Build a cutting-edge sound studio--at a price that's music to your ears How to Build a Small Budget Recording Studio from Scratch, Fourth Edition gives you detailed plans (including 12 studio designs with 23 constructed, tested, and acoustically tuned rooms from renowned acoustician, F. Alton Everest), and other resources for making your own professional-grade recording studio. Start from scratch with techniques, practical advice, and scientific know-how that guide you on how to construct everything from floor to ceiling and wall to wall. You'll get expert recommendations on materials and equipment, how to test and adjust the finished facility for frequency response and reverberation time; mathematical formulas and simple explanations of key scientific principles; and everything else a musician, sound engineer, producer, filmmaker, or hobbyist could possibly want. Coverage includes: Plans for purpose-specific studios (residential, commercial, instructional) How each music instrument creates sound -- and how to best record acoustical instruments Testing, measurement, and how to read acoustic specifications Premanufactured acoustic remedies Noise control (from HVAC equipment and other sources) Comes with exclusive bonus online content, including mathematical equations for acoustics, reverberation, music tempo, and pitch; listings of manufacturers of acoustic materials and test equipment; directions for how to read blueprints; and much more! Go to: www.mhprofessional.com/Shea4

Introduces the study of acoustics as it applies to recording studio design and offers plans for a variety of proven schemes.

* 12 proven designs for building inexpensive, yet effective, audio studios * Covers basic acoustic theory, construction materials, and applied design * New chapters on blueprint reading and electrical wiring and grounding methods, expanded coverage of materials and construction methods

Explains how to build them & treat them acoustically, with emphasis on budget studios suited to the efficient day-to-day production of radio, audiovisual, film, & television recording. No special skills or training are required to use this book-it is of interest to anyone planning to build or remodel a small recording studio. Acoustical principles are explained in the context of real-life projects (with real-life budgets) rather than in terms of esoteric mathematics & ideal circumstances.

Build first-class recording studios and listening spaces Design and build your own audiophile-grade recording and playback environments using proven, cost-effective plans and techniques. Handbook of Sound Studio Construction: Rooms for Recording and Listening explains practical acoustical properties and describes how to engineer acoustically sensitive spaces, including music recording studios, control rooms, voice studios, home project studios, A/V suites, media rooms, and surround-sound home theaters. Learn how to choose room dimensions, select building materials, construct your own custom treatments, maximize isolation, and generate and analyze response curves. This do-it-yourself guide incorporates decades of roomdesign experience and provides you with the practical knowledge to design and build your own acoustical spaces or improve existing spaces. Coverage includes: An introduction to room acoustics and acoustical design Reflecting, absorbing, and diffusing materials Room geometry, modes, and treatment Acoustic isolation, site selection, and HVAC design Wall, floor, and ceiling construction Window and door design considerations Reverberation times, early reflections, and psychoacoustics Objective and subjective room evaluation Plans and specifications for 10 recording and listening rooms

Philip Newell's comprehensive reference work contains pearls of wisdom which anyone involved in sound recording will want to apply to their own studio design. He discusses the fundamentals of good studio acoustics and monitoring in an exhaustive yet accessible manner. Recording Studio Design covers the basic principles, their application in practical circumstances, and the reasons for their importance to the daily success of recording studios. All issues are approached from the premise that most readers will be more interested in how these things affect their daily lives rather than wishing to make an in-depth study of pure acoustics. Therefore frequent reference is made to examples of actual studios, their various design problems and solutions. Because of the importance of good acoustics to the success of most studios, and because of the financial burden which failure may impose, getting things right first time is essential. The advice contained in Recording Studio Design offers workable ways to improve the success rate of any studio, large or small.

Build a home studio to fit any budget Explore equipment and techniques for making top-notch recordings at home You've picked a perfect time to start recording! From PC-based to studio-in-a-box, today's equipment lets you put together a professional quality CD right at home, if you know how to use it. This guide covers everything from microphone placement to multitracking and mastering, helping you choose the right tools and use them like a pro. Discover how to: Create a studio around your budget Direct signal flow to maximize your sound Apply the best microphone techniques Use compressors and limiters properly Build a space for optimum mixing

Handbook for Sound Engineers is the most comprehensive reference available for audio engineers. All audio topics are explored: if you work on anything related to audio you should not be without this book! The 4th edition of this trusted reference has been updated to reflect changes in the industry since the publication of the 3rd edition in 2002 -- including new technologies like software-based recording systems such as Pro Tools and Sound Forge; digital recording using MP3, wave files and others; mobile audio devices such as iPods and MP3 players. Over 40 topics are covered and written by many of the top professionals for their area in the field, including Glen Ballou on interpretation systems, intercoms, assistive listening, and image projection; Ken Pohlmann on compact discs and DVDs; David Miles Huber on MIDI; Dr. Eugene Patronis on amplifier design and outdoor sound systems; Bill Whitlock on audio transformers and preamplifiers; Pat Brown on fundamentals and gain structures; Ray Rayburn on virtual systems and digital interfacing; and Dr. Wolfgang Ahnert on computer-aided sound system design and acoustics for concert halls.

Whether you have a ton of equipment or just the basic gear this book offers an all you need to know to setting up, running and getting great sound from a project studio. In three parts Harris walks you thought Acoustics, Equipment and Recording Technique. From the basics of acoustic treatment to techniques to solve problems specific to your room, and from offering explanations and information of equipment to how to record and create a great mix. In no time you'll be recording, producing great music in your very own studio.