A collection of engaging essays that discusses odd and unusual topics in optics

"In the almost twenty years since I began writing my essays on strange and quirky optics I have been through several employers, but in all that time I have stayed a contributing editor for the Optical Society of America. No matter where I was during the day, I always worked on producing these nuggets of infotainment with some regularity. I have always had a backlog of tentative pieces to write, but new topics arose just as rapidly, so I have never been at a loss with a new piece. The newsletter of MIT's Spectroscopy Lab has, in that time, disappeared, so the essays in this volume are either ones that originally appeared in Optics and Photonics News, or else have not previously been published in any magazine. As I stated in the introduction to How the Ray Gun Got Its Zap!, my goal was to produce quirky, interesting, and somewhat humorous essays that had a slyly pedagogical edge. "Education by stealth," as the BBC said. In reality, I often start off writing one of these to satisfy myself about some minor mystery of optical science or engineering"--

A potent blend of selected pieces from Californian magazines Ray Gun, Stick and Bikini. This text traces their evolving design with the work of David Carson, Vaughan Oliver and Robert Hales, and examines the culture that has produced them. Iggy Pop, Brian Eno, Quentin Tarrantino, Michael Stipe and Oasis are among contributors.

Light begins at Stonehenge, where crowds cheer a solstice sunrise. After sampling myths explaining First Light, the story moves on to early philosophers' queries, then through the centuries, from Buddhist temples to Biblical scripture, when light was the soul of the divine. Battling darkness and despair, Gothic architects crafted radiant cathedrals while Dante dreamed a "heaven of pure light." Later, following Leonardo's advice, Renaissance artists learned to capture light on canvas. During the Scientific Revolution, Galileo gathered light in his telescope, Descartes measured the rainbow, and Newton used prisms to solidify the science of optics. But even after Newton, light was an enigma. Particle or wave? Did it flow through an invisible "ether"? Through the age of Edison and into the age of lasers, Light reveals how light sparked new wonders--relativity, quantum electrodynamics, fiber optics, and more. Although lasers now perform everyday miracles, light retains its eternal allure. "For the rest of my life," Einstein said, "I will reflect on what light is." Light explores and celebrates such curiosity.

Chronicles the golden era of space toys, an age of imagination unbound by the more mundane realities of space travel ushered in by Sputnik and the Space Age. This book unearths the nearly lost histories of these space treasures and the companies that created them.

Why are candle flames yellow? Why does ultraviolet light supposedly kill vampires? What about the monocle? Why was the monocle--a corrective lens that only corrects vision in a single eye--so popular among businessmen and politicians for so many years? Stephen R. Wilk answers all this and so much more in Sandbows and Black Lights. This book is a collection of original essays on weird and unusual topics surrounding optics. Wilk uses the BBC's formula of "Education by Stealth" to explain unusual facets of science and technology through the matrix of interesting and cultural paths, all the while weaving in math equations in an accessible way. The first part of the book focuses on the history, the second moves to odd scientific approaches to visual phenomena, and the third part explains the unique use of optics in fiction, movies, and comic books over time. Chapters cover everything from endless corridors to the beam of light over treasure chests in movies. Whether he is explaining a rare discovery or answering a seemingly unapproachable question, Wilk is able to lure readers in on every page. He has a unique ability to turn complex science into an engaging story, and this book is full of narratives on esoteric topics anyone will find intriguing. Sandbows and Black Lights provides an enticing and entertaining look at physical illusions in a whole new way.

Medusa, the Gorgon, who turns those who gaze upon her to stone, is one of the most popular and enduring figures of Greek mythology. Long after many other figures from Greek myth have been forgotten, she continues to live in popular culture. In this fascinating study of the legend of Medusa, Stephen R. Wilk begins by refamiliarizing readers with the story through ancient authors and classical artwork, then looks at the interpretations that have been given of the meaning of the myth through the years. A new and original interpretation of the myth is offered, based upon astronomical phenomena. The use of the gorgoneion, the Face of the Gorgon, on shields and on roofing tiles is examined in light of parallels from around the world, and a unique interpretation of the reality behind the gorgoneion is suggested. Finally, the history of the Gorgon since tlassical times is explored, culminating in the modern use of Medusa as a symbol of Female Rage and Female Creativity.

They say that when the ""stars are right"" he will return and usher in a new age and the elder gods will reign once again. H.P.L drops a few hints that Cthulhu may not return during mankind's time on Earth. In this second installment we return to a world on the brink, where the unthinkable - the unnameable - could lurk just around the corner.

This one-of-a-kind book presents many of the mathematical concepts, structures, and techniques used in the study of rays, waves, and scattering. Panoramic in scope, it includes discussions of how ocean waves are refracted around islands and underwater ridges, how seismic waves are refracted in the earth's interior, how atmospheric waves are scattered by mountains and ridges, how the scattering of light waves produces the blue sky, and meteorological phenomena such as rainbows and coronas. Rays, Waves, and Scattering is a valuable resource for practitioners, graduate students, and advanced undergraduates in applied mathematics, theoretical physics, and engineering. Bridging the gap between advanced treatments of the subject written for specialists and less mathematical books aimed at beginners, this unique mathematical compendium features problems and exercises throughout that are geared to various levels of sophistication, covering everything from Ptolemy's theorem to Airy integrals (as well as more technical material), and several informative appendixes. Provides a panoramic look at wave motion in many different contexts Features problems and exercises throughout Includes numerous appendixes, some on topics not often covered An ideal reference book for practitioners Can also serve as a supplemental text in classical applied mathematics, particularly wave theory and mathematical methods in physics and engineering Accessible to anyone with a strong background in ordinary differential equations, partial differential equations, and functions of a complex variable

If you take Boston's Blue Line to its northern end, you'll reach the Wonderland stop. Few realize that a twenty-three-acre amusement park once sat nearby -- the largest in New England, and grander than any of the Coney Island parks that inspired it. Opened in Revere on Memorial Day in 1906 to great fanfare, Wonderland offered hundreds of thousands of visitors recreation by the sea, just a short distance from downtown Boston. The story of the park's creation and wild, but brief, success is full of larger-than-life characters who hoped to thrill attendees and rake in profits. Stephen R. Wilk describes the planning and history of the park, which featured early roller coasters, a scenic railway, a central lagoon in which a Shoot-the-Chutes boat plunged, an aerial swing, a funhouse, and more. Performances ran throughout the day, including a daring Fires and Flames show; a Wild West show; a children's theater; and numerous circus acts. While nothing remains of what was once called "Boston's Regal Home of Pleasure" and the park would close in 1910, this book resurrects Wonderland by transporting readers through its magical gates.