"Reporter is just wonderful. Truly a great life, and what shines out of the book, amid the low cunning and tireless legwork, is Hersh's warmth and humanity. This book is essential reading for every journalist and aspiring journalist the world over." —John le Carré From the Pulitzer Prize-winning, best-selling author and preeminent investigative journalist of our time—a heartfelt, hugely revealing memoir of a decades-long career breaking some of the most impactful stories of the last half-century, from Washington to Vietnam to the Middle East. Seymour Hersh's fearless reporting has earned him fame, front-page bylines in virtually every major newspaper in the free world, honors galore, and no small amount of controversy. Now in this memoir he describes what drove him and how he worked as an independent outsider, even at the nation's most prestigious publications. He tells the stories behind the stories—riveting in their own right—as he chases leads, cultivates sources, and grapples with the weight of what he uncovers, daring to challenge official narratives handed down from the powers that be. In telling these stories, Hersh divulges previously unreported information about some of his biggest scoops, including the My Lai massacre and the horrors at Abu Ghraib. There are also illuminating recollections of some of the giants of American politics and journalism: Ben Bradlee, A. M. Rosenthal, David Remnick, and Henry Kissinger among them. This is essential reading on the power of the printed word at a time when good journalism is under fire as never before.

Essays by Thomas Frank, Clay Shirky, David Simon, and others: “Anyone concerned about the state of journalism should read this book.” —Library Journal The sudden meltdown of the news media has sparked one of the liveliest debates in recent memory, with an outpouring of opinion and analysis crackling across journals, the blogosphere, and academic publications. Yet, until now, we have lacked a comprehensive and accessible introduction to this new and shifting terrain. In Will the Last Reporter Please Turn Out the Lights, celebrated media analysts Robert W. McChesney and Victor Pickard have assembled thirty-two illuminating pieces on the crisis in journalism, revised and updated for this volume. Featuring some of today’s most incisive and influential commentators, this comprehensive collection contextualizes the predicament faced by the news media industry through a concise history of modern journalism, a hard-hitting analysis of the structural and financial causes of news media’s sudden collapse, and deeply informed proposals for how the vital role of journalism might be rescued from impending disaster. Sure to become the essential guide to the journalism crisis, Will the Last Reporter Please Turn Out the Lights is both a primer on the news media today and a chronicle of a key historical moment in the transformation of the press.

A complete guide to Hollywood's top blockbuster films, from 1939 through 1995, details the five most successful movies of each year

A 2024 YALSA Top Ten Great Graphic Novel for Teens • An NPR Best Book of 2023 • A 2023 NCSS Notable Social Studies Book "Inspiring and exciting, powerful and very poignant" —Anderson Cooper ★ "[A] gripping narrative, told with great immediacy" —Horn Book, starred review ★ "Highly recommended." ―School Library Journal, starred review “A powerful true story that demonstrates the power of one young person determined to change the world” — Victoria Jamieson, author of Roller Girl A teenage boy risks his life to tell the truth in this gripping graphic memoir by youth activist Muhammad Najem and CNN producer Nora Neus. Muhammad Najem was only eight years old when the war in Syria began. He was thirteen when his beloved Baba, his father, was killed in a bombing while praying. By fifteen, Muhammad didn’t want to hide anymore—he wanted to act. He was determined to reveal what families like his were enduring in Syria: bombings by their own government and days hiding in dark underground shelters. Armed with the camera on his phone and the support of his family, he started reporting on the war using social media. He interviewed other kids like him to show what they hope for and dream about. More than anything, he did it to show that Syrian kids like his toddler brother and infant sister, are just like kids in any other country. Despite unimaginable loss, Muhammad was always determined to document the humanity of the Syrian people. Eventually, the world took notice. This tenderly illustrated graphic memoir is told by Muhammad himself along with CNN producer Nora Neus, who helped break Muhammad’s story and bring his family’s plight to an international audience.

REPORTER is an account of John McBeth's 40-year journey through Asia, more than half of that time as a correspondent for the Far Eastern Economic Review, the venerable magazine long regarded as the region's Englishlanguage Bible on political and economic affairs. While necessarily a memoir, the book is more a reflection of the lives of a small group of foreign journalists who came to Asia on a wing and a prayer -- and in McBeth's case by ship -- and stayed on as fascinated witnesses to a region going through turbulent times and historic change. Part-history, part-analysis, part story-telling and, in a smaller way, partcommentary on the salad days of print journalism and its steady decline under the onslaught of television and the Internet, Reporter introduces us to a diverse cast of journalists, diplomats, officials, politicians and generals McBeth meets and befriends along the way. The book deals with the five coups and attempted coups McBeth covered during his 16 years in Thailand; the Khmer Rouge reign of terror; the Indochinese refugee invasion; and the dramatic democratic transitions in South Korea and Indonesia, which helped change the face of onceauthoritarian Asia.

It’s 1920s Chicago—the guns-and-gangster era of Al Capone—and it’s unusual for a girl to be selling the Tribune on the street corner. But ten-year-old Isabel Feeney is unusual . . . unusually obsessed with being a news reporter. She can’t believe her luck when she stumbles not only into a real-live murder scene, but also into her hero, the famous journalist Maude Collier. The story of how the smart, curious, loyal Isabel fights to defend the honor of her accused friend and latches on to the murder case like a dog on a pant leg makes for a winning, thoroughly entertaining middle grade mystery.

Facing History and Ourselves has developed Teaching Reporter to help classrooms explore essential questions about being a global citizen in the information age. The documentary Reporter follows New York Times columnist Nicholas Kristof on a reporting trip to central Africa. Watching Kristof identify stories that he thinks will galvanize readers to take action to prevent further humanitarian disasters in places such as Congo and Darfur, gives us an opportunity to think about not only the role of the journalist, but also our own roles as members of a global society. To whom do we show compassion? Under what circumstances? How can information be used to encourage action on behalf of others? Teaching Reporter includes materials that help students make connections between the dramatic events presented in the film and the choices they make in their own lives as creators and consumers of media. By addressing issues ranging from journalistic objectivity to psychic numbing, the resources in this study guide help develop students' civic and media literacy skills.

Judith Miller—star reporter for The New York Times, foreign correspondent in some of the most dangerous locations, Pulitzer Prize winner, and longest jailed correspondent for protecting her sources—turns her reporting skills on herself in this “memoir of high-stakes journalism” (Kirkus Reviews). In The Story, Judy Miller turns her journalistic skills on herself and her controversial reporting, which marshaled evidence that led America to invade Iraq. She writes about the mistakes she and others made on the existence in Iraq of weapons of mass destruction. She addresses the motives of some of her sources, including the notorious Iraqi Chalabi and the CIA. She describes going to jail to protect her sources in the Scooter Libby investigation of the outing of CIA agent Valerie Plame and how the Times subsequently abandoned her after twenty-eight years. Judy Miller grew up near the Nevada atomic proving ground. She got a job at The New York Times after a suit by women employees about discrimination at the paper and went on to cover national politics, head the paper’s bureau in Cairo, and serve as deputy editor in Paris and then deputy at the powerful Washington bureau. She reported on terrorism and the rise of fanatical Islam in the Middle East and on secret biological weapons plants and programs in Iraq, Iran, and Russia. Miller shared a Pulitzer for her reporting. She describes covering terrorism in Lebanon, being embedded in Iraq, and going inside Russia’s secret laboratories where scientists concocted designer germs and killer diseases and watched the failed search for WMDs in Iraq. The Story vividly describes the real life of a foreign and investigative reporter. It is an account filled with adventure, told with bluntness and wryness.

With frankness, Stewart tells the story of his own remarkable recovery as well as the extraordinary risks he and other journalists take to report the news from remote war-ravaged countries.".

Paul Watson won a Pulitzer Prize for his 1993 photograph of a dead American being dragged through the streets of Mogadishu; he has since reported from the Balkans, Iraq, Afghanistan. Deriving from correspondence between poet and war reporter, and their eventual meeting on the shore of the Arctic Ocean, these poems bear unsparing witness to both private trauma and the incalculable danger inflicted by contemporary warfare.