Conspiracy theories seem to be proliferating today. Long relegated to a niche existence, conspiracy theories are now pervasive, and older conspiracy theories have been joined by a constant stream of new ones – that the USA carried out the 9/11 attacks itself, that the Ukrainian crisis was orchestrated by NATO, that we are being secretly controlled by a New World Order that keep us docile via chemtrails and vaccinations. Not to mention the moon landing that never happened. But what are conspiracy theories and why do people believe them? Have they always existed or are they something new, a feature of our modern world? In this book Michael Butter provides a clear and comprehensive introduction to the nature and development of conspiracy theories. Contrary to popular belief, he shows that conspiracy theories are less popular and influential today than they were in the past. Up to the 1950s, the Western world regarded conspiracy theories as a legitimate form of knowledge and it was therefore normal to believe in them. It was only after the Second World War that this knowledge was delegitimized, causing conspiracy theories to be banished from public discourse and relegated to subcultures. The recent renaissance of conspiracy theories is linked to internet which gives them wider exposure and contributes to the fragmentation of the public sphere. Conspiracy theories are still stigmatized today in many sections of mainstream culture but are being accepted once again as legitimate knowledge in others. It is the clash between these domains and their different conceptions of truth that is fuelling the current debate over conspiracy theories.

The David Icke Guide to the Global Conspiracy is both extraordinary and unique. It is a masterpiece in dot-connecting and reveals the hidden links to apparently unconnnected people, events and subjects to show how it all fits together.

'A first class book' Sunday Times We're all conspiracy theorists. Some of us just hide it better than others. Conspiracy theorists do not wear tin-foil hats (for the most part). They are not just a few kooks lurking on the paranoid fringes of society with bizarre ideas about shape-shifting reptilian aliens running society in secret. They walk among us. They are us. Everyone loves a good conspiracy. Yet conspiracy theories are not a recent invention. And they are not always a harmless curiosity. In Suspicious Minds, Rob Brotherton explores the history and consequences of conspiracism, and delves into the research that offers insights into why so many of us are drawn to implausible, unproven and unproveable conspiracy theories. They resonate with some of our brain's built-in quirks and foibles, and tap into some of our deepest desires, fears, and assumptions about the world. The fascinating and often surprising psychology of conspiracy theories tells us a lot – not just why we are drawn to theories about sinister schemes, but about how our minds are wired and, indeed, why we believe anything at all. Conspiracy theories are not some psychological aberration – they're a predictable product of how brains work. This book will tell you why, and what it means. Of course, just because your brain's biased doesn't always mean you're wrong. Sometimes conspiracies are real. Sometimes, paranoia is prudent.

Conspiracy theories spread more widely and faster than ever before. Fear and uncertainty prompt people to believe false narratives of danger and hidden plots, but are not sufficient without considering the role and ideological bias of the media. This timely book focuses on making sense of how and why some people respond to their fear of a threat by creating or believing conspiracy stories. It integrates insights from psychology, political science, communication, and information sciences to provide a complete overview and theory of how conspiracy beliefs manifest. Through this multi-disciplinary perspective, rigoros research develops and tests a practical, simple way to frame and understand conspiracy theories. The book supplies unprecedented amounts of new data from six empirical studies and unpicks the complexity of the process that leads to the empowerment of conspiracy beliefs.

In Thomas Ligotti's first nonfiction outing, an examination of the meaning (or meaninglessness) of life through an insightful, unsparing argument that proves the greatest horrors are not the products of our imagination but instead are found in reality. "There is a signature motif discernible in both works of philosophical pessimism and supernatural horror. It may be stated thus: Behind the scenes of life lurks something pernicious that makes a nightmare of our world." His fiction is known to be some of the most terrifying in the genre of supernatural horror, but Thomas Ligotti's first nonfiction book may be even scarier. Drawing on philosophy, literature, neuroscience, and other fields of study, Ligotti takes the penetrating lens of his imagination and turns it on his audience, causing them to grapple with the brutal reality that they are living a meaningless nightmare, and anyone who feels otherwise is simply acting out an optimistic fallacy. At once a guidebook to pessimistic thought and a relentless critique of humanity's employment of self-deception to cope with the pervasive suffering of their existence, The Conspiracy against the Human Race may just convince readers that there is more than a measure of truth in the despairing yet unexpectedly liberating negativity that is widely considered a hallmark of Ligotti's work.

An energetic new translation of an ancient Roman masterpiece about a failed coup led by a corrupt and charismatic politician In 63 BC, frustrated by his failure to be elected leader of the Roman Republic, the aristocrat Catiline tried to topple its elected government. Backed by corrupt elites and poor, alienated Romans, he fled Rome while his associates plotted to burn the city and murder its leading politicians. The attempted coup culminated with the unmasking of the conspirators in the Senate, a stormy debate that led to their execution, and the defeat of Catiline and his legions in battle. In How to Stop a Conspiracy, Josiah Osgood presents a brisk, modern new translation of the definitive account of these events, Sallust’s The War with Catiline—a brief, powerful book that has influenced how generations of readers, including America’s founders, have thought about coups and political conspiracies. In a taut, jaw-dropping narrative, Sallust pleasurably combines juicy details about Catiline and his louche associates with highly quotable moral judgments and a wrenching description of the widespread social misery they exploited. Along the way, we get unforgettable portraits of the bitter and haunted Catiline, who was sympathetic to the plight of Romans yet willing to destroy Rome; his archenemy Cicero, who thwarts the conspiracy; and Julius Caesar, who defends the conspirators and is accused of being one of them. Complete with an introduction that discusses how The War with Catiline has shaped and continues to shape our understanding of how republics live and die, and featuring the original Latin on facing pages, this volume makes Sallust’s gripping history more accessible than ever before.

This book focuses on the constant tension between democracy and conspiratorial behavior in the new global order. It addresses the prevalence of conspiracy theories in the phenomenon of Donald Trump and Trumpism, and the paranoid style of American politics that existed long before, first identified with Richard Hofstadter. Hellinger looks critically at both those who hold conspiracy theory beliefs and those who rush to dismiss them. Hellinger argues that we need to acknowledge that the exercise of power by elites is very often conspiratorial and invites both realistic and outlandish conspiracy theories. How we parse the realistic from the outlandish demands more attention than typically accorded in academia and journalism. Tensions between global hegemony and democratic legitimacy become visible in populist theories of conspiracy, both on the left and the right. He argues that we do not live in an age in which conspiracy theories are more profligate, but that we do live in an age in which they offer a more profound challenge to the constituted state than ever before.

Originally published by G.P. Putnam's Sons, 2015.

A collection of controversial essays touches upon an array of issues, from marriage equality and conspiracy theories to animal rights.

They killed the king. They pinned it on two men. They chose poorly.#13;#13;There's no ancient evil to defeat, no orphan destined for greatness, just two guys in the wrong place at the wrong time...Royce Melborn, a skilled thief, and his mercenary partner, Hadrian Blackwater make a profitable living carrying out dangerous assignments for conspiring nobles until they become the unwitting scapegoats in a plot to murder the king. Sentenced to death, they have only one way out--and so begins this epic tale of treachery and adventure, sword fighting and magic, myth and legend.#13;#13;AWARDS#13;2009 National Indie Excellence Award Finalist#13;2008 ReaderViews Literary Award Finalist#13;2007 Foreword Magazine Book of the Year Finalist#13;Named One of the 2008 Notable Indie Books by Fantasy Book Critic #13;Named Top Five Fantasy of Books of 2009 by Dark Wolf's Fantasy Reviews#13;#13;ABOUT THE SERIES#13;The Crown Conspiracy is book one of the multi-book saga: The Riyria Revelations. Instead of a string of sequels, this six-book fantasy series was conceived as a single epic tale divided into individual novels. While one book may hint at building mysteries and thickening plots, these threads are not essential to reach a satisfying conclusion to the current episode--which has its own beginning, middle, and end. It should be noted that all six were written before the first was released to ensure continuity across a complex plot filled with twists, turns, and page-turning mysteries. Characterization occur across the whole series allowing readers to build friendships with likeable characters that are shaped as events unfold. The Riyria Revelations is written for adults but has no sex and limited violence centered on swordplay and is therefore, appropriate for younger audiences and a movie version based on the novels would garnish a PG-13 rating.