In a world of uniformity and globalized styles, only some cultivated gentlemen retain their independence over the way they dress and live. In this book, photographer Rose Callahan and writer Nathaniel Adams document the well-kempt lives of 57 protagonists of contemporary dandyism with a keen, yet empathie eye. Their carefully composed portraits not only depict the clothes, accessories, and homes of their subjects, but also capture the essence of their lifestyles in thoroughly entertaining and deeply insightful texts. The diversity of the men portrayed in I am Dandy is striking. They come from a variety of different countries, cultures, and social circles and make their livings in a range of occupations. By showcasing their styles, attitudes, and philosophies in all of their nuances, the book reveals that dandyism today is an attitude and calling that can be cultivated on any budget.

World War I was a watershed, a defining moment, in Armenian history. Its effects were unprecedented in that it resulted in what no other war, invasion, or occupation had achieved in three thousand years of identifiable Armenian existence. This calamity was the physical elimination of the Armenian people and most of the evidence of their ever having lived on the great Armenian Plateau, to which the perpetrator side soon gave the new name of Eastern Anatolia. The bearers of an impressive martial and cultural history, the Armenians had also known repeated trials and tribulations, waves of massacre, captivity, and exile, but even in the darkest of times there had always been enough remaining to revive, rebuild, and go forward. This third volume in a series edited by Richard Hovannisian, the dean of Armenian historians, provides a unique fusion of the history, philosophy, literature, art, music, and educational aspects of the Armenian experience. It further provides a rich storehouse of information on comparative dimensions of the Armenian genocide in relation to the Assyrian, Greek and Jewish situations, and beyond that, paradoxes in American and French policy responses to the Armenian genocides. The volume concludes with a trio of essays concerning fundamental questions of historiography and politics that either make possible or can inhibit reconciliation of ancient truths and righting ancient wrongs.

How has the distinctive Armenian-American community expressed its identity as an ethnic minority while 'assimilating' to life in the United States? This book examines the role of community leaders and influencers, including clergy, youth organizers, and partisan newspaper editors, in fostering not only a sense of Armenian identity but specific ethnic-partisan leanings within the group's population. Against the backdrop of key geopolitical events from the aftermath of the Armenian Genocide to the creation of an independent and then Soviet Armenia, it explores the rivalry between two major Armenian political parties, the Tashnags and the Ramgavars, and the relationship that existed between partisan leaders and their broader constituency. Rather than treating the partisan conflict as simply an impediment to Armenian unity, Benjamin Alexander examines the functional if accidental role that it played in keeping certain community institutions alive. He further analyses the two camps as representing two conflicting visions of how to be an ethnic group, drawing a comparison between the sociology-of-religion models of comfort religion and challenge religion. A detailed political and social history, this book integrates the Armenian experience into the broader and more familiar narratives of World War I, World War II, and the Cold War in the USA.

In Vegas, the Executioner hits the mob where it hurts most: the wallet Mack Bolan has fifty seconds to cripple the Mafia’s operations in Las Vegas. Fifty seconds to take out ten gunmen, destroy a jeep, and down a helicopter. Fifty seconds to snatch millions of dollars away from the international crime syndicate that he declared war on so long ago. For forty-nine seconds, everything goes fine . . . The Executioner takes aim at the mob’s biggest casino as he awaits a duel with two of the deadliest hit men the Mafia has to offer. Vegas Vendetta is the 9th book in the Executioner series, but you may enjoy reading the series in any order.

This riveting, blow-by-blow account of the trial of Joe Esquibel is told by his attorney, Gerry Spence. Joe Esquibel, an unemployed Mexican-American shot and killed his Anglo wife in the presence of eight witnesses, including a deputy sheriff. Spence developed the defense which successfully convinced the jury to find his client not-guilty by reason of insanity.