Housed Under Glass is a work of denunciation, of pain, and of love. Twenty years of sexual repression culminated in an extreme case of pelvic floor dysfunction, one of the various types of female sexual disorders. The testimony gathered in these leaves carries into the wind a wounded soul, healed along with her body by the curative balm of expert hands and by the providential warmth of a ray of Sun over a world made green anew.

For five generations, Evelyn's family has lived in the same small brick house, shadowed by the mansion across the street. Her Nana filled her childhood with stories about Byrne House: tales of missing children, of lovers gone mad. The mansion loomed every night in her dreams. Even now, at seventeen, Evelyn watches the sprawling Victorian from her second-floor bedroom, unable to explain her obsession with a house she's never been inside.Then one of the boys in Evelyn's junior class disappears. Evelyn is the last person to see him-just a pale face in Byrne House's tower window.Her friends don't believe her. Her mother tells the police that Evelyn just imagined the boy in the window. Only Alex-a charming newcomer with his own ties to Byrne House-shares her suspicions. But Evelyn has no idea how far she and Alex will have to go to find the answers. Or what she'll have to remember.

For readers of Hillbilly Elegy and Strangers in Their Own Land WINNER OF THE OHIOANA BOOK AWARDS AND FINALIST FOR THE 87TH CALIFORNIA BOOK AWARDS |NAMED A BEST/MOST ANTICIPATED BOOK OF 2017 BY: New York Post • Newsweek • The Week • Bustle • Books by the Banks Book Festival • Bookauthority.com The Wall Street Journal: "A devastating portrait...For anyone wondering why swing-state America voted against the establishment in 2016, Mr. Alexander supplies plenty of answers." Laura Miller, Slate: "This book hunts bigger game.Reads like an odd?and oddly satisfying?fusion of George Packer’s The Unwinding and one of Michael Lewis’ real-life financial thrillers." The New Yorker : "Does a remarkable job." Beth Macy, author of Factory Man: "This book should be required reading for people trying to understand Trumpism, inequality, and the sad state of a needlessly wrecked rural America. I wish I had written it." In 1947, Forbes magazine declared Lancaster, Ohio the epitome of the all-American town. Today it is damaged, discouraged, and fighting for its future. In Glass House, journalist Brian Alexander uses the story of one town to show how seeds sown 35 years ago have sprouted to give us Trumpism, inequality, and an eroding national cohesion. The Anchor Hocking Glass Company, once the world’s largest maker of glass tableware, was the base on which Lancaster’s society was built. As Glass House unfolds, bankruptcy looms. With access to the company and its leaders, and Lancaster’s citizens, Alexander shows how financial engineering took hold in the 1980s, accelerated in the 21st Century, and wrecked the company. We follow CEO Sam Solomon, an African-American leading the nearly all-white town’s biggest private employer, as he tries to rescue the company from the New York private equity firm that hired him. Meanwhile, Alexander goes behind the scenes, entwined with the lives of residents as they wrestle with heroin, politics, high-interest lenders, low wage jobs, technology, and the new demands of American life: people like Brian Gossett, the fourth generation to work at Anchor Hocking; Joe Piccolo, first-time director of the annual music festival who discovers the town relies on him, and it, for salvation; Jason Roach, who police believed may have been Lancaster’s biggest drug dealer; and Eric Brown, a local football hero-turned-cop who comes to realize that he can never arrest Lancaster’s real problems.

An original examination of legislative clashes over the singular issue of the glass house boys, who performed menial tasks, received low wages, and had little to say on their own behalf while toiling in glass bottle plants. Flannery reveals the many societal, economic, and political factors at work that allowed for the perpetuation of child labor in this industry and region.

Nimira is a foreign music-hall girl forced to dance for pennies. When wealthy sorcerer Hollin Parry hires her to sing with a piano-playing automaton, Nimira believes it is the start of a new and better life. In Parry's world, however, buried secrets are beginning to stir. Unsettling below-stairs rumors swirl about ghosts, a madwoman roaming the halls, and Parry's involvement with a league of sorcerers who torture fairies for sport. Then Nimira discovers the spirit of a fairy gentleman named Erris is trapped inside the clockwork automaton, waiting for someone to break his curse. The two fall into a love that seems hopeless, and breaking the curse becomes a race against time, as not just their love, but the fate of the entire magical world may be in peril. Look out for the follow-up to this book, Magic Under Stone, out next year!

The eighties were my formative years, and while other teenagers were gyrating to rock 'n' roll, we were praying for revival. We were taking communion, not cocaine. We treated virginity like a wedding present, not a cold sore. And why wouldn't we? We were told we could be, we already were, anything we wanted to be... We were armed and dangerous. Armed with the power of God and dangerous in the eyes of Satan. Tanya Levin grew up in the church that became Hillsong—the country’s most ambitious, entrepreneurial and influential religious corporation. People in Glass Houses tells how a small Assemblies of God church in a suburban school hall became a multi-million dollar tax-free enterprise and a powerful force in Australia today. Opening up the world of Christian fundamentalism, this is a powerful, personal and at times very funny exploration of an all-singing, all-swaying mega church.

Philip Johnson designed some of America’s greatest modern architectural landmarks—most notably the Glass House. This new publication, with a foreword by Paul Goldberger and essay by Philip Johnson, presents an exclusive tour of the Glass House, its grounds, treasures, and patrons, and honors the legacy of one of modern architecture’s most famous creations. Johnson’s private residence on forty-seven acres in New Canaan, Connecticut, which opened to the public in 2007, preserves some of the most exciting innovations in the fields of architecture, art, and landscape design, executed under the tutelage of Johnson and partner David Whitney over the course of nearly fifty years. This book serves as a virtual visit to the modern masterpiece and its grounds. Included are photographs of the interiors and exterior facades, as well as snapshots of Johnson and guests on the premises. An introduction to the work of Philip Johnson, The Glass House appeals to visitors of the house and enthusiasts of modern architecture and design.

A writer investigates her family’s secret history, uncovering a story that spans a century, two World Wars, and three generations. Hadley Freeman knew her grandmother Sara lived in France just as Hitler started to gain power, but rarely did anyone in her family talk about it. Long after her grandmother’s death, she found a shoebox tucked in the closet containing photographs of her grandmother with a mysterious stranger, a cryptic telegram from the Red Cross, and a drawing signed by Picasso. This discovery sent Freeman on a decade-long quest to uncover the significance of these keepsakes, taking her from Picasso’s archives in Paris to a secret room in a farmhouse in Auvergne to Long Island to Auschwitz. Freeman pieces together the puzzle of her family’s past, discovering more about the lives of her grandmother and her three brothers, Jacques, Henri, and Alex. Their stories sometimes typical, sometimes astonishing—reveal the broad range of experiences of Eastern European Jews during Holocaust. This thrilling family saga is filled with extraordinary twists, vivid characters, and famous cameos, illuminating the Jewish and immigrant experience in the World War II era. Addressing themes of assimilation, identity, and home, this powerful story about the past echoes issues that remain relevant today.

An instant New York Times Bestseller and August 2017 LibraryReads pick! “Penny’s absorbing, intricately plotted 13th Gamache novel proves she only gets better at pursuing dark truths with compassion and grace.” —PEOPLE “Louise Penny wrote the book on escapist mysteries.” —The New York Times Book Review “You won't want Louise Penny's latest to end....Any plot summary of Penny’s novels inevitably falls short of conveying the dark magic of this series.... It takes nerve and skill — as well as heart — to write mysteries like this. ‘Glass Houses,’ along with many of the other Gamache books, is so compelling that, for the space of reading it, you may well feel that much of what’s going on in the world outside the novel is ‘just noise.’” —Maureen Corrigan, The Washington Post When a mysterious figure appears in Three Pines one cold November day, Armand Gamache and the rest of the villagers are at first curious. Then wary. Through rain and sleet, the figure stands unmoving, staring ahead. From the moment its shadow falls over the village, Gamache, now Chief Superintendent of the Sûreté du Québec, suspects the creature has deep roots and a dark purpose. Yet he does nothing. What can he do? Only watch and wait. And hope his mounting fears are not realized. But when the figure vanishes overnight and a body is discovered, it falls to Gamache to discover if a debt has been paid or levied. Months later, on a steamy July day as the trial for the accused begins in Montréal, Chief Superintendent Gamache continues to struggle with actions he set in motion that bitter November, from which there is no going back. More than the accused is on trial. Gamache’s own conscience is standing in judgment. In Glass Houses, her latest utterly gripping book, number-one New York Times bestselling author Louise Penny shatters the conventions of the crime novel to explore what Gandhi called the court of conscience. A court that supersedes all others.

Marti Mickkleson sees ghosts. Only her great-grandmother believes her. Since she died the day before Marti was born, her support isn't worth much in the world of the living. When Marti wakes up in a compromising position with her estranged father standing over her, she thinks he owes her a big apology. After all, he's dead and talking to her-and she talks back. Instead, he claims he was murdered and demands she go home and do something about it. She agrees-anything to get her father out of her life and into his own afterlife. In Bicklesburg, she finds her once formidable mother in the throes of dementia, her perfect-prom-queen sister now a lawyer married to a not-so-perfect man, and her bad-boy high school boyfriend a private security guard watching over the family fortress. When her mother wanders away and is found cradling a bloodstained garden gnome, she and Grandma Bertie must uncover a murderer before Marti ends up a ghost herself.