- This will be the first monograph-length analysis of Husain's paintings- Husain's Raj Series featured playful vignettes of the Raj that introduced the British Empire in India to a new generation of viewers- Husain's signature modernist style is modulated to accommodate this playful engagement with his colonial pastThis monograph forefronts the ludic quality in the work of Maqbool Fida Husain, postcolonial India's most iconic modernist and also arguably its most playful. His Images of the Raj or the Raj Series comprise paintings densely packed with bodies and objects, English and native, men and women (and some animals too), who are brought together in visual action in a manner that is enormously revealing of the contradictions of British rule in India, even as they expose the ironies of postcolonial India's tryst with its destiny. Husain painted this series at a critical juncture in India s post-colonial history in the mid- 1980s, when the Nehruvian socialist state was beginning to unravel and one of his own key patrons, Indira Gandhi, violently assassinated. Many of the promises of secularism, proudly declared at the time of Independence, were under threat. It was against this background that Husain turned for inspiration to his childhood and youth, which he had spent in various princely states, such as Indore and Baroda, in the waning days of British colonial rule that were also witness to the rising tide of Indian nationalism. Sumathi Ramaswamy is Professor of History and International Comparative Studies, Duke University, Durham, North Carolina. Some of her areas of academic interest include South Asian anthropology, colonial and modern history; Tamil studies; gender studies and history of cartography.

Master Minds: Creativity in Picasso’s & Husain’s Paintings The book, “Master Minds: Creativity in Picasso’s and Husain’s Paintings”, is a projection of master minds in the field of art. It reveals about the creative works of art that are not just show pieces to adorn rich homes, museums and art galleries but to bring awareness about human attitude and cultural heritage. The projection of these works of art could lead to international integration and establish an amicable relationship between people of all communities and further form a peaceful global human society. This book Part 1 to Part 5 also serves the purpose of academic study for art scholars and art researchers all over the world In the entire book, “Master Minds: Creativity in Picasso’s and Husain’s Paintings,” light has been thrown on Picasso’s and Husain’s life and paintings. There is an analytical study of their works of art. The significant aspects dealt with in their paintings are creativity viewed through linear quality, forms, colors, pictorial composition, subject matter, styles, mediums, techniques, similarities and differences in their works of art. I consider myself to be fortunate to avail the opportunity to journey through a significant part of the life and works of these two great artists. Their contribution to the world of art is exemplary for many future generations. Picasso and Husain have proved that the aesthetic artistic trend of thought has no barriers and boundaries. The mind of an artist can reach any part of the universe and create wonders in the form of an art. Picasso’s and Husain’s immortalized paintings mesmerize the observer when their creative activity springs out in their paintings which speak in a silent language of forms and colors. An exposure to visual art in any form has proved to be a form of communication. Our global human society is divided by languages, customs, religions, economic developments and geographical locations, but the visual language in the form of paintings of artists all over the world have united the global society by their creative activity. When an artist’s aesthetic sense is highly developed and his ability to grasp and display is superb he ultimately becomes a pioneer of a unique technique or style. Picasso’s cubism and Husain’s allegorical series of paintings in Husainean style are the products of the vigorous experiments with different mediums and techniques. It has been noticed that their works have a glimpse of the existing styles and techniques mingled with an antiquarian approach where the result is absolutely unique and creative. Their works of art are deemed to immortalize their names as the ever shining prominent stars in the sky of the world of art. There are total 226 illustrations in Part 1 to Part 5 of the ebooks that include a unique analytical study of the paintings and the sketches of the artists, Pablo Picasso and Maqbool Fida Husain. Dr.Harpal Sodhi

The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 December, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 07-08-1945 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 99 VOLUME NUMBER: Vol. X, No. 16 BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 29-92 ARTICLE: 1. The Canadian Constitution 2. Future of Small-scale Industries AUTHOR: 1. L. R. Sethi 2. Wir Bhan KEYWORDS: 1. Canada, Great Britain, Canadian Federation, Seven Years War, British Commonwealth of Nations, United States, Quebec Conference 2. Industries, Small-scale, Goods, Market, Competition, Labour, Producer Document ID: INL-1945(J-D) Vol-I (04)

This book was written by a Hindu, the grandson of Mohandas K. Gandhi. His intent, in writing on eight Muslims and their influence on India in the twentieth century, is to reduce the gulf between Hindu and Muslims. Focusing on figures viewed as heroes by sub-continent Muslims, he shows that they can be admired by Hindus as well--that they need not be frozen in Hindu minds as foes. Here is a fascinating account of twentieth-century India, Pakistan, and Bangladesh told through biographical sketches of eight men: Sayyid Ahmed Khan (1817-1898), Fazlul Huq (1873-1962), Muhammad Ali Jinnah (1876-1948), Muhammad Iqbal (1876-1938), Muhammad Ali (1878-1931), Abul Kalam Azad (1888-1958), Liaqat Ali Khan (1895-1951), and Zakir Husain (1897-1969).

"Malay Annals" by Anonymous (translated by John Leyden). Published by DigiCat. DigiCat publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each DigiCat edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

An influential six-volume work on the philosophy of Sikhism, published in 1909, by the one-time deputy commissioner of the Punjab.