ONLY MURDER (a Sadie Price FBI Suspense Thriller—Book 1) is the debut novel in a new series by mystery and suspense author Rylie Dark. Special Agent Sadie Price, a 29-year-old rising star in the FBI’s BAU unit, stuns her colleagues by requesting reassignment to the FBI’s remote Alaskan field office. Back in her home state, a place she vowed she would never return, Sadie, running from a secret in her recent past and back into her old one, finds herself facing her demons—including her sister’s unsolved murder—while assigned to hunt down a new serial killer. Two women are found dead in a remote area of Northern Alaska, near Sadie’s hometown, floating under the ice, their bodies preserved, much the same way Sadie’s own murdered sister was found—a memory that still plagues her. The case strikes way too close to home, blurring Sadie’s judgment, stirring up memories of her estranged father and murdered sister, memories she’s not ready to grapple with. This part of Alaska—icy, rough, remote, populated by outcasts—proves impenetrable even for a seasoned FBI agent like Sadie. The killer, matching his landscape, is more sinister and smart than anyone Sadie has encountered. Amidst the perplexing clues, Sadie remains sure of only one thing: he will strike again. Against her wishes, Sadie must team up with Sheriff Logan Cooper—single, begrudging, and with a dark past of his own. Together, they must enter the canals of this killer’s twisted mind and seek help from the locals, however hostile, to solve the pattern of these murders before another girl turns up dead. With a major storm coming, can Sadie solve the murders before it’s too late? Or will she end up as the next body floating under the ice? An action-packed page-turner, the SADIE PRICE series is a riveting crime thriller, jammed with suspense, surprises and twists and turns that you won’t see coming. It will have you fall in love with a brilliant and scarred new character, while challenging you, amidst a barren landscape, to solve an impenetrable crime. Books #2-#6 in the series—ONLY RAGE, ONLY HIS, ONLY ONCE, ONLY SPITE, and ONLY MADNESS—are now also available.

Why is it so much fun to read about death and dismemberment? In Murder Book, lifelong true-crime obsessive and New Yorker cartoonist Hilary Fitzgerald Campbell tries to puzzle out the answer. An unconventional graphic exploration of a lifetime of Ann Rule super-fandom, amateur armchair sleuthing, and a deep dive into the high-profile murders that have fascinated the author for decades, this is a funny, thoughtful, and highly personal blend of memoir, cultural criticism, and true crime with a focus on the often-overlooked victims of notorious killers.

Scream meets Happy Death Day in this terrifying stand-alone horror novel from YA scream queen Danielle Valentine. "This terrifying book reads like a horror movie. No, wait. It has the suspense and shocks and screams of TEN horror movies in one. Great nasty fun!" —R.L. Stine, author of Goosebumps and Fear Street Alice Lawrence is the sole witness in her sister’s murder trial. And in the year since Claire’s death, Alice’s life has completely fallen apart. Her parents have gotten divorced, she’s moved into an apartment that smells like bologna, and she is being forced to face her sister’s killer and a courtroom full of people who doubt what she saw in the corn maze a year prior. Claire was an all-American girl, beautiful and bubbly, and a theater star. Alice was a nerd who dreamed of becoming a forensic pathologist and would rather stay at home to watch her favorite horror movies than party. Despite their differences, they were bonded by sisterhood and were each other’s best friends. Until Claire was taken away from her. On the first day of the murder trial, as Alice prepares to give her testimony, she is knocked out by a Sidney Prescott look-alike in the courthouse bathroom. When she wakes up, it is Halloween night a year earlier, the same day Claire was murdered. Alice has until midnight to save her sister and find the real killer before he claims another victim.

History, mystery, murder, and mad science accompany plucky Victorian newspaper reporter Nellie Bly when she travels to the haunted moors of England to investigate the mysterious death of another journalist alongside H.G. Wells, Oscar Wilde, and Arthur Conan Doyle.

In 1959, just one step ahead of the law, Ian Ferguson’s parents left the sophisticated big-city life of Edmonton and ended up in Fort Vermilion, 846 km due north. It was meant to be a temporary move. Ian’s father lasted ten years before he made his escape; his mother remained until recently. Fort Vermilion, once a fur-trapping frontier town, was predominantly aboriginal, the third poorest community in Canada. Like their neighbours, the Ferguson kids—Ian and his six brothers and sisters—grew up without indoor plumbing, central heating or electricity. Living closer to the Arctic Circle than to the American border, without the influences of television or radio, Canada was a dream to them, as faraway and exotic as England or Australia. Beginning with the dramatic events surrounding his birth—including a paddlewheel ferry heading for destruction, a legendary rowboat trip, and a life-and-death race against time—Ferguson moves on to recreate adventures involving loophole ceremonies, life-saving encounters with indigenous medicines, tea dances, stolen hockey sticks and a boy lost in the woods. Funny with sad bits–and sometimes the other way around—The Village of Small Houses is an unforgettable story that lives, as Ferguson says, somewhere between Angela’s Ashes and Who Has Seen the Wind.

When Poppy goes on holiday to a Scottish island, she is looking forward to a week of climbing, hill-walking and horse riding. But things take a bad turn when their instructor has a fatal abseiling accident. When Poppy discovers that his rope was cut, and more of the instructors start to have 'accidents', she decides to investigate.

On a school trip to London that includes her ex-boyfriend and his new girlfriend, Kim meets risk-taker Nicki, who proposes a diabolical deal.

**A Guardian 'Best Thriller of the Year!'** The New York Times bestselling author of Magpie Murders and Moriarty brilliantly reinvents the classic crime novel once again with this clever and inventive mystery starring a fictional version of the author himself as the Watson to a modern-day Holmes, investigating a case involving buried secrets, murder, and a trail of bloody clues. A woman crosses a London street. It is just after 11am on a bright spring morning, and she is going into a funeral parlor to plan her own service. Six hours later the woman is dead, strangled with a crimson curtain cord in her own home. Enter disgraced police detective Daniel Hawthorne, a brilliant, eccentric man as quick with an insult as he is to crack a case. And Hawthorne has a partner, the celebrated novelist Anthony Horowitz, curious about the case and looking for new material. As brusque, impatient, and annoying as Hawthorne can be, Horowitz—a seasoned hand when it comes to crime stories—suspects the detective may be on to something, and is irresistibly drawn into the mystery. But as the case unfolds, Horowitz realizes he’s at the center of a story he can’t control . . . and that his brilliant partner may be hiding dark and mysterious secrets of his own. A masterful and tricky mystery which plays games at many levels, The Word Is Murder is Anthony Horowitz at his very best.

A New York Times bestseller | Soon to be a major motion picture “Witty, endearing and greatly entertaining.” —Wall Street Journal “Don’t trust anyone, including the four septuagenarian sleuths in Osman’s own laugh-out-loud whodunit.” —Parade Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it's too late?

Privy to Murder Shay O’Hanlon never knew the Minnesota Renaissance Festival was such a strange and bawdy event until JT Bordeaux—her badge-wearing, medieval-loving girlfriend—drags her along for a visit. The sixteenth-century faire is full of thrilling jousts, feisty wenches, and pickle vendors showing off their tasty tonsil ticklers, but Shay is distracted by the call of her full bladder. While trying to rein in her newest dog’s overactive nose, she finds a dead body with a pickle stuffed in his mouth. A real dead body. In the privy. And before Shay can shout “Huzzah!” JT is arrested for being the porta-potty body’s murderer. Together with her quirky crew of caper-solving pals, Shay must scramble for clues to free JT from the clink . . . and her troubled past.