A simplified and illustrated retelling of the exploits of the Anglo-Saxon warrior, Beowulf, and how he came to defeat the monster Grendel, Grendel's mother, and a dragon that threatened the kingdom.

CBC BOOKS BEST CANADIAN POETRY BOOKS OF 2022 LONGLISTED FOR THE RAYMOND SOUSTER AWARD hwæt, another Beowulf translation? Not exactly... Welcome to Denmark’s Heorot Hall, where King Hrothgar invites to his banquet table everyone but Grendel, Saxon’s cradle-made monster. Dissing this ur-outsider initiates a predictable and monstrous backlash, a Mediæval fracas that only the eponymous Beowulf can quash. Sailing across the whaleroads, he arrives to “quell and queltch and quatch the Grendel beast.” Beowulf, that still-recognizable hero, embodies a “blank” function, a motive-driven yet motiveless megastar. He’s the young, fit, male, self-sacrificing protagonist-interloper who will fight any monster to protect his people. Or to defend strangers. Or to gain a reputation. Or because he just really wants to... In her rendering of Beowulf, Nicole Markotić offers a rollicking cover song of fantastical text. These pages will surprise readers as they introduce new ways to embrace, challenge, or click with Anglo-Saxon heroics. Writing original poems, Markotić de-stories the story of one man, who mostly does not play well with others, who fights monsters (and defeats their mothers, too), and who practically invents the poetic tradition of entitled bravery Upending the tale with her fresh and enchanting style, Markotić gives a nod to previous translations, winks at canonical critics, bares historical biases, all while gifting transmogrifying pages that will whet your whimsy! "Nicole Markotić takes the original English-language epic and reprocesses it. That is, she rereads, rewrites, reimagines, rethinks, and retells it, all at the same time. The result is the story re-understood. The phrasing and incantation is Markotić’s own (and our era’s own), deployed with deliciously textured and diverse registers of language. Blake saw infinity in the palm of his hand. Markotić puts a millennium in yours." —Wayde Compton, author of The Outer Harbour "Beowulf, with its unfathomable monsters and monster-slaying hero, its bro world of mead, boasting, weapons, and booty, remains a stubbornly relevant template for much of our contemporary scene. Nicole Markotić’s After Beowulf handles all this with dazzling sprezzatura. It is a pleasure to follow the narrating, condensing, commenting voice as it sashays through a range of verbal registers from high Olsonic to comic book pratfall, snark to scholarship. After Beowulf provides an up-to-date reading of Beowulf through the eyes of a feminist poet. And it continually suggests what things might be like after Beowulf." —Bob Perelman, author of Jack and Jill in Troy "The collision of ancient and colloquial language creates bursts of humour as my dude Beowulf makes his way into the banquet hall and beyond. Linger here to experience the aesthetics of poetry in action: vibrant and intensely moving, we feel the wrenching pain of Grendel’s mother. Markotić’s language is thick with meaning and light with humour: a creation of the most projective of verses." —Jacqueline Turner, author of Flourish

Finest heroic poem in Old English celebrates the exploits of Beowulf, a young nobleman of southern Sweden. Combines myth, Christian and pagan elements, and history into a powerful narrative. Genealogies.

He comes out of the darkness, moving in on his victims in deadly silence. When he leaves, a trail of blood is all that remains. He is a monster, Grendel, and all who know of him live in fear. Hrothgar, the king of the Danes, knows something must be done to stop Grendel. But who will guard the great hall he has built, where so many men have lost their lives to the monster while keeping watch? Only one man dares to stand up to Grendel's fury --Beowulf.

R.D. Fulk is Chancellor's Professor of English at Indiana University, Bloomington. --Book Jacket.

New York Times bestselling author Maria Dahvana Headley presents a modern retelling of the literary classic Beowulf, set in American suburbia as two mothers—a housewife and a battle-hardened veteran—fight to protect those they love in The Mere Wife. This modern fantasy tale transports you from the ancient mead halls of the Geats to the picket-fenced, meticulously planned community of American suburbia, known as Herot Hall. In the expert hands of Maria Dahvana Headley, this vibrant retelling underscores the timeless struggle between the protected and the outsiders. Enter the confines of Herot Hall, a gated community sequestered from the wild surroundings by sophisticated security systems. Here, life is a series of cocktail hours and playdates for Willa, the charming wife of Herot's heir, and her son Dylan. Meanwhile, deep in a nearby mountain cave lives Dana, a hardened soldier and mother of Gren, a child of mysterious origin. Their worlds collide in a shocking turn of events when Gren breaks into Herot Hall and escapes with Dylan. A brilliant literary novel that effortlessly melds modern literature with ancient mythology, The Mere Wife is a captivating testament to unintended consequences, the brutality of PTSD, and the enduring power of motherhood.

A widely celebrated translator's vivid, accessible, and elegantly concise rendering of an ancient English masterpiece Beowulf tells the story of a Scandinavian hero who defeats three evil creatures--a huge, cannibalistic ogre named Grendel, Grendel's monstrous mother, and a dragon--and then dies, mortally wounded during his last encounter. If the definition of a superhero is "someone who uses his special powers to fight evil," then Beowulf is our first English superhero story, and arguably our best. It is also a deeply pious poem, so bold in its reverence for a virtuous pagan past that it teeters on the edge of heresy. From beginning to end, we feel we are in the hands of a master storyteller. Stephen Mitchell's marvelously clear and vivid rendering re-creates the robust masculine music of the original. It both hews closely to the meaning of the Old English and captures its wild energy and vitality, not just as a deep "work of literature" but also as a rousing entertainment that can still stir our feelings and rivet our attention today, after more than a thousand years. This new translation--spare, sinuous, vigorous in its narration, and translucent in its poetry--makes a masterpiece accessible to everyone.

The image of a giant sword melting stands at the structural and thematic heart of the Old English heroic poem Beowulf. This meticulously researched book investigates the nature and significance of this golden-hilted weapon and its likely relatives within Beowulf and beyond, drawing on the fields of Old English and Old Norse language and literature, liturgy, archaeology, astronomy, folklore and comparative mythology. In Part I, Pettit explores the complex of connotations surrounding this image (from icicles to candles and crosses) by examining a range of medieval sources, and argues that the giant sword may function as a visual motif in which pre-Christian Germanic concepts and prominent Christian symbols coalesce. In Part II, Pettit investigates the broader Germanic background to this image, especially in relation to the god Ing/Yngvi-Freyr, and explores the capacity of myths to recur and endure across time. Drawing on an eclectic range of narrative and linguistic evidence from Northern European texts, and on archaeological discoveries, Pettit suggests that the image of the giant sword, and the characters and events associated with it, may reflect an elemental struggle between the sun and the moon, articulated through an underlying myth about the theft and repossession of sunlight. The Waning Sword: Conversion Imagery and Celestial Myth in 'Beowulf' is a welcome contribution to the overlapping fields of Beowulf-scholarship, Old Norse-Icelandic literature and Germanic philology. Not only does it present a wealth of new readings that shed light on the craft of the Beowulf-poet and inform our understanding of the poem’s major episodes and themes; it further highlights the merits of adopting an interdisciplinary approach alongside a comparative vantage point. As such, The Waning Sword will be compelling reading for Beowulf-scholars and for a wider audience of medievalists.

CLASSIC FICTION. This is a new title in the "Usborne Reading Programme", which is aimed at children whose reading ability and confidence allows them to tackle longer and more complex stories. Here, the oldest surviving epic in British literature is retold for younger readers following the adventures of hero Beowulf. This title is developed in consultation with Alison Kelly, who is a senior lecturer in education and an early reading specialist from Roehampton University. Ages 6+.