Parents comfort and reassure their young daughter who, frightened by a storm, asks if they can stop the rain, thunder, lightning, and wind. Includes note to parents.

Can anyone work effective magic for change in the world, and should we even try? Details of a spontaneous magical experiment with a group and it's effects, prefaced with a discussion of what magic might be, the ethical considerations and how to begin to live a magical and connected life.

In their 2015 award-winning book, We Gotta Get Out of This Place: The Soundtrack of the Vietnam War, Doug Bradley and Craig Werner placed popular music at the heart of the American experience in Vietnam. Over the next two years, they made more than 100 presentations coast-to-coast, witnessing honest, respectful exchanges among audience members. That journey prompted Bradley to write Who'll Stop the Rain: Respect, Remembrance, and Reconciliation in Post-Vietnam America and to further explore how the music of the era, shared by those who served and those who stayed, helped create safe, nonjudgmental environments for listening, sharing, and understanding. Those insights, and others, can help redefine America's public memory of Vietnam, one that invites a broader public understanding, sometimes written physically into the landscape via monuments, about what we revere and what we regret about who we are and what Vietnam did to us. A chorus of voices in Who'll Stop the Rain–​famous and anonymous, female and male, veteran and non-veteran, American and Vietnamese–suggests new possibilities for understanding the legacy of Vietnam and, ultimately, for bringing the men and women who served their country in that controversial war home for good.

Set in central Angola during the final stages of the country's thirty-year civil war, No One Can Stop the Rain is the true story of two ordinary M(r)decins Sans Fronti res volunteers OCo a surgeon and his wife, leaving behind their comfortable lives in mid-career. In doing so they are confronted by both the best and worst aspects of humanity. Based on correspondence and diary entries, the book chronicles the couple's journey to Kuito, deep in the heart of Angola. The remnants of this provincial capital had the unenviable reputation of being one of the world's most heavily landmined cities. The events witnessed by Moorhouse and Cheng as they worked alongside civilians OCo victims of landmines, the malnourished, and the displaced OCo provide a unique insight into life in this vast humanitarian citadel. Through the couple's eyes, the reader not only experiences something of the expected, the trauma of war, but also gains a rich insight into the less expected, the ordinary life of both local residents and field volunteers."

In After the Rain, celebrated self-care storyteller Alexandra Elle delivers 15 lessons on how to overcome obstacles, build confidence, and cultivate abundance. Part memoir and part guide, Elle shares stirring stories from her own remarkable journey from self-doubt to self-love. This soulful collection is filled with illuminating reflections on loss, fear, bravery, healing, love, acceptance, and more. • Readers follow along her journey as she transforms challenging experiences—a difficult childhood, painful romantic relationships, and single parenting as a young mom—into fuel for her career as a successful entrepreneur and author driven by purpose and pasion • Filled with Elle's signature candor and warmth • Includes empowering affirmations and meditations for readers to practice in their own lives After the Rain is a soulful guide to help you embrace all the beauty, love, and opportunity life has to offer. • Presented in luminous package with a foil case and gold accents • A beautiful gift for anyone on the path to self-discovery, and an uplifting reminder that there is always sunshine after the rain • Perfect for the friend who loves meditating, self-care, journaling, or seeking personal transformation and empowerment • Great for those who loved Present Over Perfect by Shauna Niequist, 100 Days to Brave by Annie F. Downs, and anything written by Brené Brown, Rupi Kaur, Rachel Hollis, and Elizabeth Gilbert

Harp

Describes the changing sounds of the rain, the slow soft sprinkle, the drip-drop tinkle, the sounding pounding roaring rain, and the fresh wet silent after-time of rain.

The bestselling author of I Love You Through and Through makes a splash with this popular preschool song! Rain, Rain, Go Away! is already a well-loved preschool favorite. Now this charming ebook will catch everyone’s attention (rain or shine!) as Church’s toddlers and stuffed animals are as adorable as ever in colorful rain gear. A pitch-perfect song for rainy days, sunny days, or any day!

A New York Times Best Seller 2019 National Book Award Longlist, Nonfiction 2019 Kirkus Book Prize Finalist, Nonfiction A February IndieNext Pick Named A Most Anticipated Book of 2019 by Buzzfeed, Nylon, The A. V. Club, CBC Books, and The Rumpus, and a Winter's Most Anticipated Book by Vanity Fair and The Week Starred Reviews: Kirkus and Booklist "Warm, immediate and intensely personal."—New York Times How does one pay homage to A Tribe Called Quest? The seminal rap group brought jazz into the genre, resurrecting timeless rhythms to create masterpieces such as The Low End Theory and Midnight Marauders. Seventeen years after their last album, they resurrected themselves with an intense, socially conscious record, We Got It from Here . . . Thank You 4 Your Service, which arrived when fans needed it most, in the aftermath of the 2016 election. Poet and essayist Hanif Abdurraqib digs into the group’s history and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself. The result is as ambitious and genre-bending as the rap group itself. Abdurraqib traces the Tribe's creative career, from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Their work is placed in the context of the broader rap landscape of the 1990s, one upended by sampling laws that forced a reinvention in production methods, the East Coast–West Coast rivalry that threatened to destroy the genre, and some record labels’ shift from focusing on groups to individual MCs. Throughout the narrative Abdurraqib connects the music and cultural history to their street-level impact. Whether he’s remembering The Source magazine cover announcing the Tribe’s 1998 breakup or writing personal letters to the group after bandmate Phife Dawg’s death, Abdurraqib seeks the deeper truths of A Tribe Called Quest; truths that—like the low end, the bass—are not simply heard in the head, but felt in the chest.