclaimed Pearl Cleage, author of What Looks Like Crazy on an Ordinary Day . . . and Seen It All and Done the Rest, comes an Obama-era romance featuring a cast of unforgettable characters. Just when it appears that all her hard work on Barack Obama’s presidential campaign is about to pay off with a White House job, thirty-five-year-old Ida B. Wells Dunbar finds herself on Washington, D.C.’s post-election sidelines even as her twentysomething counterparts overrun the West Wing. Adding to her woes, her father, the Reverend Horace A. Dunbar, Atlanta civil rights icon and self-described “foot soldier for freedom,” is notoriously featured on an endlessly replayed YouTube clip in which his pronouncements don’t exactly jibe with the new era in American politics. The Rev’s stinging words and myopic views don’t sound anything like the man who raised Ida to make her mark in the world. When friends call to express their concern, Ida realizes it’s time to head home and see for herself what’s going on. Besides, with her job prospects growing dimmer, getting out of D.C. for a while might be the smartest move she could make. Back in her old West End neighborhood, Ida runs into childhood friend and smooth political operator Wes Harper, also in town to pay a visit to the Reverend Dunbar, his mentor. Ida doesn’t trust Wes or his mysterious connections for one second, but she can’t deny her growing attraction to him. While Ida and the Rev try to find the balance between personal loyalties and political realities, they must do some serious soul searching in order to get things back on track before Wes permanently derails their best laid plans.

Born with severe hearing loss, Buckley survived abuse and grew up to be a top female comic, author, star of a one-woman show and motivational speaker. Now she reveals the gift that gave her power over her future.

For Fauziya Kassindja, an idyllic childhood in Togo, West Africa, sheltered from the tribal practices of polygamy and genital mutilation, ended with her beloved father's sudden death. Forced into an arranged marriage at age seventeen, Fauziya was told to prepare for kakia, the ritual also known as female genital mutilation. It is a ritual no woman can refuse. But Fauziya dared to try. This is her story--told in her own words--of fleeing Africa just hours before the ritual kakia was to take place, of seeking asylum in America only to be locked up in U.S. prisons, and of meeting Layli Miller Bashir, a law student who became Fauziya's friend and advocate during her horrifying sixteen months behind bars. Layli enlisted help from Karen Musalo, an expert in refugee law and acting director of the American University International Human Rights Clinic. In addition to devoting her own considerable efforts to the case, Musalo assembled a team to fight with her on Fauziya's behalf. Ultimately, in a landmark decision in immigration history, Fauziya Kassindja was granted asylum on June 13, 1996. Do They Hear You When You Cry is her unforgettable chronicle of triumph.