I Ulu I Ke Kumu is the first volume of a series to be published annually by the Hawai‘inuiākea School of Hawaiian Knowledge and is intended to be a venue for scholars as well as practitioners and leaders in the Hawaiian community to come together over issues, queries, and strategies. Each volume will feature articles on a thematic topic—from diverse fields such as economics, education, family resources, government, health, history, land and natural resource management, psychology, religion, sociology, and so forth—selected by an editorial team. It will also include a “current viewpoint” by a postgraduate student and a reflection piece contributed by a kupuna. The series will include articles written in Hawaiian and/or English, images, poetry and songs, and new voices and perspectives from emerging Native Hawaiian scholars. Readers who wish to comment on articles, artwork, and other pieces will be able to do so through the monograph discussion link found at the Hawai‘inuiākea School of Hawaiian Knowledge website (http://manoa.hawaii.edu/hshk/).

Kū, a Hawaiian god, came from Kahiki and settled in Hawaiʻi. He lives as a man until famine strikes and his family starves. To save them, he descends into the ground and re-emerges as a breadfruit tree, whose fruits could be cooked and eaten.

Volume one gives an indepth discussion of major Hawaiian culture concepts, providing insights into both their ancient and modern significances and volume two traces the ancient Hawaiian social customs practices and beliefs from birth to old age.

For many years, Hawaiian Dictionary has been the definitive and authoritative work on the Hawaiian language. Now this indispensable reference volume has been enlarged and completely revised. More than 3,000 new entries have been added to the Hawaiian-English section, bringing the total number of entries to almost 30,000 and making it the largest and most complete of any Polynesian dictionary. Other additions and changes in this section include: a method of showing stress groups to facilitate pronunciation of Hawaiian words with more than three syllables; indications of parts of speech; current scientific names of plants; use of metric measurements; additional reconstructions; classical origins of loan words; and many added cross-references to enhance understanding of the numerous nuances of Hawaiian words. The English Hawaiian section, a complement and supplement to the Hawaiian English section, contains more than 12,500 entries and can serve as an index to hidden riches in the Hawaiian language. This new edition is more than a dictionary. Containing folklore, poetry, and ethnology, it will benefit Hawaiian studies for years to come.

The weaving of lau hala represents a living tradition borne on the great arc of Pacific voyaging history. This thriving tradition is made immediate by masters of the art who transmit their knowledge to those who are similarly devoted to, and delighted by, the smoothness, softness, and that particular warm fragrance of a woven lau hala treasure. The third volume in the Hawai‘inuiākea series, ‘Ike Ulana Lau Hala is an intriguing collection of articles and images about the Hawaiian tradition of ulana lau hala: the weaving, by hand, of dried Pandanus tectorius leaves. ‘Ike Ulana Lau Hala considers the humble hala leaf through several, very different lenses: an analysis of lau hala items that occur in historic photographs from the Bishop Museum collections; the ecological history on hala in Hawai‘i and the Pacific including serious challenges to its survival and strategies to prevent its extinction; perspectives–in Hawaiian–of a native speaker from Ni‘ihau on master weavers and the relationship between teacher and learner; a review–also in Hawaiian– of references to lau hala in poetical sayings and idioms; a survey of lau hala in Hawaiian cultural heritage and the documentation project underway to share the art with a broader audience; and a conversation with a master artisan known for his distinct and intricate construction of the lei hala. Rich with imagery, this extraordinary volume will guide the reader to a better understanding of the cultural scope and importance of lau hala, fostering an appreciation of the level of excellence to which the art of ulana lau hala has risen under the guidance of masters who continue to steer the Hawaiian form of the tradition into the future.

Secret military weapons, saboteurs, a volcanic eruption—and a probe of Chief Detective Koa Kane's criminal past On Hawaii Island, a volcanic earthquake disrupts an abandoned cemetery—unearthing the body of a woman mutilated by her killer to conceal her identity. The search for her identity leads Hilo Hawaii's Chief Detective Koa Kane to a mysterious defense contractor with a politically connected board of directors. Defying his chief of police, Koa pursues the killer, only to become entangled in an FBI espionage investigation of Deimos, a powerful secret military weapon. Is the FBI telling all it knows—or does it, too, have a duplicitous agenda? At the same time, Koa—a cop who thirty years earlier killed his father's nemesis and covered up the murder—faces exposure by the dead man's grandson. Koa is forced to investigate his own homicide, and step by step, his cover-up unravels until another man is falsely accused. Can Koa stand by and let an innocent man pay for his crime? A crime novel perfect for fans of Michael Connelly and James Lee Burke While all the novels in the Koa Kane Hawaiian Mystery Series stand on their own and can be read in any order, the publication sequence is: Death of a Messenger Off the Grid Fire and Vengeance Treachery Times Two Retribution

I Ulu I Ka ‘Āina: Land, the second publication in the Hawai‘inuiākea series, tackles the subject of the Kanaka (Hawaiian) connection to the ‘āina (land) through articles, poetry, art, and photography. From the remarkable cover illustration by artist April Drexel to the essays in this volume, there is no mistaking the insistent affirmation that Kanaka are inseparable from the ‘āina. This work calls the reader to acknowledge the Kanaka’s intimate connection to the islands. The alienation of ‘āina from Kanaka so accelerated and intensified over the nineteenth and twentieth centuries that there are few today who consciously recognize the enormous harm that has been done physically, emotionally, and spiritually by that separation. The evidence of harm is everywhere: crippled and dysfunctional families, rampant drug and alcohol abuse, disproportionately high incidences of arrest and incarceration, and alarming health and mortality statistics, some of which may be traced to diet and lifestyle, which themselves are traceable to the separation from ‘āina. This volume articulates the critical needs that call the Kanaka back to the ‘āina and invites the reader to remember the thousands of years that our ancestors walked, named, and planted the land and were themselves planted in it. Contributors: Carlos Andrade, Kamana Beamer, April Drexel, Dana Nāone Hall, Neil Hannahs, Lia O’Neill Keawe, Jamaica Osorio, No‘eau Peralto, Kekailoa Perry, and Kaiwipuni Lipe with Lilikalā Kame‘eleihiwa.

The story of Ni‘ihau has been told many times by many people, but Ni‘ihau Place Names adds new information to the island’s history from a unique source: Hawaiian-language newspapers. From 1834 to 1948, approximately 125,000 pages of Native Hawaiian expression were printed in more than 100 different newspapers. John R. K. Clark has gathered and edited a large collection of invaluable articles that recorded daily life on Niʻihau, events and topics of interest, and the island’s place names. Additionally, Keao NeSmith, a Native Hawaiian of Kaua‘i and an applied linguist, translator, and researcher fluent in ‘ōlelo Hawai‘i, translated each passage into English. Most of these excerpts have not appeared in any other publication. Ni‘ihau is unique in the state of Hawai‘i because it is the only island that is entirely privately owned. In 1864, Kamehameha V, the monarch of the Kingdom of Hawai‘i, sold the island to the Sinclairs, a wealthy immigrant family looking to establish a ranching business. Descendants of the Sinclairs still own the island today. Diverse opinions about the sale of Niʻihau were published in newspapers across the Hawaiian Islands, and this book traces the development and aftershocks of that historic event. Ni‘ihau Place Names contains over thirty kanikau (dirges, poetic chants) written and published from 1845 to 1931 to honor deceased Niʻihau residents. These compositions of deep emotion are treasuries of language, history, genealogy, cultural knowledge, and especially place names. Another important contribution in this volume is the identification of ‘ōlelo no‘eau (proverbs and poetical sayings) with demonstrations of their use in everyday conversation. The book is divided into two main sections. “Ni‘ihau Place Names” is an alphabetical list of prominent place names on the island, accompanied by relevant passages in Hawaiian and their English translations. The list also includes Lehua, the small island near the northwest tip of Ni‘ihau. “Ni‘ihau History” is an additional collection of articles that includes many lesser-known place names and elucidates other topics deemed worthy by reporters and contributors of the time. Following the main text, readers will find helpful indexes of general terms, place names, and personal names.

Without question, this is the definitive grammar of the Hawaiian language. Indeed it is the first attempt at a comprehensive treatment of the subject since W. D. Alexander published his concise Short Synopsis of the Most Essential Points in Hawaiian Grammar in 1864. This grammar is intended as a companion to the Hawaiian Dictionary, by the same authors. The grammar was written with every student of the Hawaiian language in mind—from the casual interested layperson to the professional linguist and grammarian. Although it was obviously impossible to avoid technical terms, their use was kept to a minimum, and a glossary is included for those who need its help. Each point of grammar is illustrated with examples, many from Hawaiian-language literature.