Floe Ryan was frozen - or 'vitrified' - at sixteen. She and her parents had a rare disease, so it was their only choice until a cure was found. Now she's been thawed and it's ten years in the future - but she's still a teenager. And her parents are still chilling out... So now her little sister is her older sister, and she's making Floe suffer for every snotty thing she ever did. It's hard getting used to... not to mention a new school, new technology, and a zillion other new things that happened while she was napping in the freezer. Luckily, she has Taz, the hottie skater boy who was a popsicle too, so they get to reintegrate together. But now they're trying to close the Venice Beach Cryonics Center - with Floe's parents still in it! It's up to her to save the clinic and her parents - so she can finally have a somewhat normal life.

In the mid- to late 2000s, the United States witnessed a boom in dystopian novels and films intended for young audiences. At that time, many literary critics, journalists, and educators grouped dystopian literature together with science fiction, leading to possible misunderstandings of the unique history, aspects, and functions of science fiction and dystopian genres. Though texts within these two genres may share similar settings, plot devices, and characters, each genre’s value is different because they do distinctively different sociocritical work in relation to the culture that produces them. In The Order and the Other: Young Adult Dystopian Literature and Science Fiction, author Joseph W. Campbell distinguishes the two genres, explains the function of each, and outlines the different impact each has upon readers. Campbell analyzes such works as Lois Lowry’s The Giver and James Dashner’s The Maze Runner, placing dystopian works into the larger context of literary history. He asserts both dystopian literature and science fiction differently empower and manipulate readers, encouraging them to look critically at the way they are taught to encounter those who are different from them and how to recognize and work within or against the power structures around them. In doing so, Campbell demonstrates the necessity of both genres.

True Blood, Alan Ball's critically acclaimed television adaptation of Charlaine Harris' bestselling Southern Vampire mysteries, is HBO's most-watched show since The Sopranos, averaging over 12 million viewers an episode in its second season. Thanks to its large, dedicated fanbase, it won the People's Choice “Favorite TV Obsession" award in early 2010. A Taste of True Blood: The Fangbanger's Guide gives those fans something to savor between episodes—and whets their appetite for more. Covering the show's first two seasons and released just in time for the third (with real-time online updates from the book's contributors throughout season three), the book includes pieces on: • Vampire Bill's season 2 slide from hot to not • Sookie's mind-reading talents as a critique of our oversharing Facebook culture • What a Louisiana setting adds to the traditional vampire myth • Why the television series had to differ from the books (co-written by the Southern Vampire mysteries' editor Ginjer Buchanan) • And much more, from shapeshifters to maenads to Merlotte's A Taste of True Blood also includes a quick reference guide to the show's first two seasons.

Is Sue is the true driving force behind Glee? Who the real alpha male in New Directions? Why do we really keep coming back to Glee week after week? From its quirky character insights to its inspirational, funny, and touching stories from fellow gleeks, Filled with Glee is the perfect companion for the fan who can't get enough Glee. Filled with Glee also includes a guide to putting together a glee club in your own school or community; an index of songs by episode; and the musical biographies of the main and guest actors (including where and when they've worked together before).

Still reeling from having lost her chance to become a vampire, sixteen-year-old Rayne learns that she is destined to be the new Vampire Slayer and must go undercover to stop a maniacal member of the undead who seeks vengeance and power by spreading a fatal blood disease.

For 28 years, Novel & Short Story Writer's Market has been the only resource of its kind exclusively for fiction writers. Covering all genres from romance to mystery to horror and more, this resource helps you prepare your submissions and sell your work. This must-have guide includes listings for over 1,300 book publishers, magazines, literary agents, writing contests and conferences, each containing current contact information, editorial needs, schedules and guidelines that save you time and take the guesswork out of the submission process. With more than 100 pages of listings for literary journals alone and another 100 pages of book publishers, plus special sections dedicated to the genres of romance, mystery/thriller, speculative fiction, and comics/graphic novels, the 2009 edition of this essential resource is your key to successfully selling your fiction.

Speculating about the cultural metaphors in Janet Evanovich's wildly popular mystery series (which includes 11 books, from One for the Money to Eleven on Top), this anthology takes a look at lingerie-buyer-turned-bounty-hunter Stephanie Plum and catalogs her bad luck with cars (she's blown up quite a few), her good luck with men, her unorthodox approach to weapon storage, and the rich tapestry of her milieu: Trenton, New Jersey, also known as The Burg. The contributors praise the way the series smartly spoofs that familiar chick-lit epiphany—I have a bad job and what I really want is a good man!—in Bounty Hunting as a Metaphor for Dating, Why Stephanie Should Quit Her Job … but Never Will, and Nothing Better than a Bad Boy Gone Good. Several essays veer from the chick-lit perspective and focus instead on the comic theme of luck and chance that ties Stephanie to the barroom gamblers and gangster meanies of her home town in Luck of the Italian?: Skill versus Chance.

For 28 years, Novel & Short Story Writer's Market has been the only resource of its kind exclusively for fiction writers. Covering all genres from romance to mystery to horror and more, this resource helps you prepare your submissions and sell your work. This must-have guide includes listings for over 1,300 book publishers, magazines, literary agents, writing contests and conferences, each containing current contact information, editorial needs, schedules and guidelines that save you time and take the guesswork out of the submission process. With more than 100 pages of listings for literary journals alone and another 100 pages of book publishers, plus special sections dedicated to the genres of romance, mystery/thriller, speculative fiction, and comics/graphic novels, the 2009 edition of this essential resource is your key to successfully selling your fiction.

For 28 years, Novel & Short Story Writer's Market has been the only resource of its kind exclusively for fiction writers. Covering all genres from romance to mystery to horror and more, this resource helps you prepare your submissions and sell your work. This must-have guide includes listings for over 1,300 book publishers, magazines, literary agents, writing contests and conferences, each containing current contact information, editorial needs, schedules and guidelines that save you time and take the guesswork out of the submission process. With more than 100 pages of listings for literary journals alone and another 100 pages of book publishers, plus special sections dedicated to the genres of romance, mystery/thriller, speculative fiction, and comics/graphic novels, the 2009 edition of this essential resource is your key to successfully selling your fiction.

Is it asking too much to live a typical twelfth grade existence? Kelsey Kendler just wants to earn some money for university, hang out with friends, maybe even snag a boyfriend. But her pill-popping mom and distant dad scare off anybody she tries to bring home, making those last two things feel impossible. Her part-time ice cream shop job’s a slog, but at least there, she can escape her parents’ constant fighting … until the COVID-19 pandemic forces a lockdown and she’s stuck at home with them 24/7. As the lockdown takes its toll on Kelsey’s mental health, she starts to see the appeal of her mom’s pills. She hates what they do to her mom, but numbing herself to the world seems like a pretty good idea right about now. Horrified to find herself following in her mom’s footsteps, she can only hope she’ll eventually figure out some other way to cope …