At the age of forty-five, Deborah Tobola returns to her birthplace, San Luis Obispo, to work in the very prison her father worked in when he was a student at Cal Poly. But she’s not wearing a uniform as he did; she’s there to teach creative writing and manage the prison’s arts program—a dream job. As she creates a theatre program for prisoners, Tobola finds plenty of drama off the stage as well. Inside the razor wire she finds a world frozen in the ’50s, with no contact with the outside except by telephone; officers who think prisoners don’t deserve programs; bureaucrats who want to cut arts funding; and inmates who steal, or worse. But she loves engaging prisoners in the arts and helping them discover their voices: men like Opie, the gentleman robber; Razor, the roughneck who subscribes to The New Yorker; charismatic Green Eyes, who really has blue eyes; Doo Wop, a singer known for the desserts he creates from prison fare. Alternating between tales of creating drama in prison and Tobola’s own story, Hummingbird in Underworld takes readers on an unforgettable literary journey—one that is frank, funny, and fascinating.

Frank, eye-opening writing by "arts in corrections" educators Poetry and prose by artists, writers, and activists who’ve taught workshops in U.S. criminal legal institutions, including acclaimed writers Ellen Bass, Joshua Bennett, Jill McDounough, E. Ethelbert Miller, Idra Novey, Joy Priest, Paisley Rekdal, Christopher Soto, and Michael Torres; the late arts in corrections pioneers Buzz Alexander and Judith Tannenbaum; and Guggenheim Award-winning choreographer Pat Graney. These educators demonstrate a diverse range of experiences. Among the questions they ask: Does our work support the continuation or deconstruction of a mass incarcerating society? What led me to teach in prison? How do I resist the “savior” or “helper” narrative? A book for anyone seeking to understand the prison industrial complex from a human perspective. All author royalties from this book will be donated to Dances for Solidarity, a project that brings arts opportunities to people incarcerated in solitary confinement.

IT IS THE YEAR ONE-KNIFE IN TENOCHTITLAN - THE CAPITAL OF THE AZTECS. The end of the world is kept at bay only by the magic of human sacrifice. A Priestess disappears from an empty room drenched in blood. Acatl, High Priest of the Dead must find her, or break the boundaries between the worlds of th living and the dead. But how do you find someone, living or dead, in a world where blood sacrifices are an everyday occurrence and the very gods stalk the streets? File Under: Fantasy [ Aztec Mystery | Locked Room | Human Sacrifice | The Dead Walk! ]

Named one of NPR's Best Books of 2021 From the author of Annihilation, a brilliant speculative thriller of dark conspiracy, endangered species, and the possible end of all things. Security consultant “Jane Smith” receives an envelope with a key to a storage unit that holds a taxidermied hummingbird and clues leading her to a taxidermied salamander. Silvina, the dead woman who left the note, is a reputed ecoterrorist and the daughter of an Argentine industrialist. By taking the hummingbird from the storage unit, Jane sets in motion a series of events that quickly spin beyond her control. Soon, Jane and her family are in danger, with few allies to help her make sense of the true scope of the peril. Is the only way to safety to follow in Silvina’s footsteps? Is it too late to stop? As she desperately seeks answers about why Silvina contacted her, time is running out—for her and possibly for the world. Hummingbird Salamander is Jeff VanderMeer at his brilliant, cinematic best, wrapping profound questions about climate change, identity, and the world we live in into a tightly plotted thriller full of unexpected twists and elaborate conspiracy.

- How to identify hummingbirds--where to find them, when to look, and what to expect in the region where you live - Tips for the backyard birder on how to attract and feed hummingbirds The hummingbird is one of the most attractive and popular birds in North America. Its small size, brilliant coloring, and ability to feed in flight make it a favorite backyard visitor. This colorful guide describes the fascinating life in the wild of a variety of hummingbird species and tells bird lovers how to attract hummingbirds to the backyard. Information from the most recently published research is augmented by personal experiences in the field as well as conversations with hummingbird experts. Topics include hummingbird behavior, migration, and predators--all illustrated with full-color photos.

"A dark, brutal ride through the underbelly of LA." —Anthony Horowitz, author of Magpie Murders In this follow-up to Nicolás Obregon’s critically acclaimed Blue Light Yokohama, Inspector Iwata returns—in a murder case in his new home of Los Angeles. After a brutal investigation ripped apart his life, Kosuke Iwata quit both his job as a detective with the Tokyo Police Department and his country, leaving Japan for the sunnier shores of Los Angeles, California. But, although he’s determined to leave his past behind, murder still follows him. Having set up shop as a private investigator, Iwata is approached by someone from his old life. Her daughter has been killed and the case has gone cold. Out of loyalty, Iwata agrees to take on the case and reinvestigate the homicide. However, what seems initially like a cold-blooded but simple murder takes a complex turn when a witness, a vagrant, recalls the killer's parting words: “I’m sorry.” From the depths of Skid Row to the fatal expanse of the Sonoran Desert, Iwata tracks the disparate pieces of a mysterious and heartbreaking puzzle. But the more he unearths, the more complex this simple act of murder becomes. Lives untangle, fates converge, and blood is spilled as Inspector Iwata returns.

The best of the American Indian myths are works of art, blending form and content into an organic whole in which the great themes of human experience are interwoven much as they are in a memorable short story or novella. But if the underlying themes are similar, the metaphorical and narrative conventions are vastly different; and it is this aesthetic gap that critic John Bierhorst intends to bridge in this companion volume to his well-known anthology In the Trail of the Wind: American Indian Poems and Ritual Orations. Over forty cultures, including the Eskimo, the Iroquois, the Navajo, the Maya, and the Bororo, are here represented by sixty-four carefully selected myths and tales. Yet The Red Swan will be valued not so much for its scope or its quantity as for the superb quality of the stories themselves. Among the classic narratives included are "The Fight of the Quetzalcoatl" (Aztec), "The Rival Chiefs" (Kwakiutl), "The Hungry Old Woman" (Anambe), "Two Friends" (Greenland Eskimo), and "The Red Swan" (Chippewa). A number of the translations, the work of such ethnographers as Franz Boas, James Teit, and George Bird Grinnell, have been left untouched; others have been expertly revised; and some of the selections--all of which deserve to be much better known--appear in English for the first time.

The second book in the critically acclaimed Obsidian and Blood trilogy: The year is Two House, and the Emperor of the Mexica has just died. The protections he afforded the Empire are crumbling, and the way lies wide open to the flesh-eating star-demons--and to the return of their creator, a malevolent goddess only held in check by the War God's power. The council should convene to choose a new Emperor, but they are too busy plotting against each other. And then someone starts summoning star-demons within the palace, to kill councilmen... Acatl, High Priest of the Dead, must find the culprit before everything is torn apart. REVIEWS: ‘Political intrigue and rivalry among a complex pantheon of divinities drive this well-paced murder mystery set at the height of the Aztec Empire in the late 15th century. De Bodard reintroduces the series hero Acatl, high priest of the dead, immediately following the death of the Tenochtitlan leader. One of the council members in charge of choosing a successor has been brutally murdered in what looks like an attempt to influence the decision. But the deaths continue and the political situation grows more complex, while the empire looks to be increasingly at risk of invasion by malignant powers. Acatl must go face-to-face with the most powerful god in his world and put the good of the empire above his antipathy for is rivals to achieve the uneasy succession. De Bodard incorporates historical fact with great ease and manages the rare feat of explaining complex culture and political system without lecturing or boring the reader.’ —Publishers Weekly ‘Another thing that intrigues me here is the whole fact that historically we know that the real empire died out mysteriously and completely and as such there is always that thought in the back of my mind that the author could choose to bring about the end of days. That highlighted sense of possible doom is something that is missing from too many novels. The way the story is told in this book is very impressive, the plot is both mature and seductive, twisting and turning like a weather vane in a force 9 gale while the action is both bloodthirsty and imaginative. The world building is fantastic and we get to learn even more of this rich culture and the many gods and creatures of the dark. I really can’t fault this book at all and recommend it to one and all but if you haven’t yet read Servant of the Underworld I suggest that you get them both and read them in order, you won’t be disappointed.’ —SF Book Reviews ‘Bodard’s writing is polished and striking, as she convincingly fills in the colorful elements of the Aztec culture–even if those colors tend to be of blood and bile as well as flowers and hummingbirds... beautiful, grimy, breathtaking, and morbid. 5*’ —Examiner ‘Aliette de Bodard has done it again. Harbinger of the Storm is an action packed Aztec mystery opera with magic, interventions from the gods and more twists and turns than the first book. It even has a love story with amusing snippets here and there... The story is self contained and can be enjoyed standalone, but you will not want to miss out on the first. I wish it was 2012 already even if the world is going under while I read the final Obsidian & Blood.’ —Cybermage

From the New York Times bestselling author of Annihilation, Jeff VanderMeer’s first novel, Veniss Underground, takes readers on a journey to a labyrinthine city of tunnels, and the dangers lurking behind each turn. This paperback edition features the bonus novella “Balzac’s War.” In a dark and decadent far future, the city of Veniss persists beside a dead ocean. Earth has become a desert wasteland ravaged by climate change. Veniss endures on the strength of its innovative tech of almost Boschian intensity, but at what cost? Where does the line between “made creature” and “person” lie? Against this backdrop, Veniss Underground spins the tale of Nicholas, an aspiring, struggling Artist; his twin sister, Nicola; and Shadrach, Nicola’s former lover. A fateful trip by Nicholas to the maverick biotech Quin will have far-reaching consequences for all three—and for the fate of Veniss itself, as insurrection stirs and the oppressed begin to revolt. Veniss Underground is Jeff VanderMeer’s first novel, a spectacular surreal foray into a world as influenced by Alejandro Jodorowsky as by Ursula K. Le Guin. Readers of VanderMeer’s later work will be enchanted and horrified by the marvels within, including the author’s signature fascination with the nonhuman and the environment. By turns beautiful and powerful, Veniss Underground explores the limits of love, memory, and obsession against a backdrop of betrayal and biological mutation. This reissue includes a new introduction by the National Book Award–winning author Charles Yu and a bonus story from Jeff VanderMeer.

The country's most noted writers, poets, and artists converge at a singular moment in American life, a great companion to fans of the film A Quiet Passion, starring Cynthia Nixon as Emily Dickinson. At the close of the Civil War, the lives of Emily Dickinson, Mark Twain, Harriet Beecher Stowe, and Martin Johnson Heade intersected in an intricate map of friendship, family, and romance that marked a milestone in the development of American art and literature. Using the image of a flitting hummingbird as a metaphor for the gossamer strands that connect these larger-than-life personalities, Christopher Benfey re-creates the summer of 1882, the summer when Mabel Louise Todd-the protégé to the painter Heade-confesses her love for Emily Dickinson's brother, Austin, and the players suddenly find themselves caught in the crossfire between the Calvinist world of decorum, restraint, and judgment and a new, unconventional world in which nature prevails and freedom is all.