Ramon Sosa, a successful businessman and former pro-boxer, thought he had found the perfect woman. The devoted father of three, committed to rebuilding his life after his first divorce, met Maria De Lourdes Sosa (aka Lulu) while out dancing at a salsa club in Houston, Texas. She took his breath away. They began a whirlwind romance and married a year later. Shortly after the wedding Lulu, a once doting and loving wife began to change. She was now a U.S. citizen with her grandiose sights set on the American Dream for her and her children. Those plans no longer included Ramon. She wanted it all; the house, the business and the money and she would do everything in her power to get it, including having Ramon murdered. “I Walked On My Own Grave” tells the harrowing story of how Lulu, after trying to destroy Ramon’s life for months, plotted with two “hitmen” to have her husband killed. Her carefully orchestrated plan would have been successful, were it not for the quick thinking of a brave young man who Ramon had once mentored. Little did he know one day his protégé would return the favor by saving his life.

A debut author unearths the long-buried secrets of a small New England town in the 1850s in this richly atmospheric Gothic tale of murder, guilt, redemption, and finding love where it's least expected.

WINNER OF THE 2022 PULITZER PRIZE "A compelling and important history that this nation desperately needs to hear." -Bryan Stevenson, New York Times bestselling author of Just Mercy and executive director of the Equal Justice Initiative Chasing Me to My Grave presents the late artist Winfred Rembert's breathtaking body of work alongside his story, as told to Tufts Philosopher Erin I. Kelly. Rembert grew up in a family of Georgia field laborers, joined the Civil Rights Movement as a teenager, survived a near-lynching at the hands of law enforcement, and spent seven years on chain gangs. There he learned the leather tooling skills that became the bedrock of his autobiographical paintings. Years later, encouraged by his wife, Patsy, Rembert brought his past to vibrant life in scenes of joy and terror, from the promise of southern Black commerce to the brutality of chain gang labor. Vivid, confrontational, revelatory, and complex, Chasing Me to My Grave is a searing memoir in prose and painted leather that celebrates Black life and summons readers to confront painful and urgent realities at the heart of American society. Booklist #1 Nonfiction Book of the Year * African American Literary Book Club (AALBC) #1 Nonfiction Bestseller * Named a Best Book of the Year by: NPR, Publishers Weekly, BookPage, Barnes & Noble, Hudson Booksellers, ARTnews, and more * Amazon Editors' Pick * Carnegie Medal of Excellence Longlist

NATIONAL BESTSELLER • From the winner of the Nobel Prize in Literature and author of Never Let Me Go and the Booker Prize–winning novel The Remains of the Day comes a luminous meditation on the act of forgetting and the power of memory. In post-Arthurian Britain, the wars that once raged between the Saxons and the Britons have finally ceased. Axl and Beatrice, an elderly British couple, set off to visit their son, whom they haven't seen in years. And, because a strange mist has caused mass amnesia throughout the land, they can scarcely remember anything about him. As they are joined on their journey by a Saxon warrior, his orphan charge, and an illustrious knight, Axl and Beatrice slowly begin to remember the dark and troubled past they all share. By turns savage, suspenseful, and intensely moving, The Buried Giant is a luminous meditation on the act of forgetting and the power of memory.

Look out for the original series—starring Peyton List, Brent Rivera, Liana Liberato, Ajiona Alexus, and Dylan Sprayberry—now streaming on Hulu! McKenna’s mission to save her friends from their predicted deaths concludes in the third and final installment in the Light as a Feather series that is Riverdale meets The Chilling Adventures of Sabrina! It’s not a game anymore… McKenna has managed to rid Violet of the curse claiming the lives of so many in Willow, Wisconsin, but evil still plagues the town. McKenna’s friend Mischa now carries the curse, and when it comes for her family, she pledges revenge on those she deems responsible for their deaths...including McKenna and everyone she holds dear.

The candid self-portrait of one of America's most famous ballerinas and a story of the high-pressure world of dance that brought the acclaimed dancer to a nightmare world of illness, drug addiction, and suicidal despair

In 1875 Ohio, twelve-year-old Cap Cooper is an aspiring inventor—and a reluctant graverobber—enlisted by his father to help pay for his mother's medical expenses. When one of the dead returns to life at his touch, Cap unearths a world of dark secrets that someone at the local medical school wants to keep buried. On the brink of discovery, he'll have to use every ounce of cunning he has to protect those he loves most and save his own skin. The Grave Digger is an eerie mystery set in the aftermath of the Civil War, filled with action, friendship, and a hint of the paranormal, perfect for those who enjoy reading late into the night and long after the lights go out.

In 1985 British DNA scientist Helena Greenwood was brutally murdered in San Francisco. The only suspect, Paul Frediani, could not be linked to the crime. In 1999, a San Diego detective reopened the case - armed with a vital clue and a new forensic weapon that Greenwood helped pioneer . . .

Sidra Smart, disillusioned ex-wife of a fundamentalist preacher, never imagined herself running The Third Eye, a PI business, until she inherits her late brother's detective agency. Soon, a woman stumbles in with vague flashbacks of a 30-year-old murder. Intrigued by the story, Sid takes the case and soon plunges into a surreal world where the flames of Creole superstition and passion burn as hot as the memories of child abuse, arson, and murder.

Predicated upon the towers of collapse, while T.S. Eliot, the representative modernist, in order to re-construct his culture out of the debris of its imperialist past, concluded his Waste Land (1922) by looking Eastward, into the all-pervading “shantih” of the Brihadaranyaka Upanishad, Kahlil Gibran, a Lebanese American, authored The Prophet (1923) to deconstruct such enterprise and retrieve a culture that was swirling in-between Darwinian metaphors and Nietzschean Nihilism. He who was exterior to the ‘omnipotent definitions’ of the West, saw in “Beauty” the “eternity gazing at itself in a mirror.” So, to him, “you are eternity and you are the mirror.” This book is a reading of Kahlil Gibran's life and works: his life as a text and his works as the terrains of a never-ending journey. It opens up those fissures and ruptures that make Gibran and his writings relevant vis-á-vis the socio-political, cultural and religious urgencies that the world is grappling with today. Often misconstrued as a mystic or an Oriental Wise Man, Gibran dwells in an amorphous placeless-ness within the academic space and outside of it. “Forerunner” in its own way, this book, by unfolding the process of 'reading' as a mode of travelling, subverts such stereotypes and tries to reveal to the readers that 'outlandish' lonely intellectual who, through his works, fashioned a self and a land ‘out of place’, rather in a ‘non-place’, for dismantling and up-setting monolithic cultures and their decadent notions.