This cultural history of the travelling freak show in America chronicles the rise and fall of the industry as attitudes about disability evolved. From 1840 until 1940, hundreds of freak shows crisscrossed the United States, from the smallest towns to the largest cities, exhibiting their casts of dwarfs, giants, Siamese twins, bearded ladies, savages, snake charmers, fire eaters, and other oddities. By today’s standards such displays would be considered cruel and exploitative—the pornography of disability. Yet for one hundred years the freak show was widely accepted as one of America’s most popular forms of entertainment. Robert Bogdan’s fascinating social history brings to life the world of the freak show and explores the culture that nurtured and, later, abandoned it. In uncovering this neglected chapter of show business, he describes in detail the flimflam artistry behind the shows, the promoters and the audiences, and the gradual evolution of public opinion from awe to embarrassment. Freaks were not born, Bogdan reveals; they were manufactured by the amusement world, usually with the active participation of the freaks themselves. Many of the "human curiosities" found fame and fortune, until the ascent of professional medicine transformed them from marvels into pathological specimens.

Siamese twins, midgets, giants, bearded ladies, and hermaphrodites are among the people profiled with compassion and insight

A collection of short works focuses on a central theme of the human body as a landscape, in a volume that relates the experiences of such characters as separated conjoined twins, drag queens, and hospital orderlies. A first collection. Original.

Every part of the human body has a name - and story. But how familiar are you with your arachnoid mater or your Haversian canals? Anatomical Oddities is an artistic and linguistic adventure, taking the reader on a journey to discover the hidden landscape of the human body: its crypts and caverns, gorges, islets and mountains. Along the way, we dip into the history of our relationship with the human body and the discoveries that paved the way for modern anatomy and medicine. Quirky, bizarre and beautiful, these pages feature original artworks from Professor Alice Roberts. The intricate details of the human body, the stories of people who unearthed its secrets, and the meanings of the words we use to describe it are laid bare.

Does evidence show that Native Americas residing in Utah a thousand years ago lived among dinosaurs, depicting those creatures in their rock art? Did some of those same ancient Americans also encounter visitors from other planets, painting images of space-suited aliens on canyon walls? Have archaeologists discovered evidence that members of the Lost Tribes of Israel visited ancient America, leaving their mark by engraving the Ten Commandments in Hebrew on rocks in New Mexico? And Ohio? Is there archaeological evidence of ancient Celtic visitors to the New World in the form of messages etched in stone, megalithic monuments, and even the remnants of the villages in which they lived? Are American archaeologists covering up the remains of lost cities deeply ensconced in a secret cave in Arizona and in a subterranean chamber in Missouri? Finally, have archaeologists discovered the far western outpost of an ancient Egyptian pharaoh, not in Egypt or even Africa, but in, of all places, California? Those questions and more are answered by archaeologist Ken Feder in Archaeological Oddities: A Field Guide to Forty Claims of Lost Civilizations, Ancient Visitors, and Other Strange Sites in North Americathat the above listed questions and others addressed in his book represent the equivalent of “fake news” about America’s ancient past. The forty sites he highlights are, in fact, fascinating and fun places to visit. Feder’s guide provides an entertaining summary of those forty sites along with the practical information you’ll need to visit them. This full-color book includes over 100 fascinating photographs.

Ondry and Liam have settled into a good life, but their trading is still tied up with humans, and humans are always messy. When political changes at the human base lead Ondry to attempt a difficult trade, the pair find themselves entangled in human affairs. Liam wants to help the people he left and the worlds being torn apart. He also wants to serve Ondry with not only the pleasures of the nest but also by bringing human profits. Ondry has no hope of understanding human psychology in general, he only knows that he will hold onto his palteia with the last breath in his body, and he'd like to keep his status and his wealth too. Unfortunately, new humans bring new conflicts and he is not sure how to protect Liam. He does know one thing that humans seem to constantly forget--that the peaceful Rownt are predators and when their families are threatened, Rownt become deadly killers. Liam is his family, and Ondry will protect him with his last breath... assuming that he can recognize the dangers in time to do so.

Step away from the screen and learn science in the real world. Discover amazing tricks of the human body with these hands-on projects like optical illusions, involuntary movement, and balance challenges. Step-by-step instructions and photos guide readers through each activity and Science Takeaway sidebars explain the science behind the results. All projects use common materials found around the house.

A groundbreaking anthology that probes the disposition towards the visually different Giants. Midgets. Tribal non-Westerners. The very fat. The very thin. Hermaphrodites. Conjoined twins. The disabled. The very hirsute. In American history, all have shared the platform equally, as freaks, human oddities, their only commonality their assigned role of anomalous other to the gathered throngs. For the price of a ticket, freak shows offered spectators an icon of bodily otherness whose difference from them secured their own membership in a common American identity--by comparison ordinary, tractable, normal. Rosemarie Thomson's groundbreaking anthology probes America's disposition toward the visually different. The book's essays fall into four main categories: historical explorations of American freak shows in the era of P.T. Barnum; the articulation of the freak in literary and textual discourses; contemporary relocations of freak shows; and theoretical analyses of freak culture. Essays address such diverse topics as American colonialism and public presentations of natives; laughing gas demonstrations in the 1840's; Shirley Temple and Tom Thumb; Todd Browning's landmark movie Freaks; bodybuilders as postmodern freaks; freaks in Star Trek; Michael Jackson's identification with the Elephant Man; and the modern talk show as a reconfiguration of the freak show. In her introduction, Thomson traces the freak show from antiquity to the modern period and explores the constitutive, political, and textual properties of such exhibits. Freakery is a fresh, insightful exploration of a heretofore neglected aspect of American mass culture.