From the 1950s to the 1970s, the work of Lloyd Wright, Gropius and van der Rohe strongly influenced a generation of young Australian architects, who adopted modernist principles in their work. Karen McCartney has compiled 15 significant examples, each by a different architect, of homes that combine outstanding architectural principles and an authentic interior decor. A comprehensive introduction places the movement in social, historical and architectural context, before each of the selected homes is discussed in detail in an informed, engaging essay style. The relationship of architect/owner is discussed; as are the linking of the building to its site, materials and architectural detailing. The author has interviewed many architects and owners for their personal insights. Each study includes a feature on the interior decoration, and a discussion of designers and manufacturers of iconic furniture, fabrics etc.

Karen McCartney's Iconic Australian Houses books are re-imagined so cleverly in this freshly redesigned, encyclopaedic book, which brings together in one volume the best of 50 years of Australian residential architecture.' Lucy Feagins - The Design Files Iconic: Modern Australian Houses 1950--2000 showcases, in a fresh, new and collectible edition, the best residential projects from the previously published works 50/60/70 and 70/80/90 and which formed successful exhibitions shown at the Museum of Sydney. Completely redesigned in a new format, with revised introduction, this classic will find audiences both new to and familiar with the gems of Australian modernist architecture. Featuring houses from: Harry Seidler, Peter Muller, Roy Grounds, Peter McIntyre, Russell Jack, Robin Boyd, McGlashan Everist, Enrico Taglietti, Neville Gruzman, Bruce Rickard, Hugh Buhrich, Ian McKay, Iwan Iwanoff, Ian Collins, Richard Leplastrier, Glenn Murcott, Barrie Marshall, Ken Woolley, Lovell Chen, Wood Marsh, Andresen O'Gorman, Durbach Block, Sean Godsell, Stutchbury and Harper, Donovan Hill.

From the 1950s to the 1970s, the work of Lloyd Wright, Gropius and van der Rohe strongly influenced a generation of young Australian architects, who adopted modernist principles in their work. Karen McCartney has compiled 15 significant examples, each by a different architect, of homes that combine outstanding architectural principles and an authentic interior decor. A comprehensive introduction places the movement in social, historical and architectural context, before each of the selected homes is discussed in detail in an informed, engaging essay style. The relationship of architect/owner is discussed; as are the linking of the building to its site, materials and architectural detailing. The author has interviewed many architects and owners for their personal insights. Each study includes a feature on the interior decoration, and a discussion of designers and manufacturers of iconic furniture, fabrics etc.

In this follow-up to the design classic 50/60/70 Iconic Australian Houses, Karen McCartney, founding editor of interiors magazine Inside Out, has compiled a selection of significant examples of Australian houses of the 1970s, 80s and 90s, each brilliantly photographed and with a depth of coverage rarely seen before. Featured architects include Richard Leplastrier, Glenn Murcutt and Wood Marsh. A detailed introduction places the period in social, historical and architectural context, before each of the selected houses is individually reviewed in an informed and engaging style. In each example the relationship between the architect and owner is discussed, as is the linking of the building to its site, materials and architectural detailing. The author has interviewed many architects and owners for their personal insights. Each study includes a feature on the interior decoration and a discussion of designers and manufacturers of iconic furniture, fittings and fabrics. 70/80/90 Iconic Australian Houses features stunning photography by Michael Wee, both panoramic and detailed, throughout. The homes from these three decades form a significant part of Australian architectural history.

In the 1950s, 60s and 70s architects like Harry Seidler, Robin Boyd, Ken Woolley, Michael Dysart and Graeme Gunn applied their talents to project homes, bringing high-end design to the suburbs. Backed by Pettit & Sevitt, Merchant Builders and other project builders, architects created small, deceptively simple houses which transformed the look of suburbia. Today, the distance between the architectural profession and suburban housing has never been greater, with Australia’s super-sized, energy-guzzling project homes the biggest in the world. With photographs by Max Dupain, David Moore, Wolfgang Sievers and Eric Sierins alongside original plans, Designer Suburbs explores the relationship between architects, builders and affordable housing since 1900 and the lessons we can learn from twentieth-century designer suburbs.

If you have read The House that Pinterest Built, Smart Spaces, The Alchemy of Things, or Elements of Style you're going to love Perfect Imperfect. Wabi-sabi and new creative interior design expressions: Perfect Imperfect is a stunning collection of homes and studios of creatives from all over the world, with thought-provoking text by Karen McCartney and stunning visuals by Sharyn Cairns and Glen Proebstel. Perfect Imperfect takes as its founding principle the Japanese concept of wabi-sabi. Wabi-Sabi advocates the beauty to be found in imperfection, impermanence and the authentic. Importantly this is done without losing sight of the benefits of living in the 21st century; where designers are merging digital technology with the handmade, rethinking how to use space and accommodating the natural world. Creating a new interior design vocabulary: As the collaborative process for creating Perfect Imperfect involved working across continents, the authors created a list of words and phrases that define how to curate the work they include in their stunning book. Their new interior design and interior decorating vocabulary includes terms such as mutability, irregularity, unfinished and incomplete, void, the effects of accident, unpretentious, simplicity, contrasts, and Leonard Koren's idea that 'beauty can be coaxed out of ugliness'. The new words and phrases introduced by the authors define the book's visual sections: - Spirit of Nature - Strange Beauty - Mark of Hand - Deep Shadow - Weathering & Decay - And, Incomplete and Irregular A beautiful, inspirational decorative book: Perfect Imperfect is a celebration of accident, curation, collection, hesitation, collaboration, reuse, reimagining and true originality. It explores an established aesthetic in a new way and embraces current design objects alongside well-worn ones; featuring interior settings that mix comfort, design and an off-beat beauty.

Joel Beath and Elizabeth Price explore this question drawing inspiration from a diverse collection of apartment designs, all smaller than 50m2/540ft2. Through the lens of five small-footprint design principles and drawing on architectural images and detailed floor plans, the authors examine how architects and designers are reimagining small space living. Full of inspiration we can each apply to our own spaces, this is a book that offers hope and inspiration for a future of our cities and their citizens in which sustainability and style, comfort and affordability can co-exist. Never Too Small proves living better doesn’t have to mean living larger.

Small House Living Australia features 21 small, inspiring Australian homes. Some are clever additions onto tight urban sites: others are tranquil weekenders in deep countryside - what all have in common is a shared belief that good architectural design principles make even the smallest of architectural and ecological footprints possible. With land ever more expensive, growing environmental pressures and an increasing number of small households, architects and designers are responding with great ingenuity to produce both practical and cost-effective buildings, and all the while never sacrificing the most essential of human needs - a beautiful home. The houses you will discover in Small House Living Australia are celebrations in built form of lives lived well, with less.

In this follow-up to the design classic 50/60/70 Iconic Australian Houses, Karen McCartney, founding editor of interiors magazine Inside Out, has compiled a selection of significant examples of Australian houses of the 1970s, 80s and 90s, each brilliantly photographed and with a depth of coverage rarely seen before. Featured architects include Richard Leplastrier, Glenn Murcutt and Wood Marsh. A detailed introduction places the period in social, historical and architectural context, before each of the selected houses is individually reviewed in an informed and engaging style. In each example the relationship between the architect and owner is discussed, as is the linking of the building to its site, materials and architectural detailing. The author has interviewed many architects and owners for their personal insights. Each study includes a feature on the interior decoration and a discussion of designers and manufacturers of iconic furniture, fittings and fabrics. 70/80/90 Iconic Australian Houses features stunning photography by Michael Wee, both panoramic and detailed, throughout. The homes from these three decades form a significant part of Australian architectural history.

At long last, Sarah Britton, called the “queen bee of the health blogs” by Bon Appétit, reveals 100 gorgeous, all-new plant-based recipes in her debut cookbook, inspired by her wildly popular blog. Every month, half a million readers—vegetarians, vegans, paleo followers, and gluten-free gourmets alike—flock to Sarah’s adaptable and accessible recipes that make powerfully healthy ingredients simply irresistible. My New Roots is the ultimate guide to revitalizing one’s health and palate, one delicious recipe at a time: no fad diets or gimmicks here. Whether readers are newcomers to natural foods or are already devotees, they will discover how easy it is to eat healthfully and happily when whole foods and plants are at the center of every plate.