Our forefathers delighted to call their country "Merrie England;" and so, in very truth, it was. All sorts of sports and pastimes, such as no other nation can show, were then in use; and even the elders, in their hours of relaxation, were wont to exchange a merry jest with one another. Perhaps some of their jokes lacked the refinement of the present age, but they denoted a keen sense of humour. Many, nay most, cannot be reproduced at the present day, and much has this book suffered therefrom; and it is for this reason that the jest-books and ballads of this century are so little known. Some few have been printed in small editions, either privately, or for dilettante societies; but they are not fit for general perusal, and the public at large know nothing of them. This is specially the case with the ballad literature of the century, which is unusually rich. The Pepys, Roxburghe, Bagford, Luttrell, and other collections, are priceless treasures; but I know no publisher who would be bold enough to reproduce them, in their entirety, for the use of the general public. By this I do not wish to cast any slur, either on the modesty, or morality, of our ancestors; but their ways were not quite as ours.

In a media-saturated world, humour stands out as a form of social communication that is especially effective in re-appropriating and questioning architectural and urban culture. Whether illuminating the ambivalences of metropolitan life or exposing the shock of modernisation, cartoons, caricature, and parody have long been potent agents of architectural criticism, protest and opposition. In a novel contribution to the field of architectural history, this book outlines a survey of visual and textual humour as applied to architecture, its artefacts and leading professionals. Employing a wide variety of visual and literary sources (prints, the illustrated press, advertisements, theatrical representations, cinema and TV), thirteen essays explore an array of historical subjects concerning the critical reception of projects, buildings and cities through the means of caricature and parody. Subjects range from 1750 to the present, and from Europe and the USA to contemporary China. From William Hogarth and George Cruikshank to Osbert Lancaster, Adolf Loos' satire, and Saul Steinberg's celebrated cartoons of New York City, graphic and descriptive humour is shown to be an enormously fruitful, yet largely unexplored terrain of investigation for the architectural and urban historian.

This unique work of scholarship gathers together over a thousand early-modern English references to the writings of the great Spanish writer Miguel de Cervantes, not only from Don Quixote but also from his ground-breaking Novelas ejemplares.

"Colonial facts and fictions: Humorous sketches" by John Milne. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.

Drawing upon the satirical prints of the eighteenth century, the author explores what made Londoners laugh and offers insight into the origins of modern attitudes toward sex, celebrity, and ridicule.