Cindy I work at the front desk at Surrender, but it’s just a job. I don’t play in the club. After seven years, I know all the members and I’m familiar with every sort of kink. Including mine. Master Hudson is new, and he spends a lot of time flirting with me. I know he likes me, but I can’t fall for him. I won’t. I have too much baggage. No one can ever know my secrets. I’ll never reveal my little side. Not even to Master Hudson. I won’t take the risk. Not with anyone. No matter how much I crave a Daddy of my own. Hudson She catches my eye the first time I enter the club. She’s mysterious and sweet and nervous and a little OCD. I don’t know her secrets, even after chipping away at her walls for months. But I’m half in love with her the first time she submits to me. When her world comes crashing in, I’m there for her. Then I see the inside of her closet and my heart stops. She’s mine, and I’ll do whatever it takes to convince her to be my little.

In the stunning follow-up to The Talk: Conversations About Race, Love & Truth, award-winning Black authors and artists come together to create a moving anthology collection celebrating Black love, Black creativity, Black resistance, and Black life. "A multifaceted, sometimes disheartening, yet consistently enriching primer on the unyielding necessity of those three words: Black Lives Matter." -Kirkus Reviews, Starred Review BLACK LIVES HAVE ALWAYS MATTERED. Prominent Black creators lend their voice, their insight, and their talent to an inspiring anthology that celebrates Black culture and Black life. Essays, poems, short stories, and historical excerpts blend with a full-color eight-page insert of spellbinding art to capture the pride, prestige, and jubilation that is being Black in America. In these pages, find the stories of the past, the journeys of the present, and the light guiding the future. BLACK LIVES WILL ALWAYS MATTER.

As the fight for equal rights continues, Defiant takes a critical look at the strides and struggles of the past in this revelatory and moving memoir about a young Black man growing up in the South during the heart of the Civil Rights Movement. For fans of It's Trevor Noah: Born a Crime, Stamped, and Brown Girl Dreaming. "With his compelling memoir, Hudson will inspire young readers to emulate his ideals and accomplishments.” –Booklist, Starred Review Born in 1946 in Mansfield, Louisiana, Wade Hudson came of age against the backdrop of the Civil Rights Movement. From their home on Mary Street, his close-knit family watched as the country grappled with desegregation, as the Klan targeted the Sixteenth Street Baptist Church in Birmingham, Alabama, and as systemic racism struck across the nation and in their hometown. Amidst it all, Wade was growing up. Getting into scuffles, playing baseball, immersing himself in his church community, and starting to write. Most important, Wade learned how to find his voice and use it. From his family, his community, and his college classmates, Wade learned the importance of fighting for change by confronting the laws and customs that marginalized and demeaned people. This powerful memoir reveals the struggles, joys, love, and ongoing resilience that it took to grow up Black in segregated America, and the lessons that carry over to our fight for a better future.

Hudson began in 1699 as a cluster of small industries in the northern part of the town of Marlborough, situated by the swift-flowing Assabet River. Through the years, the industries prospered and the largely immigrant workers began to bring their families to America from overseas. New homes were soon built for these families as stores, churches, and schools sprang up around town. As this factory neighborhood progressed and became self-reliant, residents petitioned the state government to become their own independent town. Because of their efforts, the town of Hudson was incorporated in 1866.

Photographer O. N. Pruitt (1891–1967) was for some forty years the de facto documentarian of Lowndes County, Mississippi, and its county seat, Columbus--known to locals as "Possum Town." His body of work recalls many FSA photographers, but Pruitt was not an outsider with an agenda; he was a community member with intimate knowledge of the town and its residents. He photographed his fellow white citizens and Black ones as well, in circumstances ranging from the mundane to the horrific: family picnics, parades, river baptisms, carnivals, fires, funerals, two of Mississippi's last public and legal executions by hanging, and a lynching. From formal portraits to candid images of events in the moment, Pruitt's documentary of a specific yet representative southern town offers viewers today an invitation to meditate on the interrelations of photography, community, race, and historical memory. Columbus native Berkley Hudson was photographed by Pruitt, and for more than three decades he has considered and curated Pruitt's expansive archive, both as a scholar of media and visual journalism and as a community member. This stunning book presents Pruitt's photography as never before, combining more than 190 images with a biographical introduction and Hudson's short essays and reflective captions on subjects such as religion, ethnic identity, the ordinary graces of everyday life, and the exercise of brutal power.

Grace Goulder Izant spent the last six decades of her long and productive life in Hudson, Ohio, and this, her final book, was the one that lay closest to her heart. Bringing to it her knowledge as a historian of Ohio, she lifts the story beyond the limitations of local history and makes it illuminate an entire region and time. Illustrated with numerous historical photographs and drawings from her private collection, this edition preserves the enduring quality and historical heritage of this quaint village.

Illustrations, maps, and text - distilled from the best research on the Hudson's habitats and history - invite you to explore the river yourself.