In Stephen Sexton' s remarkable debut, the video games of his childhood are once again a way to slip through the looking glass; to be in two places at once; to be two people at once. In these poems about the death of his mother, Sexton charts the familiar levels of Super Mario World, whose flowered landscapes bleed into our world-- and ours, strange with loss, bleed into it. This moving, otherworldly narrative is a daring exploration of memory, grief, and the necessity of the unreal.

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A classic television series, The Twilight Zone, sets off a genre-bending experiment in science-fiction, autobiography and all the spaces in-between.

Shortlisted for the Forward Prize for Best Collection A Financial Times, Irish Times and Telegraph Book of the Year history is what we call / what might have happened differently / and didn't It is the decade of centuries, and Cheryl tells us our fortune. Radicals liberate a zoo, teenagers flirt in a bowling alley, and the dead are cherished. In these inventive, playful, dream-like poems, Stephen Sexton takes us on a journey through the past and the present, while Cheryl translates from the future, showing us how we exist in all three at once. Reckoning with both public and private tragedies, the book is divided into three parts. In Part One, the poems range across old Europe: 'Edelweiss' and Titanic setting sail, to a transatlantic, cross-century symposium in Part Two, where two giants perfect their arts in collaboration. In Part Three we are back in the land where the past keeps breaking through, it's practically always the anniversary of something terrible, but there's always Cheryl in the moonlight and her deck of tarot cards. A thrillingly strange exploration of the comfort of the fantastical when the real is hard to bear, Cheryl's Destinies is the enchanting follow-up to the Forward Prize for Best First Collection-winning If All the World and Love Were Young, by one of the most exciting young poets writing today.

Throughout his career, from the early play Love's Labour's Lost to one of his last romances, The Winter's Tale, Shakespeare was intrigued by Russia. Reciprocating that intrigue over the last few centuries, Russia, as so many other countries, has claimed Shakespeare as its own. The essays in this book represent the work of Russian and Ukrainian scholars from three different perspectives: explaining the plays to Russian audiences, discussing Russian theater for Western audiences, and dealing with contemporary criticism.

The Oxford History of Poetry in English is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. The series both synthesises existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the volumes. Sixteenth-Century British Poetry features a history of the birth moment of modern 'English' poetry in greater detail than previous studies. It examines the literary transitions, institutional contexts, artistic practices, and literary genres within which poets compose their works. Each chapter combines an orientation to its topic and a contribution to the field. Specifically, the volume introduces a narrative about the advent of modern English poetry from Skelton to Spenser, attending to the events that underwrite the poets' achievements: Humanism; Reformation; monarchism and republicanism; colonization; print and manuscript; theatre; science; and companionate marriage. Featured are metre and form, figuration and allusiveness, and literary career, as well as a wide range of poets, from Wyatt, Surrey, and Isabella Whitney to Ralegh, Drayton, and Mary Herbert. Major works discussed include Sidney's Astrophil and Stella, Spenser's Faerie Queene, Marlowe's Hero and Leander, and Shakespeare's Sonnets.

The 'Harvard Classics - Complete Collection of the Greatest Works of World Literature' stands as a monumental anthology that traverses the broad landscape of human thought and artistic expression. Within its pages, readers encounter an array of literary styles from the seminal works of philosophy, poetry, science, and drama. This carefully curated collection spans the epochs, offering an unparalleled glimpse into the intellectual and cultural currents that have shaped our world. Among its myriad offerings, standout pieces delve into the complexities of human nature, the pursuit of knowledge, and the beauty of the natural world, reflecting the diverse and significant contributions of its authors to the literary canon. The contributing authors and editors represent a veritable who's who of literary and intellectual giants across history. From the poetic grandeur of Goethe and the philosophical depths of Plato, to the scientific curiosity of Charles Darwin and the dramatic intensity of Sophocles, each contributor brings a unique voice and perspective to the collection. Bound by a common pursuit of truth and beauty, these works collectively highlight the cultural, historical, and literary movements of their times, offering readers a comprehensive understanding of the human experience as seen through the eyes of some of its greatest observers. This anthology is not merely a collection of great works; it is an invitation to explore the richness of human culture and thought across ages. For scholars, students, and lovers of literature and philosophy alike, the 'Harvard Classics' presents a unique opportunity to engage with the profound ideas and diverse narratives that have shaped human history. Encompassing the profound, the poetic, and the profound, this collection promises to enrich the mind and stir the soul, encouraging a deeper appreciation of the interconnectedness of human endeavor in the pursuit of knowledge and beauty.

Lauren Willig's Pink Carnation novels have been called "fun [and] fresh" (Kirkus Reviews) and "clever and playful " (Detroit Free Press). Now she introduces readers to a mismatched pair who find passion in the most astonishing of places... Secret agent Augustus Whittlesby has spent a decade undercover in France, posing as an insufferably bad poet. The French surveillance officers can’t bear to read his work closely enough to recognize the information drowned in a sea of verbiage. New York-born Emma Morris Delagardie is a thorn in Augustus’s side. An old school friend of Napoleon’s stepdaughter, she came to France with her uncle, eloped with a Frenchman, and has been rattling around the salons of Paris ever since. Now widowed, she entertains herself by holding a weekly salon, and loudly critiquing Augustus’s poetry. As Napoleon pursues his plans for the invasion of England, Whittlesby hears of a top-secret device to be demonstrated at a house party. The catch? The only way in is with Emma, who has been asked to write a masque for the weekend’s entertainment. In this complicated masque within a masque, nothing goes quite as scripted—especially Augustus’s unexpected feelings for Emma.