Guyon's theology and spiritual writing opened new doors to people from all walks of life who yearned for spiritual joy and wisdom. These new translations include her popular A Short and Easy Method of Prayer, as well as her biblical commentary on the Song of Songs. The Complete Madame Guyon also presents examples of her passionate poetry, some of which has never before been translated into English. Nancy James's historical introduction explains the events of Guyon's life first as an aristocratic wife and mother of five, and later as a wido traveling around Europe as an author, who ended up incarcerated in the Bastille by the direct order of Louis XIV. Guyon suffered ten years of incarceration, along with accusations of heresy. Cleared of all charges at the end of her life, in all of her writing Madame Guyon testified to the goodness and holiness of God.

This volume contains two timeless classics on inner prayer and experiencing God from the woman who "loved Christ too much": Experiencing Union with God through Inner Prayer and The Way and Results of that Union. In a time when her church focused on external works, Madame Jeanne Guyon looked into the heart of the matter and found that it's the prayers of the soul that God desires. For daring to teach this to the mass of people "who knew not God in their hearts," she was once imprisoned by her own church leaders for seven years--four of those years in the notorious Bastille in Paris, France.

Jeanne-Marie Bouvier de la Motte-Guyon (commonly known as Madame Guyon) was a French mystic and one of the key advocates of Quietism. Quietism was considered heretical by the Roman Catholic Church, and she was imprisoned from 1695 to 1703 after publishing a book on the topic, 'A Short and Easy Method of Prayer.' Guyon believed that one should pray all the time, and that in whatever one does, one should be spending time with God.

The first English translation of the Prison Narratives written by the seventeenth-century French mystic and Quietist, Jeanne Guyon (1648-1717). Guyon describes her confinement between 1695 and 1703 in various prisons, including the dreaded Bastille, and the introduction provides a comprehensive context for the historical, literary, and theological aspects of Guyon's writing.

Her writings and her ministry knew a brief period of popularity, making her a friend even of the wife of Louis XIV. She greatly influenced the life of Fenelon one of the two most famous clergymen in France's history, and earned the wrath of the other, Bossuet.

In this compelling study of two seventeenth-century female mystics, Bo Karen Lee examines the writings of Anna Maria van Schurman and Madame Jeanne Guyon, who, despite different religious formations, came to similar conclusions about the experience of God in contemplative prayer. Van Schurman was born into a Dutch Calvinist family and became a superb scriptural commentator before undergoing a dramatic religious conversion and joining the Labadist community, a Pietistic movement. Guyon was a French layperson whose thought would be identified with Quietism—a spiritual path that was looked upon with suspicion both by the French Catholic Church and by Rome. Lee analyzes and compares the themes of self-denial and self-annihilation in the writings of these two mystics. In van Schurman's case, the focus is on the distinction between scholastic knowledge of God and the intima notitia Dei accessible only by radical self-denial. In Guyon's case, it is on the union with God that is accessible only through a painful self-annihilation. For both authors, Lee demonstrates that the desire for enjoyment of God plays an important role as the engine of the soul's progress away from self-centeredness. The appendices offer facing Latin and English translations of two letters by van Schurman and a selection from her Eukleria.

In this book, visual and poetic emblems of God's love, created by Otto van Veen and Jeanne Guyon, symbolically represent spiritual meaning and, as such, offer a gift of revealed strength and purpose to the aware reader. In our age, when love seems almost forgotten, this emblem book uniting Guyon's poetry and D'Othon Vaenius's illustrations give us a faithful look into what might be. What if Divine love becomes part of the human endeavor and joins to human souls? Otto van Veen and Jeanne de la Mothe Guyon internalized this hope and here reveal to us their vision of the love of God bonding and becoming one with the human soul. Translated into English for the first time here, these emblems of divine love become available to postmodern readers.