Excerpt from Hymns of the Church Militant It is perhaps well that I cannot put in words all the pleasure this hymn-work has given me, nor just what I think of its results, - I fear the gentlest charity would call me at least eccentric. But I may tell (since I am but usher to the book) I may tell some of its titles to favour, and some of the grand truths which its pages collectively teach. It has brought most vividly before my eyes, some of those Bible facts which before I knew rather by faith. For these are not assembly hymns, nor paraphrases, nor hymns written to order, - they are the living words of deep Christian experience. And they tell that the Church is one. In prose, one denomination will war with another, - war, and strive as some of the disciples did - for a place above the rest. The Church Militant is to outward eyes, often a Church divided against itself every banner attacking every other, forgetful that the great standard of the Prince of Peace floats over all. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Understanding the culture of living with hymnbooks offers new insight into the histories of poetry, literacy, and religious devotion. It stands barely three inches high, a small brick of a book. The pages are skewed a bit, and evidence of a small handprint remains on the worn, cheap leather covers that don’t quite close. The book bears the marks of considerable use. But why—and for whom—was it made? Christopher N. Phillips’s The Hymnal is the first study to reconstruct the practices of reading and using hymnals, which were virtually everywhere in the eighteenth and nineteenth centuries. Isaac Watts invented a small, words-only hymnal at the dawn of the eighteenth century. For the next two hundred years, such hymnals were their owners’ constant companions at home, school, church, and in between. They were children's first books, slaves’ treasured heirlooms, and sources of devotional reading for much of the English-speaking world. Hymnals helped many people learn to memorize poetry and to read; they provided space to record family memories, pass notes in church, and carry everything from railroad tickets to holy cards to business letters. In communities as diverse as African Methodists, Reform Jews, Presbyterians, Methodists, Roman Catholics, and Unitarians, hymnals were integral to religious and literate life. An extended historical treatment of the hymn as a read text and media form, rather than a source used solely for singing, this book traces the lives people lived with hymnals, from obscure schoolchildren to Emily Dickinson. Readers will discover a wealth of connections between reading, education, poetry, and religion in Phillips’s lively accounts of hymnals and their readers.

Follows the influences of race and gender on the Protestant tradition in America from the late eighteenth to the early twentieth century.

This is a study of the relationship between Anglicans and the armed forces, of the military heritage and history of the Anglican Communion, and the changing nature of this relationship between the mid-Victorian period and the 1970s. This era spanned a period of imperial expansion and colonial conflict round the turn of the twentieth century, the two World Wars, the Cold War, wars of decolonisation, and Vietnam. In terms of armed conflict, it was the bloodiest period in the history of humanity and marked the advent of weaponry that had the capacity to extinguish human civilization. This book assesses the contribution of an expansive Anglican Communion to the armed forces of the English-speaking world, examines the ways in which this has been remembered, and explores its challenging legacy for the twenty-first century Church of England.

How did eighteenth-century aesthetics come to so strongly influence not only the theology but also the practice of Christianity by the late nineteenth century? The twelve essays in Sublimer Aspects seek to answer this question by examining interfaces between literature, aesthetics, and theology from 1715-1885. In doing so, they consider the theological import of canonical writers–such as Daniel Defoe, Alexander Pope, Voltaire, and Immanuel Kant–as well as writers whose work is now experiencing a revival, namely women writers–including Mary Anne Schimmelpenninck, Anne Brontë, Frances Ridley Havergal, Elizabeth Stuart Phelps, and Adelaide Procter. The volume concludes with essays on the possibility for hope within the Christian Romanticism of Samuel Taylor Coleridge, Thomas Carlyle and George MacDonald, whose texts continue to cultivate a sense of wonder in new generations. Divided into five sections, essays by Ben Faber, Katherine Quinsey, Melora G. Vandersluis, Richard J. Lane, Natasha Duquette, Susan R. Bauman, Krista Lysack, Sandra Hagan, Roxanne Harde, Cheri Larsen Hoeckley, Franceen Neufeld, and Monika Hilder address mutually interdependent connections between providence and grace, sublimity and ethics, gender and hymnody, literature and activism, and finally, aesthetics and hope.

In 1917, the Beijing silk merchant Wei Enbo's vision of Jesus sparked a religious revival, characterized by healings, exorcisms, tongues-speaking, and, most provocatively, a call for a return to authentic Christianity that challenged the Western missionary establishment in China. This revival gave rise to the True Jesus Church, China's first major native denomination. The church was one of the earliest Chinese expressions of the twentieth century charismatic and Pentecostal tradition which is now the dominant mode of twenty-first century Chinese Christianity. To understand the faith of millions of Chinese Christians today, we must understand how this particular form of Chinese community took root and flourished even throughout the wrenching changes and dislocations of the past century. The church's history links together key themes in modern Chinese social history, such as longstanding cultural exchange between China and the West, imperialism and globalization, game-changing advances in transport and communications technology, and the relationship between religious movements and the state in the late Qing (circa 1850-1911), Republican (1912-1949), and Communist (1950-present-day) eras. Vivid storytelling highlights shifts and tensions within Chinese society on a human scale. How did mounting foreign incursions and domestic crises pave the way for Wei Enbo, a rural farmhand, to become a wealthy merchant in the early 1900s? Why did women in the 1920s and 30s, such as an orphaned girl named Yang Zhendao, devote themselves so wholeheartedly to a patriarchal religious system? What kinds of pressures induced church leaders in a meeting in the 1950s to agree that "Comrade Stalin" had saved many more people than Jesus? This book tells the striking but also familiar tale of the promise and peril attending the collective pursuit of the extraordinary-how individuals within the True Jesus Church in China over the past century have sought to muster divine and human resources to transform their world.