In One Dance with a Duke—the first novel in Tessa Dare’s delightful new trilogy—secrets and scandals tempt the irresistible rogues of the Stud Club to gamble everything for love. A handsome and reclusive horse breeder, Spencer Dumarque, the fourth Duke of Morland, is a member of the exclusive Stud Club, an organization so select it has only ten members—yet membership is attainable to anyone with luck. And Spencer has plenty of it, along with an obsession with a prize horse, a dark secret, and, now, a reputation as the dashing “Duke of Midnight.” Each evening he selects one lady for a breathtaking midnight waltz. But none of the women catch his interest, and nobody ever bests the duke—until Lady Amelia d’Orsay tries her luck. In a moment of desperation, the unconventional beauty claims the duke’s dance and unwittingly steals his heart. When Amelia demands that Spencer forgive her scapegrace brother’s debts, she never imagines that her game of wits and words will lead to breathless passion and a steamy proposal. Still, Spencer is a man of mystery, perhaps connected to the shocking murder of the Stud Club’s founder. Will Amelia lose her heart in this reckless wager or win everlasting love?

Miss Cecily Hurston would much rather explore the antiquities of Egypt than the uncharted territory of marriage. But the rules of her father's exclusive academic society forbid her entrance until she weds one of its members. To clear her ailing father's name of a scandalous rumour, Cecily is willing to marry any old dullard to do it.

Sometimes love happens when you least expect it… She's loved him for years... Charlotte Grant can't remember a time when she didn't love her best friend's older brother. He's never noticed her... The Duke of Clarington hadn't spared a thought for his sister's friend in years. Their situations are about to be reversed... It is the beginning of a new Season and Clarington intends to stay away from all the young ladies and eager mamas hoping to ensnare a duke. But that plan falls into tatters when his mother sponsors his sister's friend and enlists him to dance with her at Almack's. The beautiful vixen he meets that night bears little resemblance to the shy, gangly girl who used to follow him around. Now, instead of avoiding Charlotte, he finds himself frustrated when she seems to notice everyone but him. DANCING WITH THE DUKE is a standalone prequel novella to the LANDING A LORD a Lord series.

On dance and culture

"A cultural and structural analysis of the NEA's dance funding from its inception through the early 2000s. Wilbur studies how people in power engineer and translate institutional norms of arts recognition within dance, performance, and arts policy disclosure"--

On the morning of February 6, 1999, Buenos Aires police officers shot and killed seventeen-year-old Víctor Manuel Vital, better known as Frente, while he was unarmed, hiding under a table, and trying to surrender. Widely known and respected throughout Buenos Aires's shantytowns for his success as a thief, commitment to a code of honor, and generosity to his community, Frente became a Robin Hood--style legend who, in death, was believed to have the power to make bullets swerve and save gang members from shrapnel. In Dance for Me When I Die—first published in Argentina in 2004 and appearing here in English for the first time—Cristian Alarcón tells the story and legacy of Frente's life and death in the context of the everyday experiences of love and survival, murder and addiction, and crime and courage of those living in the slums. Drawing on interviews with Frente's friends, family, and ex-girlfriends, as well as with local thieves and drug dealers, and having immersed himself in Frente's neighborhood for eighteen months, Alarcón captures the world of the urban poor in all of its complexity and humanity.

In Tessa Dare’s dazzling new trilogy, the men of the Stud Club live and play by their own rules—until passion changes the game. The bastard son of a nobleman, Julian Bellamy is now polished to perfection, enthralling the ton with wit and charm while clandestinely plotting to ruin the lords, ravish the ladies, and have the last laugh on a society that once spurned him. But after meeting Leo Chatwick, a decent man and founder of an elite gentlemen’s club, and Lily, Leo’s enchanting sister, Julian reconsiders his wild ways. And when Leo’s tragic murder demands that Julian hunt for justice, he vows to see the woman he secretly loves married to a man of her own class. Lily, however, has a very different husband in mind. She’s loved Julian forever, adores the man beneath the rakish façade, and wants to savor the delicious attraction they share—as his wife. His insistence on marrying her off only reinforces her intent to prove that he is the only man for her. Obsessed with catching a killer, Julian sinks back to the gutters of his youth, forcing Lily to reach out with a sweet, reckless passion Julian can’t resist. Can her desire for a scoundrel save them both—or will dangerous secrets threaten more than their tender love?

Inspired by the tales of Cinderella, as well as Psyche and Eros, A Dance with the Fae Prince is perfect for fans of A Court of Silver Flames and An Enchantment of Ravens, featuring a a slow-burn romance and sizzling steaminess.[Bokinfo].

Lord Devlin White, Duke of Winterbourne, is the last in a long line of powerful witches who assist the Demon Lord of London by solving mysteries and settling problems amongst nightwalkers. With his proud family line all but ended, considered eccentric even by the standards of his strange world, Devlin is kept from despair by his unusual ward, Midnight. Murdered as a child, turned into a draugr in death, Midnight is a nightwalker like no other. Neither alive nor dead, sustained by magic and a bond to Devlin, he is happy to spend his life by Devlin's side, though he longs for the day that Devlin sees him as more than a ward. But now a powerful figure seeks the secret of Midnight's making—a secret that Devlin will die to protect.

In Maroon Choreography fahima ife speculates on the long (im)material, ecological, and aesthetic afterlives of black fugitivity. In three long-form poems and a lyrical essay, they examine black fugitivity as an ongoing phenomenon we know little about beyond what history tells us. As both poet and scholar, ife unsettles the history and idea of black fugitivity, troubling senses of historic knowing while moving inside the continuing afterlives of those people who disappeared themselves into rural spaces beyond the reach of slavery. At the same time, they interrogate how writing itself can be a fugitive practice and a means to find a way out of ongoing containment, indebtedness, surveillance, and ecological ruin. Offering a philosophical performance in black study, ife prompts us to consider how we—in our study, in our mutual refusal, in our belatedness, in our habitual assemblage—linger beside the unknown. Duke University Press Scholars of Color First Book Award recipient