"What, you're not satisfied with your wealth and glory as the Emperor's concubine, so you want to pester me now? But do you think I'd want you? If I stick it to you, even I'll find it dirty! " "He raised his eyebrows with a hint of disdain." Have you always liked to be so sentimental? She did not get angry, but raised her eyebrows indifferently and returned the attack. Afterwards, after leaving, he looked at her back, clenching his fist, deep in thought ...

In this lively and pathbreaking book, William Monter sketches Europe's increasing acceptance of autonomous female rulers between the late Middle Ages and the French Revolution. Monter surveys the governmental records of Europe's thirty women monarchs—the famous (Mary Stuart, Elizabeth I, Catherine the Great) as well as the obscure (Charlotte of Cyprus, Isabel Clara Eugenia of the Netherlands)—describing how each of them achieved sovereign authority, wielded it, and (more often than men) abandoned it. Monter argues that Europe's female kings, who ruled by divine right, experienced no significant political opposition despite their gender.

"Sarah Gristwood has written a masterpiece that effortlessly and enthrallingly interweaves the amazing stories of women who ruled in Europe during the Renaissance period." -- Alison Weir Sixteenth-century Europe saw an explosion of female rule. From Isabella of Castile, and her granddaughter Mary Tudor, to Catherine de Medici, Anne Boleyn, and Elizabeth Tudor, these women wielded enormous power over their territories, shaping the course of European history for over a century. Across boundaries and generations, these royal women were mothers and daughters, mentors and protées, allies and enemies. For the first time, Europe saw a sisterhood of queens who would not be equaled until modern times. A fascinating group biography and a thrilling political epic, Game of Queens explores the lives of some of the most beloved (and reviled) queens in history.

As the only child of the Prince Regent and Caroline of Brunswick, Princess Charlotte of Wales (1796-1817) was the heiress presumptive to the throne. Her parents’ marriage had already broken up by the time she was born. She had a difficult childhood and a turbulent adolescence, but she was popular with the public, who looked to her to restore the good name of the monarchy. When she broke off her engagement to a Dutch prince, her father put her under virtual imprisonment and she endured a period of profound unhappiness. But she held out for the freedom to choose her husband, and when she married Prince Leopold of Saxe-Coburg she finally achieved contentment. Her happiness was cruelly cut short when she died in childbirth at the age of twenty-one only eighteen months later. A shocked nation went into mourning for its ‘people’s princess’, the queen who never was.

This biography of Queen María de Molina thematically explores her life and demonstrates her collective exercise of power and authority as queen. Throughout her public life, María de Molina’s resilient determination, as queen and later as regent, enabled her to not only work tirelessly to establish an effective governing partnership with her husband King Sancho IV, which never occurred, but also to establish the legitimacy of her children and their heirs and their right to rule. Such legitimacy enabled Queen María de Molina’s son and grandson, under her tutelage, to fend off other monarchs and belligerent nobles. The author demonstrates the queen’s ability to govern the Kingdom of Castile-León as a partner with her husband King Sancho IV, a partnership that can be described as an official union. A major theme of this study is María de Molina’s role as dowager queen and regent as she continued to exercise her queenly power and authority to protect the throne of her son Fernando IV and, later, of her grandson Alfonso XI, and to provide peace and stability for the Kingdom of Castile-León.

Although Noël Coward's work as playwright, songwriter and actor has long been celebrated, his contributions to the British musical have largely been forgotten. Selected Musical Plays by Noël Coward: A Critical Anthology rectifies this omission from the musical theatre landscape, demonstrating how Coward's adaptability, creativity, and myriad of styles is imitated in the incredible musicals he authored. From flop shows at Drury Lane with Mary Martin through to his Broadway hits with Elaine Stritch, this anthology chronicles the variety of styles written by Coward, from revue to musical comedy to operetta. The works in this volume provide a contemporary critical introduction that illustrates the breadth and depth of his work, and highlighting the diverse identities of the collaborators and performers with whom he worked. Though the style of these works varies, they are linked together by his creative thread, and his ability to craft barbed and witty observations of his social world. A timely portrait of Coward's oeuvre and its lasting influence on the wider world of the British musical, Selected Musical Plays by Noël Coward contains previously unpublished musical plays by a central figure in theatre history, collected together with critical apparatus for students, scholars, and fans.

Our perception of Victoria the Queen is coloured by portraits of her older, widowed self - her dour expression embodying the repressive morality propagated in her time. But Becoming Queen reveals an energetic and vibrant woman, determined to battle for power. It also documents the Byzantine machinations behind Victoria's quest to occupy the throne, and shows how her struggles did not end when finally the crown was placed on her head. Laying bare the passions that swirled around the throne in the eighteenth century, Becoming Queen is an absorbingly dramatic tale of secrets, sexual repression and endless conflict. After her lauded biography of Emma Hamilton, England's Mistress, Kate Williams has produced a most original and intimate portrait of Great Britain's longest reigning monarch.

Regent, book one of The Balance of Power trilogy, is the much anticipated continuation of the World of Godsland fantasy series, which began with The Dawning of Power trilogy. In the years since the end of The Herald War, the world has become complacent despite Catrin Volker's warnings. When the darkness of her visions comes to pass, no one is prepared, and the fate of humanity will rest in her hands.