With her prospects for finding a suitable match limited by her mother's infamous past as one of London's most sought-after courtesans, Lady Caroline is dismayed to discover that her mother plans to purchase a husband for her by agreeing to settle the Earl of Ashdon's gambling debts in exchange for marriage. Original.

If Lady Amelia Caversham is to marry before another Season passes, she'd better find help-namely, that of the infamous courtesan-turned matchmaker Sophia Dalby. But even Amelia is shocked when Lady Dalby informs her that they will hold interview for the position. And most shocking of all? Only Dukes need apply.

To win the love of the rakish Marquis of Dutton, as well as to retrieve the family pearls that are in his possession, Lady Louisa Kirkland enlists the seductive assistance of former courtesan Lady Sophia, in a sexy Regency-era novel by the author of The Courtesan's Daughter. Original.

In the modern world we are accustomed to conceptualising international relations in terms of national identity. We speak of English culture, French culture and American culture as if these things were the basic building blocks of global civilisation. While there is no doubt that national culture is important, such a view fails to take account of the fact that there is great diversity within nations and powerful connections across national frontiers. Just as individuals cannot be understood in isolation from the society of which they are a part, so national cultures cannot be understood in isolation from the global community. Since the beginning of human history cross-cultural exchange has been important in bringing about social change. This can be seen vividly in the way languages and their associated literary and dramatic traditions have interacted with one another. This volume brings together a collection of essays that focus on the role cross-cultural exchange has played in performance in the theatre and in film. The aim is not to suggest any systematic theory of cross-cultural exchange but rather to present a variety of examples that illustrate the subtle and complex way in which different cultures interact.

From Mary Blayney, the acclaimed author of Stranger’s Kiss, comes this irresistible new novel of historical romance featuring the Pennistan family. In Courtesan’s Kiss, an independent woman is determined to make her way in the world—even if it’s a scandalous one. But first she must escape a nobleman with plans of his own In the wake of a broken engagement and shunned by the ton, Mia Castellano does not retire to the country, as a proper young lady might, but sees her chance to escape society’s restraints—by becoming a courtesan. In her mind, no unmarried young woman is as free as a courtesan. She alone controls her destiny: managing her own money, having her own house, choosing her lovers. There’s only one obstacle in Mia’s path—Lord David Pennistan. As a favor to his brother, Lord David agrees to escort Mia to his family’s home in Derbyshire, where her guardian awaits. Mia attracts nothing but trouble from the outset of their journey, yet with every adventure they share, Lord David’s desire for his charge grows. When they’re caught in a compromising situation, Lord David insists that she marry him. But there’s only one thing Mia wants from David, and it isn’t his charity or his title. Can he convince her before it’s too late that the love she wants is already hers—to take or to lose forever? Can he win more from this untamed beauty than just a courtesan’s kiss?

From Pamela DuMond, the author of the USA Today Bestselling Part-time Princess Romantic Comedy series, comes: MY BIG FAKE MAFIA WEDDING! DESCRIPTION: One Chicago Mafia Princess trying to break free from her controlling family. A Fake engagement to one man. An Arranged marriage to another. A Christmas kidnapping. Sicily? What could go wrong? __ A risk-averse CEO of a Chicago matchmaking agency pretends to be the fiancé of a rebellious Mafia princess to save her from a mobster goon at a Christmas party. But their fake engagement is put to the test when her uncle kidnaps and flies them to Sicily to ‘meet the family’ where they discover she’s already promised to another man. __ My Big Fake Mafia Wedding © 2024 is based on the Interactive Game on Storyloom ©2022, the movie script © 2023, and the PG- 13 adaptation of The Matchmaker © 2018. The plot and characters have been signficantly changed. Additional materials have been written. This book is PG-13. 1-click and enjoy this amazing romantic comedy! Sign up for my newsletter at www.pameladumond.com to get the latest scoops on deals, new books, and who knows what else. Xo. Happy reading! Pamela DuMond

New York Times bestselling author Julia London is at her best in this sensual Regency where a Duke must pretend his mistress is his wife. Kate Bergeron is the beautiful and mysterious former mistress of a cloth merchant...and the latest beauty to capture the interest of the Prince of Wales. Mired in a disastrous divorce, the Prince attempts to distract attention from his next amorous pursuit by ordering Grayson Christopher, the eligible Duke of Darlington, to pretend to London society that he is having an affair with Kate. When Grayson reluctantly agrees to his Prince's demand, he finds the lady no more willing than he is. Kate will grudgingly act the part in public, but her favors are not for sale to any man. As Grayson and Kate mimic ardor for the world to see, they find what started as a deception becoming all too real. And when passion flames into love, their predicament becomes extreme. For while marriage between a duke and a courtesan could never happen, Kate knows in her heart that she is willing to accept nothing less...

None of these assumptions has been tested against the evidence of the surviving plays from the period - an oversight that the present study seeks to remedy.

Winner of the Christian Gauss Award for excellence in literary scholarship from the Phi Beta Kappa Society Having excavated the world's earliest novels in his previous book, literary historian Steven Moore explores in this sequel the remarkable flowering of the novel between the years 1600 and 1800-from Don Quixote to America's first big novel, an homage to Cervantes entitled Modern Chivalry. This is the period of such classic novels as Tom Jones, Candide, and Dangerous Liaisons, but beyond the dozen or so recognized classics there are hundreds of other interesting novels that appeared then, known only to specialists: Spanish picaresques, French heroic romances, massive Chinese novels, Japanese graphic novels, eccentric English novels, and the earliest American novels. These minor novels are not only interesting in their own right, but also provide the context needed to appreciate why the major novels were major breakthroughs. The novel experienced an explosive growth spurt during these centuries as novelists experimented with different forms and genres: epistolary novels, romances, Gothic thrillers, novels in verse, parodies, science fiction, episodic road trips, and family sagas, along with quirky, unclassifiable experiments in fiction that resemble contemporary, avant-garde works. As in his previous volume, Moore privileges the innovators and outriders, those who kept the novel novel. In the most comprehensive history of this period ever written, Moore examines over 400 novels from around the world in a lively style that is as entertaining as it is informative. Though written for a general audience, The Novel, An Alternative History also provides the scholarly apparatus required by the serious student of the period. This sequel, like its predecessor, is a “zestfully encyclopedic, avidly opinionated, and dazzlingly fresh history of the most 'elastic' of literary forms” (Booklist).