songs of love, passion and despair. Searing, tender, beautiful - lyrics for all ages from the renowned Greek classical poet Theocritus

Francis Cairns has made well-known contributions to the study of Roman Epic and Elegy. Papers on Catullus and Horace assembles his substantial body of work on Roman Lyric - about 30 papers published between 1969 and 2010 in many European and American periodicals, themed volumes and Festschriften, along with some new papers. Many aspects of the lyric poetry of Catullus and Horace are treated in this collection. Particular emphasis is given to the political and religious interests of both poets, to their interactions with their contemporaries, to the ‛learning’ which informs their poetry, and to their generic practices. Philological problems of text and interpretation are treated pari passu, as are relevant aesthetic questions. The volume is fully indexed and contains a composite bibliography and addenda and corrigenda. Papers on Catullus and Horace will make access to this body of important scholarly material easier and more convenient for scholars and students of Latin poetry.

This handsomely illustrated book offers a broad synthesis of Archaic Greek culture. Unlike other books dealing with the art and architecture of the Archaic period, it places these subjects in their historical, social, literary, and intellectual contexts. Origins and originality constitute a central theme, for during this period representational and narrative art, monumental sculpture and architecture, epic, lyric, and dramatic poetry, the city-state (polis), tyranny and early democracy, and natural philosophy were all born.

This book, written by a team of experts from many countries, provides a comprehensive account of the ways in which translation has brought the major literature of the world into English-speaking culture. Part I discusses theoretical issues and gives an overview of the history of translation into English. Part II, the bulk of the work, arranged by language of origin, offers critical discussions, with bibliographies, of the translation history of specific texts (e.g. the Koran, the Kalevala), authors (e.g. Lucretius, Dostoevsky), genres (e.g. Chinese poetry, twentieth-century Italian prose) and national literatures (e.g. Hungarian, Afrikaans).

In this companion, international scholars provide a comprehensive overview that reflects the most recent trends in Catullan studies. Explores the work of Catullus, one of the best Roman ‘lyric poets’ Provides discussions about production, genre, style, and reception, as well as interpretive essays on key poems and groups of poems Grounds Catullus in the socio-historical world around him Chapters challenge received wisdom, present original readings, and suggest new interpretations of biographical evidence

Ancient Greek Lyrics collects Willis Barnstone's elegant translations of Greek lyric poetry -- including the most complete Sappho in English, newly translated. This volume includes a representative sampling of all the significant poets, from Archilochos, in the 7th century BCE, through Pindar and the other great singers of the classical age, down to the Hellenistic, Roman, and Byzantine periods. William E. McCulloh's introduction illuminates the forms and development of the Greek lyric while Barnstone provides a brief biographical and literary sketch for each poet and adds a substantial introduction to Sappho -- revised for this edition -- complete with notes and sources. A glossary and updated bibliography are included.

In Greek History, someone has said, little that happened mattered much; it was what the Greeks thought that counted. This, broadly speaking, is the truth; and here I have tried to lay the main emphasis on Greek ideas, setting them against the background of historic events. Obviously the best clue to their understanding is to be found in what the Greeks themselves wrote; and, though no English version can be an adequate substitute, I have given in translation whatever passages appear to me most revealing. With these it has been my object to convey effectively the author’s meaning rather than slavishly to reproduce his phraseology; and I have taken, I confess, some liberty with the task, abbreviating by frequent omissions of words, clauses and even whole sentences, occasionally elaborating to bring out the full sense, and above all recasting the original syntactic construction in approximation to our own modern idiom. In the illustrations, similarly, I have here and there allowed myself the licence of reconstruction when details have suffered through accident or age. I have to record with gratitude my great debt to Mrs. Eric James and Mr. W. H. Plommer and Mr. L. F. R. Audemars for valuable criticisms and suggestions. My thanks are also due to Messrs. Methuen, the publishers of my “History of Greece,” for permission to produce this complementary volume. It may be that the reader will be encouraged to further study of the subject; and on certain points—few among many which limits of space have compelled me to summarize or omit—I have ventured to insert a cross-reference.

Originally published in 1947, this book contains the English translation of twenty eight idylls and twenty three epigrams originally attributed to Theocritus. Trevelyan begins each idyll with a short synopsis and a brief introduction concerning the history behind each poem and its influence in later Greek and Latin poetry. This book will be of value to anyone with an interest in Theocritus or English Classical reception.

This collection of essays is focused on the wisdom traditions of the Hebrew Bible, including the Book of Sira. The Biblical books are read as literary works on their own as well as in an Ancient Near Eastern setting. Some essays scrutinize Greek and Hellenistic wisdom traditions. The authors refrain from a definition of ‘wisdom’ which would have been a reductionist exercise in view of the great variety of material and the complexity of the perennial problems (wo)mankind is confronted with.