A Kirkus Reviews Best Book of the Year A Chicago Public Library Best of the Best of the Year "Profoundly moving . . . Will take your breath away." —Kathleen Glasgow, author of Girl in Pieces A stunningly gorgeous and deeply hopeful portrayal of living with mental illness and grief, from an exceptional new voice. Biz knows how to float. She has her people, her posse, her mom and the twins. She has Grace. And she has her dad, who tells her about the little kid she was, and who shouldn't be here but is. So Biz doesn't tell anyone anything. Not about her dark, runaway thoughts, not about kissing Grace or noticing Jasper, the new boy. And she doesn't tell anyone about her dad. Because her dad died when she was seven. And Biz knows how to float, right there on the surface—normal okay regular fine. But after what happens on the beach—first in the ocean, and then in the sand—the tethers that hold Biz steady come undone. Dad disappears and, with him, all comfort. It might be easier, better, sweeter to float all the way away? Or maybe stay a little longer, find her father, bring him back to her. Or maybe—maybe maybe maybe—there's a third way Biz just can't see yet. Debut author Helena Fox tells a story about love and grief, about inter-generational mental illness, and how living with it is both a bridge to someone loved and lost and, also, a chasm. She explores the hard and beautiful places loss can take us, and honors those who hold us tightly when the current wants to tug us out to sea. "Give this to all [your] friends immediately." —Cosmopolitan.com "I haven't been so dazzled by a YA in ages." —Jandy Nelson, author of I'll Give You the Sun (via SLJ) "Mesmerizing and timely." —Bustle "Nothing short of exquisite." —PopSugar "Immensely satisfying" —Girls' Life * "Lyrical and profoundly affecting." —Kirkus (starred review) * "Masterful...Just beautiful." —Booklist (starred review) * "Intimate...Unexpected." —PW (starred review) * "Fox writes with superb understanding and tenderness." —BCCB (starred review) * "Frank [and] beautifully crafted." —BookPage (starred review) "Deeply moving...A story of hope." —Common Sense Media "This book will explode you into atoms." —Margo Lanagan, author of Tender Morsels "Helena Fox's novel delivers. Read it." —Cath Crowley, author of Words in Deep Blue "This is not a book; it is a work of art." —Kerry Kletter, author of The First Time She Drowned "Perfect...Readers will be deeply moved." —Books+Publishing

'Every now and then you pick up a novel and you know you've found something wonderful - a glorious voice, a character you adore. Helena Fox's novel delivers. It is exquisite. Read it.' Cath Crowley WINNER OF THE VICTORIAN PREMIER'S AWARD PRIZE FOR WRITING FOR YOUNG ADULTS 2020 WINNER OF THE PRIME MINISTER'S LITERARY AWARD FOR YOUNG ADULT LITERATURE 2020 Biz knows how to float. She has her people, posse, her mum and the twins. She has Grace. And she has her dad, who tells her about the little kid she was, and who shouldn't be here but is. So Biz doesn't tell anyone anything. Not about her dark, runaway thoughts, not about kissing Grace or noticing Jasper, the new boy. And she doesn't tell anyone about her dad. Because her dad died when she was seven. And Biz knows how to float, right there on the surface - normal okay regular fine. SHORTLISTED FOR THE GRIFFITH UNIVERSITY YOUNG ADULT BOOK AWARD 2019 SHORTLISTED FOR THE NSW PREMIER'S LITERARY AWARDS ETHEL TURNER PRIZE FOR YOUNG PEOPLE'S LITERATURE 2020 SHORTLISTED FOR THE CBCA BOOK OF THE YEAR FOR OLDER READERS 2020 LONGLISTED FOR ABIA BOOK OF THE YEAR FOR OLDER CHILDREN 2020 LONGLISTED FOR THE INDIE BOOK AWARD FOR YOUNG ADULT FICTION 2020 PRAISE FOR HOW IT FEELS TO FLOAT 'Fox's prose is lyrical and profoundly affecting, providing a nuanced account of the hereditary effects of trauma.' Kirkus Reviews, Best YA Books of 2019 'A profoundly moving story about grief, loss, and love that will take your breath away. Helena Fox is a writer to be reckoned with.' Kathleen Glasgow 'This book will explode you into atoms, put you back together, and return the new shape of you to earth. Alive with sensation and rich in thought and feeling, How It Feels to Float intensively explores what it's like to be here now.' Margo Lanagan 'Mesmerizing and timely.' Bustle 'Impossibly beautiful.' Kerry Kletter

The beautiful struggle of a girl desperate for the one relationship that has caused her the most pain. In "one of the most lyrical novels I’ve ever read. Haunting and exquisite." —Nicola Yoon, #1 New York Times bestselling author of Everything, Everything and The Sun is Also a Star Cassie O'Malley has spent the past two and a half years in a mental institution--dumped there by her mother, against her will. Now, at 18, Cassie emancipates herself, determined to start over and reclaim her life. But when the unhealthy mother-daughter relationship that defined Cassie's childhood and adolescence threatens to pull her under once again, Cassie must decide: whose version of history is the truth, and whose life must she save? TEEN VOGUE listed as "One of the best books you need to know now." PASTE MAGAZINE lists it as "one of their most anticipated debuts of 2016" and as "one of the best books of the year so far." ALA BOOKLIST names it to their “Top 10 First Novels for Youth” list Included in B&N Teen Blog's Best Young Adult Books of 2016 More praise for The First Time She Drowned: "Lyrical, emotional...resonant." —Entertainment Weekly "Beautiful and passionate . . . [Kletter is] a writer of great distinction and infinite promise." —Pat Conroy, #1 New York Times bestselling author of The Prince of Tides and South of Broad ". . . An incredible read. Be warned though—you will want to read Cassie’s story, start to finish, in one sitting. And then you will want to race to put it in the hands (and hearts) of everyone you know and love." —Jennifer Niven, New York Times bestselling author of All the Bright Places "The First Time She Drowned is an exquisite and masterful dive, a brave exploration into the complexities of family, and the saving grace of friendship. Kletter’s writing is hypnotic, her characters alive, her story tragic, beautiful, hopeful. Simply put, this book is stunning." —David Arnold, critically acclaimed author of Mosquitoland and Kids of Appetite "[A] beautiful, gut-wrenching ache of a story. If you are at all interested in books, this is required reading." —Becky Albertalli, author of the Morris Award-winning Simon vs. the Homo Sapiens Agenda "The best writers are able to tell the most difficult stories with the most empathy, and that’s just what Kletter does in this haunting debut about a girl lost in the depths of her family’s secrets and shame. Complex, affirming, and beautifully written." —Stephanie Kuehn, author of the Morris Award-winning Charm & Strange "Gorgeous, sumptuously lyrical, luminous…a feast for lovers of language. The First Time She Drowned singlehandedly shatters every argument that YA books aren't fit fare for adults." —Jeff Zentner, author of The Serpent King

Told in their separate voices, sixteen-year-old Prince Oliver, who wants to break free of his fairy-tale existence, and fifteen-year-old Delilah, a loner obsessed with Prince Oliver and the book in which he exists, work together to seek his freedom.

From the critically acclaimed author of the Edge of Extinction series comes this fast-paced, action-packed, and heartfelt adventure about a group of kids with uncontrollable abilities, perfect for fans of Gordon Korman, Lisa McMann, and Dan Gutman! Emerson can float…he just can’t do it very well. His uncontrollable floating is his RISK factor, which means that he deals with Reoccurring Incidents of the Strange Kind. The last place Emerson wants to be is at a government-mandated summer camp for RISK kids like him, so he’s shocked when he actually starts having fun at camp—and he even makes some new friends. But it’s not all canoeing and capture the flag at Camp Outlier. The summer of fun takes a serious turn when Emerson and his friends discover that one of their own is hiding a deadly secret that puts all of their lives in danger. It’s up to the Red Maple boys to save themselves—and everyone like them.

“Hayes leaves resonance cleaving the air.” —NPR In these works based on his Bagley Wright lectures on the poet Etheridge Knight, Terrance Hayes offers not quite a biography but a compilation “as speculative, motley, and adrift as Knight himself.” Personal yet investigative, poetic yet scholarly, this multi-genre collection of writings and drawings enacts one poet’s search for another and in doing so constellates a powerful vision of black literature and art in America. The future Etheridge Knight biographer will simultaneously write an autobiography. Fathers who go missing and fathers who are distant will become the bones of the stories. There will be a fable about a giant who grew too tall to be kissed by his father. My father must have kissed me when I was boy. I can’t really say. . . . By the time I was eleven or even ten years old I was as tall as him. I was six inches taller than him by the time I was fifteen. My biography about Knight would be about intimacy, heartache. Terrance Hayes is the author of How to Be Drawn, which received a 2016 NAACP Image Award for Poetry; Lighthead, which won the 2010 National Book Award for poetry; and three other award-winning poetry collections. He is the poetry editor at the New York Times Magazine and also teaches at the University y of Pittsburgh. American Sonnets for My Past and Future Assassin will also be forthcoming in 2018.

Tender Morsels is a dark and vivid story, set in two worlds and worrying at the border between them. Liga lives modestly in her own personal heaven, a world given to her in exchange for her earthly life. Her two daughters grow up in this soft place, protected from the violence that once harmed their mother. But the real world cannot be denied forever—magicked men and wild bears break down the borders of Liga’s refuge. Now, having known Heaven, how will these three women survive in a world where beauty and brutality lie side by side?

This thrilling YA retelling of Kurosawa’s Seven Samurai features a girl tasked with saving the world from eternal darkness. Perfect for fans of Six of Crows and Marie Lu. Seventeen-year-old Kira Fujikawa has never had it easy. She’s bullied by the popular girls in school. Her parents ignore her. And she’s also plagued with a secret: She can see yokai, the ghosts and demons that haunt the streets of Kyoto. But things accelerate from bad to worse when she learns that Shuten-doji, the demon king, will rise at the next blood moon to hunt down an ancient relic and bring the world to a catastrophic end. Not exactly skilled at fighting anything, much less the dead, Kira enlists the aid of seven powerful death gods to help her slay Shuten-doji. They include Shiro, a kitsune with boy-band looks who is more flirtatious than helpful, and O-bei, a regal demon courtier with reasons of her own for getting involved. As the confrontation with Shuten-doji draws nearer, the fate of Japan hangs in the balance. Can Kira save humankind? Or will the demon king succeed in bringing eternal darkness upon the world?

Chosen by Randall Mann as a winner of the Jake Adam York Prize, Brian Tierney’s Rise and Float depicts the journey of a poet working—remarkably, miraculously—to make our most profound, private wounds visible on the page. With the “corpse of Frost” under his heel, Tierney reckons with a life that resists poetic rendition. The transgenerational impact of mental illness, a struggle with disordered eating, a father’s death from cancer, the loss of loved ones to addiction and suicide—all of these compound to “month after / month” and “dream / after dream” of struck-through lines. Still, Tierney commands poetry’s cathartic potential through searing images: wallpaper peeling like “wrist skin when a grater slips,” a “laugh as good as a scream,” pears as hard as a tumor. These poems commune with their ghosts not to overcome, but to release. The course of Rise and Float is not straightforward. Where one poem gently confesses to “trying, these days, to believe again / in people,” another concedes that “defeat / sometimes is defeat / without purpose.” Look: the chair is just a chair.” But therein lies the beauty of this collection: in the proximity (and occasional overlap) of these voices, we see something alluringly, openly human. Between a boy “torn open” by dogs and a suicide, “two beautiful teenagers are kissing.” Between screams, something intimate—hope, however difficult it may be.

"New York's Chelsea Hotel may no longer be home to its most famous denizens--Andy Warhol, Leonard Cohen, Patti Smith, to name a few--but the eccentric spirit of the Chelsea is alive and well. Meet the family Rips: father Michael, a lawyer turned writer with a penchant for fine tailoring; mother Sheila, a former model and renowned artist who matches her welding outfits with couture; and daughter Nicolaia, a precocious high school junior at work on a record of her peculiar seventeen years. Nicolaia is a perpetual outsider who has struggled to find her place in public schools populated by cliquish girls and loudmouthed boys. But at the Chelsea, Nicolaia need not look far to find her tribe"--