This volume explores new frontiers in the linguistic study of iconic lexemes known as ideophones, mimetics, and expressives. A large part of the literature on this long-neglected word class has been dedicated to the description of its sound symbolism, marked morphophonology, and grammatical status in individual languages. Drawing on data from Asian (especially Japanese), African, American, and European languages, the twelve chapters in this volume aim to establish common grounds for theoretical and crosslinguistic discussions of the phonology, morphology, syntax, semantics, pragmatics, acquisition, and variation of iconic lexemes. Not only researchers who are interested in linguistic iconicity but also theoretical linguists and typologists will benefit from the updated insights presented in each study.

The present volume represents a selection of papers presented at the International Symposium on Ideophones held in January 1999 in St. Augustin, Germany. They center around the following hypotheses: Ideophones are universal; and constitute a grammatical category in all languages of the world; ideophones and similar words have a special dramaturgic function that differs from all other word classes: they simulate an event, an emotion, a perception through language. In addition to this unique function, a good number of formal parallels can be observed. The languages dealt with here display strikingly similar patterns of derivational processes involving ideophones. An equally widespread common feature is the introduction of ideophones via a verbum dicendi or complementizer. Another observation concerns the sound-symbolic behavior of ideophones. Thus the word formation of ideophones differs from other words in their tendency for iconicity and sound-symbolism. Finally it is made clear that ideophones are part of spoken language — the language register, where gestures are used — rather than written language.

This book argues that ideophones provide the 'missing link' in our knowledge of how communication has evolved to become the spoken language of today.

This volume provides a first of its kind account of expressives in the region from a grammatical, historical, and literary perspective. It provides case studies from the four major language families of South Asia.

Since the pioneering analyses of Renward Brandstetter (1860–1942) a quasi-morphological element called the ‘root’ has been recognized in Austronesian linguistics. This monograph confronts many of the methodological and substantive issues raised but never fully resolved by Brandstetter. In an effort to reassess the value of his work for contemporary linguistics the author examines Brandstetter’s methods and results, and applies a modified from of this approach to new material. The study establishes 230 roots based on more than 2,560 root tokens in some 117 languages. It is thus intended to serve as a rudimentary root dictionary and a basic handbook on the subject of the root for future scholars of Austronesian.

There is an emerging perspective in the discipline of linguistics that takes expressivity as one of the key components of human communication and grammatical structure. Expressivity refers to the use of grammar in natural languages to convey sensory information in a creative way, for example through reduplication, iconicity, ideophones and onomatopoeia. Expressives are more commonly associated with non-European languages, so their presence in European languages has so far been under-documented. With contributions from a team of leading scholars, this pioneering book redresses that balance by providing copious, detailed information about the expressive systems of a set of European languages. It comprises a collection of original surveys of expressivity in languages as diverse as Hungarian, Finnish, Turkish, Scots, German, Greek, Italian, Catalan, Breton and Basque, all with the common goal of challenging structuralist assumptions about the role of syntax, and showing how expressivity is both typologically diverse and universal.

The Iconicity in Language and Literature series has long been dedicated to the recognition and understanding of the pervasiveness of iconicity in language in its many forms and functions. The present volume, divided into four sections, brings together and unifies different perspectives on iconicity. Chapters in the first section (Iconicity in language) provide linguistic analyses of systems of iconic forms in different languages, across both space (areally) and time (diachronically). The second section (Iconicity in literature) is concerned with stylistic analyses of iconicity in literature, in both poetry and prose and across a range of devices and genres. The third section (Iconicity in visual media) highlights the use and effects of iconicity in pictorial, photographic and cinematic media. The final section (Iconicity in semiotic analysis) offers a theoretical perspective, targeting an operationalisation of iconicity with respect to the relationship between types and subtypes of Peircean signs.

Pangkhua is an endangered Tibeto-Burman language, spoken by about 2000 people in Chittagong Hill Tracts, Bangladesh. This volume provides a comprehensive grammatical description of the language, based on more than a year of original fieldwork in a Pangkhua village. Taking a broadly functional typological perspective, Zahid Akter analyzes Pangkhua phonology, morphology, syntax, and discourse. Some of the typologically notable characteristics of Pangkhua include presence of a relatively large number of sesquisyllabic words, an elaborate person marking on verbs, absence of a clausal conjunctive, and lack of a distinct word class of adjectives. As the first comprehensive description of the language, this grammar contributes to comparative Tibeto-Burman linguistics more broadly by laying the groundwork for further studies locating Pangkhua in its genealogical, areal, and typological contexts. It will also serve as an invaluable resource for the maintenance and revitalization of Pangkhua language and culture.

In linguistics, as in semiotics, iconicity is the conceived similarity between the form of a linguistic sign and its meaning. This book covers all aspects of linguistic iconicity in both spoken and signed languages, including definitions of all the relevant concepts and explanations of significant iconic words and expressions, and brief summaries of the contents and main proposals of 30 significant works in the history of iconicity research. It also provides definitions and exemplifications of the principles governing linguistic iconicity and brief overviews of iconic words and expressions in 11 language families and in more than 50 spoken and signed languages all over the world. The book contains 678 entries and more than 8,500 examples drawn from 400 languages, and will appeal to scholars and students interested in general linguistics, the history of linguistics, language typology, phonology, morphology, syntax, semantics, and semiotics.