The Pulitzer Prize–winning poet delivers a sharp wake-up call with his fourteenth collection. A “howdie-skelp” is the slap in the face a midwife gives a newborn. It’s a wake-up call. A call to action. The poems in Howdie-Skelp, Paul Muldoon’s new collection, include a nightmarish remake of The Waste Land, an elegy for his fellow Northern Irish poet Ciaran Carson, a heroic crown of sonnets that responds to the early days of the COVID-19 pandemic, a translation from the ninth-century Irish, and a Yeatsian sequence of ekphrastic poems that call into question the very idea of an “affront” to good taste. Muldoon is a poet who continues not only to capture but to command our attention.

SHORTLISTED FOR THE POETRY PIGOTT PRIZE IN ASSOCIATION WITH LISTOWEL WRITERS' WEEK A 'howdie-skelp' is the slap in the face a midwife gives a newborn. It's a wake-up call. A call to action. The poems in Paul Muldoon's striking new collection include a nightmarish remake of The Waste Land, an elegy for his fellow Northern Irish poet Ciaran Carson, a crown of sonnets that responds to the early days of the Covid-19 pandemic, a translation from the ninth-century Irish, and a Yeatsian sequence of ekphrastic poems that call into question the very idea of an 'affront' to good taste. Paul Muldoon is a poet who continues not only to capture, but to hold our attention.

A haunting collection of twenty stories rooted in the oral tradition of the Irish Traveller community. Brave vixens, prophetic owls and stalwart horses live alongside the human characters as guides, protectors, friends and foes while spirits, giants and fairies blur the lines between this world and the otherworld. Collected by Oein DeBhairduin throughout his childhood, retold in his lyrical style, and beautifully illustrated by Leanne McDonagh.

A new collection from the Pulitzer Prize–winning poet Though Frolic and Detour is Paul Muldoon’s thirteenth collection, it shows all the energy and ambition we might generally associate with a first book. Here, the poet brings his characteristic humor and humanity to the chickadee, the house wren, the deaths of Leonard Cohen and C. K. Williams, the Irish Rising, the Great War, and how “a streak of ragwort / may yet shine / as an off-the-record / remark becomes the party line.” Frolic and Detour reminds us that the sidelong glance is the sweetest, the tangential approach the most telling, and shows us why Paul Muldoon was described by Nick Laird, writing in The New York Review of Books, as “the most formally ambitious and technically innovative of modern poets, [who] writes poems like no one else.”

“Twilight in Hazard paints a more nuanced portrait of Appalachia than Vance did...[Maimon] eviscerates Vance's bestseller with stiletto precision.” —Associated Press From investigative reporter and Pulitzer Prize finalist Alan Maimon comes the story of how a perfect storm of events has had a devastating impact on life in small town Appalachia, and on the soul of a shaken nation . . . When Alan Maimon got the assignment in 2000 to report on life in rural Eastern Kentucky, his editor at the Louisville Courier-Journal told him to cover the region “like a foreign correspondent would.” And indeed, when Maimon arrived in Hazard, Kentucky fresh off a reporting stint for the New York Times’s Berlin bureau, he felt every bit the outsider. He had landed in a place in the vice grip of ecological devastation and a corporate-made opioid epidemic—a place where vote-buying and drug-motivated political assassinations were the order of the day. While reporting on the intense religious allegiances, the bitter, bareknuckled political rivalries, and the faltering attempts to emerge from a century-long coal-based economy, Maimon learns that everything—and nothing—you have heard about the region is true. And far from being a foreign place, it is a region whose generations-long struggles are driven by quintessentially American forces. Resisting the easy cliches, Maimon’s Twilight in Hazard gives us a profound understanding of the region from his years of careful reporting. It is both a powerful chronicle of a young reporter’s immersion in a place, and of his return years later—this time as the husband of a Harlan County coal miner’s daughter—to find the area struggling with its identity and in the thrall of Trumpism as a political ideology. Twilight in Hazard refuses to mythologize Central Appalachia. It is a plea to move past the fixation on coal, and a reminder of the true costs to democracy when the media retreats from places of rural distress. It is an intimate portrait of a people staring down some of the most pernicious forces at work in America today while simultaneously being asked: How could you let this happen to yourselves? Twilight in Hazard instead tells the more riveting, noirish, and sometimes bitingly humorous story of how we all let this happen.

#1 NEW YORK TIMES BESTSELLER A Washington Post Notable Book Excerpted in The New Yorker A work of unparalleled candor and splendorous beauty, The Lyrics celebrates the creative life and the musical genius of Paul McCartney through his most meaningful songs. Finally in paperback and featuring seven new song commentaries, the #1 New York Times bestseller celebrates the creative life and unparalleled musical genius of Paul McCartney. Spanning sixty-four years—from his early days in Liverpool, through the historic decade of The Beatles, to Wings and his solo career—Paul McCartney’s The Lyrics revolutionized the way artists write about music. An unprecedented “triumph” (Times UK), this handsomely designed volume pairs the definitive texts of over 160 songs with first-person commentaries on McCartney’s life, revealing the diverse circumstances in which songs were written; how they ultimately came to be; and the remarkable, yet often delightfully ordinary, people and places that inspired them. The Lyrics also includes: · A personal foreword by McCartney · An unprecedented range of songs, from beloved standards like “Band on the Run” to new additions “Day Tripper” and “Magical Mystery Tour” · Over 160 images from McCartney’s own archives Edited and introduced by Pulitzer Prize-winning poet Paul Muldoon, The Lyrics is the definitive literary and visual record of one of the greatest songwriters of all time.

In this new collection Paul Muldoon goes back to the essential meaning of the term 'lyric' -a short poem sung to the accompaniment of a musical instrument. These words are written for music, assuredly, with half an ear to Yeats's ballad-singing porter drinkers and half to Cole Porter-and indeed, many of them double as rock songs, performed by the Wayside Shrines, the Princeton-based music collective of which Muldoon is a member. Their themes are the classic themes of song: lost love, lost wars, Charlton Heston, barbed wire, pole dancers, cellulite, Hegel, elephants, Oedipus, more barbed wire, Buddy Holly, Jersey peaches, Julius Caesar, Trenton, cockatoos, and the Youngers (Bob and John and Jim and Cole). The Word on the Street is a lively addition to this Pulitzer Prize-winning poet's masterful body of work. It demonstrates, once again, that, as Richard Eder has written in the pages of the New York Times Book Review, 'Paul Muldoon is a shape-shifting Proteus to readers who try to pin him down . . . Those who interrogate Muldoon's poems find themselves changing shapes each time he does.'

“[An] incisive, personal mediation.” —New York Times Book Review Mark Doty has always felt haunted by Walt Whitman’s perennially new American voice, and by his equally radical claims about body and soul. In What Is the Grass, Doty effortlessly blends biography, criticism, and memoir to keep company with Whitman and his Leaves of Grass, tracing the resonances between his own experience and the legendary poet’s life and work.

Paul Muldoon's ninth collection of poems, his first since Hay (1998), finds him working a rich vein that extends from the rivery, apple-heavy County Armagh of the 1950s, in which he was brought up, to suburban New Jersey, on the banks of a canal dug by Irish navvies, where he now lives. Grounded, glistening, as gritty as they are graceful, these poems seem capable of taking in almost anything, and anybody, be it a Tuareg glimpsed on the Irish border, Bessie Smith, Marilyn Monroe, Queen Elizabeth I, a hunted hare, William Tell, William Butler Yeats, Sitting Bull, Ted Hughes, an otter, a fox, Mr. and Mrs. Stanley Joscelyne, un unearthed pit pony, a loaf of bread, an outhouse, a killdeer, Oscar Wilde, or a flock of redknots. At the heart of the book is an elegy for a miscarried child, and that elegiac tone predominates, particularly in the elegant remaking of Yeats's "A Prayer for My Daughter" with which the book concludes, where a welter of traffic signs and slogans, along with the spirits of admen, hardware storekeepers, flimflammers, fixers, and other forebears, are borne along by a hurricane-swollen canal, and private grief coincides with some of the gravest matter of our age. Moy Sand and Gravel is the winner of the 2003 Pulitzer Prize for Poetry.

Christmas poems by the Nobel Laureate To Him, all things seemed enormous: His mother's breast, the steam out of the ox's nostrils, Caspar, Balthazar, Melchior, the team of Magi, the presents heaped by the door, ajar. He was but a dot, and a dot was the star. --from "Star of the Nativity" Joseph Brodsky, who jokingly referred to himself as "a Christian by correspondence," endeavored from the time he "first took to writing poems seriously," to write a poem for every Christmas. He said in an interview: "What is remarkable about Christmas? The fact that what we're dealing with here is the calculation of life--or, at the very least, existence--in the consciousness of an individual, a specific individual." He continued, "I liked that concentration of everything in one place--which is what you have in that cave scene." There resulted a remarkable sequence of poems about time, eternity, and love, spanning a lifetime of metaphysical reflection and formal invention. In Nativity Poems six superb poets in English have come together to translate the ten as yet untranslated poems from this sequence, and the poems are presented in English in their entirety in a beautiful, pocket-sized edition illustrated with Mikhail Lemkhin's photographs of winter-time St. Petersburg.