Sarah Coventry became a household word by selling beautiful, inexpensive, costume jewelry direct to the consumer and remained in fashion for more than 60 years. This in-depth look at the history of their designs contains more than 1,000 color images and engaging text. It begins with the unsigned years of 1949-1963, covers the cardex years of 1954-1965, includes the catalog years of 1966-1984, and has a smattering of beauties from the years after Lifestyle Brands acquired the rights to the trademark for other concerns. All of it has been carefully researched and documented, and presented here in full color form. Complete with a thorough genealogy of founder C. H. Stuart and his family, this is a great resource for jewelry collectors, historians, and fashion designers.

Sarah Coventry*R jewelry was produced from 1949 through 1984 and is extremely popular with collectors today. This beautiful book provides detailed information about dates of manufacture and company names for Sarah Coventry brooches, earrings, necklaces, bracelets, rings, and sets. Includes current market values, original catalog material, interviews with former employees, collector tips, glossary, index.

Open this book to find 3,200 glittering jewelry items distributed by Avon Products, Inc. from 1965 to 2006. It is an almost complete record of the company's production. Read the authority's guide to identifying each design by its official name and date of release, based on the original company brochures, along with current market values. Then go to your jewelry box and see your collection in a different light; now you, too, can become an authority. Learn how the Avon company evolved since 1886. The jewelry line began in 1965 and grew, through original designs and direct marketing home parties, into a giant with about 250 new designs each year. Avon packaging is also an important part of the jewelry's success, and here you will see all the variations that are so desirable among collectors today. Some of the original box styles may even inspire designers today to "think outside the box." This comprehensive new book will become the standard reference for Avon jewelry because it is handsome, complete, and wholly accurate. What more could a jewelry lover want?

This book will teach any collector to identify the company that produced that enchanting piece of costume jewelry. Arranged alphabetically for the reader's convenience, the book highlights jewelry from 24 companies that is easily found and affordable. Home party plan Emmons, Sarah Ann Coventry, and Judy Lee; door-to-door Avon including Elizabeth Taylor and Kenneth Jay Lane designs; Monet, Napier, BSK, Art, Marvella, Western Germany, Gerry, Park Lane, B. David, Cathe, Dodds; the butterflies of La Roco; the whimsicals from JJ; and Les Bernard, Lisner, and Celebrity are all included in this beautiful book, which presents almost 400 full-color photographs. Tips on field identification and characteristics of the companies are included.

Two volumes of Signed Costume Jewelry, displays over 600 color photographs with identification and values in Coro Jewelry. Advertisements spanning the years 1943 to 1961 are included, as well as illustrations of the Canadian, English, and American plants and salesrooms. There are chapters devoted to Coro, Corocraft, Vendome, Francois, Mylu, and the company's international connections, including Mexico. Biographies and photographs of important company officers are featured. An additional.

As one of the oldest costume jewelry companies still in existence, Monet has, for almost 70 years, made jewelry that cannot be surpassed for its quality, craftsmanship, and audacious design. Monet: The Master Jewelers is a long overdue, in-depth look at this innovative and enduring company. Through comprehensive research, little known facts about Monet and its founders, Michael and Joseph Chernow, as well as the people behind it, are revealed for the first time. Misconceptions about the company's origins and its early years are finally corrected. This is also a visual celebration of the artistry of Monet jewelry throughout the decades. Delving well beyond basic gold necklaces and earrings, you will be overwhelmed by the diversified and unique styling of the many bracelets, charms, earrings, and necklaces Monet pioneered throughout their long history. The Monet experience is further explored through vintage magazine and newspaper advertisements, patents, rare company and family photos, as well as never-before-published memorabilia from the early Monocraft years. Collectors, dealers, designers, stylists, and anyone with an appreciation of costume jewelry and its history will find this book to be a valuable and must-have reference.

Over 400 stunning color photos, with company history, original catalog pages and advertisements, retail and current values, and an index will help you rediscover the fine fashion jewelry and accessory lines from Sarah Coventry. Included are bracelets, pierced and clip earrings, pins, pendants, necklaces, rings, belts, original packaging and much more.

Winner of the George Orwell Award. One of The Atlantic's best books of the year. As human beings, we've always told stories: stories about who we are, where we come from, and where we're going. Now imagine that one of those stories is taking over the others, narrowing our diversity and creating a monoculture. Because of the rise of the economic story, six areas of your world - your work, your relationships with others and the environment, your community, your physical and spiritual health, your education, and your creativity - are changing, or have already changed, in subtle and not-so-subtle ways. And because how you think shapes how you act, the monoculture isn't just changing your mind - it's changing your life. In Monoculture, F.S. Michaels draws on extensive research and makes surprising connections among disciplines to take a big-picture look at how one story is changing everything. Her research and writing have been supported by the Social Sciences and Humanities Research Council of Canada, the Killam Trusts, and regional and municipal arts councils. Michaels has an MBA, and completed five years of PhD studies in Organizational Analysis. She lives in British Columbia, Canada. "A single lucid narrative that's bound to first make you somewhat uncomfortable and insecure, then give you the kind of pause from which you can step back and move forward with more autonomy, authenticity and mindfulness than ever." - The Atlantic "A thin, enrapturing gem. It's accessible, sensible--exactly the sort of book that should have (and still could + should!) take off and create a tiny little dent in books." - Kenyon Review "A smart and realistic guide to first recognizing the monoculture and the challenges of transcending its limitations." - Maria Popova, BrainPickings.org "I found myself reading non-stop, underlining like crazy...an astute explanation about what I've been feeling recently, something I couldn't put my finger on...[Michaels] writes in clear, energetic prose that's thoughtful, engaging and unforced. She defines and analyzes without judgment or insistence...a breath of fresh air." - NPR "...a singularly brilliant and accessible analysis of some of the fundamental assumptions and driving principles of our time." - Comment Magazine "5 stars: The cause and effect of our world is more surprising than you'd think. With intriguing notions about the driving ideas of stories in every shape of our life, "Monoculture" is an incredibly fascinating way about how the mind works and today's consumer culture." - Midwest Book Review "If you just read one book this year, read this one." - BuriedInPrint.com

As an increasingly popular line of collectible jewellery, creations distributed by Sarah Coventry, Inc. have made their mark. From the 1950s through the 1980s, women purchased the jewellery exclusively at home jewellery parties. The success of the jewellery made Sarah Coventry, Inc. one of the largest distributors of costume jewellery. Although the parties are a thing of the past, Sarah Coventry jewellery has not been forgotten. Now, these durable and fashionable pieces are sought after by collectors who have rediscovered their timeless appeal. In Sarah Coventry Jewellery, authors Monica Lynn Clements and Patricia Rosser Clements have compiled nearly 400 photographs that display the unique designs along with their current market values. Sets, limited edition pieces, earrings, bracelets, rings, pendants, and brooches are shown. The photographs depict jewellery made of gold metal, rhodium, and plastic as well as jewellery adorned with colourful plastic "stones", rhinestones, and gemstones. This reference guide is a must for collectors of Sarah Coventry jewellery.

The first collection to address the collective transformation happening in response to the rise of social media With the rise of web 2.0 and social media platforms taking over vast tracts of territory on the internet, the media landscape has shifted drastically in the past 20 years, transforming previously stable relationships between media creators and consumers. The Social Media Reader is the first collection to address the collective transformation with pieces on social media, peer production, copyright politics, and other aspects of contemporary internet culture from all the major thinkers in the field. Culling a broad range and incorporating different styles of scholarship from foundational pieces and published articles to unpublished pieces, journalistic accounts, personal narratives from blogs, and whitepapers, The Social Media Reader promises to be an essential text, with contributions from Lawrence Lessig, Henry Jenkins, Clay Shirky, Tim O'Reilly, Chris Anderson, Yochai Benkler, danah boyd, and Fred von Loehmann, to name a few. It covers a wide-ranging topical terrain, much like the internet itself, with particular emphasis on collaboration and sharing, the politics of social media and social networking, Free Culture and copyright politics, and labor and ownership. Theorizing new models of collaboration, identity, commerce, copyright, ownership, and labor, these essays outline possibilities for cultural democracy that arise when the formerly passive audience becomes active cultural creators, while warning of the dystopian potential of new forms of surveillance and control.