Poetry. African & African American Studies. "Incandescent in her brutality & neon truth, Aziza Barnes writes her way into an urgent Black, wide & beautiful in its scream. You will find lightning here. You will discover a bruised constellation exploding in a vast black body. Her syllables devour the sweet hurt & harm of their own naked limbs & offer us a generous feast. Aziza Barnes is her own revolution, her own galactic orbit & oracle. She writes, 'In my own home I attempt nightly/to eat my body alive.' These poems suck their teeth & know their own desperate bones. She grieves, 'i done walked with a name i couldn't shake & now i gone.' Shaped and forged in powerful consciousness, Aziza Barnes possesses a gifted voice that will always be needed and necessary. The poems of this extraordinary debut sweat themselves Black with imagination and desire. In I BE, BUT I AIN'T, Barnes achieves both freedom & forgiveness in an ache that persists infinitely in its intelligence & intuition. Listen to her: 'I am ungloved in a sabbath of spit.'"--Rachel Eliza Griffiths "Aziza Barnes's I BE, BUT I AIN'T is a powerful debut that refuses to stroke you soft or angle to be your best friend. Instead, these poems revel in the menagerie of their own discomfort, and ours. Barnes's is a wild imagination and her poems an ill grammar akin to Jayne Cortez's percussive surrealism of the body. Want a lolly pop? You won't get that here. Her poetic is challenging and sophisticated, in a language that refuses to assuage."--Dawn Lundy Martin

"What are some of the discoveries I have made? I found I needed people because I needed the love they could give me. I found that love was something I did. I found that the way I showed people my need and love for them was to tell how it was with me in my deepest heart. I came to feel that was the most loving thing I could do for anyone -- tell them how it was with me and share my imperfections with them. When I did this, most people came back at me with what was deep within them. This was love coming to me. And the more I had coming to me, the more I had to give away. I ain't much, baby -- but I'm all I've got." From his experience comes "I Ain't Much, Baby -- But I'm All I've Got." Lair originally wrote this book for his students, but when it gained widespread popularity he rewrote it for publication. It is a book meant to help people share in the success of finding themselves.

In the rhythm of a familiar folk song, a child cannot resist adding one more dab of paint in surprising places.

Historian Scott Reynolds Nelson recounts how he came to discover the real John Henry, an African-American railroad worker who became a legend in the famous song.

Many U.S. corporations and the goods they produce negatively impact our society without breaking any laws. We are all too familiar with the tobacco industry's effect on public health and health care costs for smokers and nonsmokers, as well as the role of profit in the pharmaceutical industry's research priorities. It's Legal but It Ain't Right tackles these issues, plus the ethical ambiguities of legalized gambling, the firearms trade, the fast food industry, the pesticide industry, private security companies, and more. Aiming to identify industries and goods that undermine our societal values and to hold them accountable for their actions, this collection makes a valuable contribution to the ongoing discussion of ethics in our time. This accessible exploration of corporate legitimacy and crime will be important reading for advocates, journalists, students, and anyone interested in the dichotomy between law and legitimacy. Nikos Passas is Professor in the College of Criminal Justice at Northeastern University. Neva Goodwin is Co-director of the Global Development and Environment Institute at Tufts University.

Social media comedian and southern sweetheart Heather Land delivers her hilarious and unfiltered wisdom on the frustrating everyday moments that drive us crazy. Heather Land has something to say about almost everything in life—the unbelievable, inconceivable, and downright frustrating—and why she “ain’t doin’ it.” Now, Heather shines a light on the (occasional) ridiculousness of life through a series of hilarious essays, dishing on everything from Walmart and ex-husbands to Southern beauty pageants and unfortunate trips to the gynecologist. I Ain’t Doin’ It reminds us that when it comes to life’s messy moments, it’s all about perspective—and that we too can say, I ain’t doin’ it! Perfect for fans of Jim Gaffigan, Anjelah Johnson, and Brian Regan, I Ain’t Doin’ It is a fun, breezy read for anyone who appreciates someone who tells it like it is and wants to embrace the lighter side of life.

A sweeping history of the passionate men and women in uniform who have bravely and courageously exercised the power of dissent Before the U.S. Constitution had even been signed, soldiers and new veterans protested. Dissent, the hallowed expression of disagreement and refusal to comply with the government’s wishes, has a long history in the United States. Soldier dissenters, outraged by the country’s wars or egregious violations in conduct, speak out and change U.S. politics, social welfare systems, and histories. I Ain’t Marching Anymore carefully traces soldier dissent from the early days of the republic through the wars that followed, including the genocidal “Indian Wars,” the Civil War, long battles against slavery and racism that continue today, both World Wars, Korea, Vietnam, the Cold War, and contemporary military imbroglios. Acclaimed journalist Chris Lombardi presents a soaring history valorizing the brave men and women who spoke up, spoke out, and talked back to national power. Inviting readers to understand the texture of dissent and its evolving and ongoing meaning, I Ain’t Marching Anymore profiles conscientious objectors including Frederick Douglass’s son Lewis, Evan Thomas, Howard Zinn, William Kunstler, and Chelsea Manning, adding human dimensions to debates about war and peace. Meticulously researched, rich in characters, and vivid in storytelling, I Ain’t Marching Anymore celebrates the sweeping spirit of dissent in the American tradition and invigorates its meaning for new risk-taking dissenters.

"Intriguing...A thoughtful, intelligent work...The novel traces the yeasr from he '50s to the ate '80s, from Eisenhower to George Bush....She writes with simple eloquence about small-town life in the South, right after the start of the great social upheaval of he civil rights movement....Campbell has a strong creative voice." THE WASHINGTON POST BOOK WORLD Chicago-born Amrstrong Tood is fifteen, black, and unused to the ways of the segregated Deep South, when his mother sends him to spend the summer with relatives in rural Mississippi. For speaking a few innocuous words in French to a white woman, Armstrong is killed. And the precariously balanced world and its determined people--white and black--are changed, then and forever, by the horror of poverty, the legacy of justice, and the singular gift of love's power to heal.

A classic work of feminist scholarship, Ain't I a Woman has become a must-read for all those interested in the nature of black womanhood. Examining the impact of sexism on black women during slavery, the devaluation of black womanhood, black male sexism, racism among feminists, and the black woman's involvement with feminism, hooks attempts to move us beyond racist and sexist assumptions. The result is nothing short of groundbreaking, giving this book a critical place on every feminist scholar's bookshelf.