Hong Kong Visual Arts Overview (the Overview) discusses topics concerning the visual arts which took place in, or are related to, Hong Kong between 1 January and 31 December 2020. The Overview is published as an electronic book. 《香港視藝概述》討論2020年1月1日至12月31日於香港發生或與之相關的視覺藝術事件。《概述》以電子書形式出版。

With a focus on socially engaged art practices in the twenty-first century, this book explores how artists use their creative practices to raise consciousness, form communities, create change, and bring forth social impact through new technologies and digital practices. Suzanne Lacy’s Foreword and section introduction authors Anne Balsamo, Harrell Fletcher, Natalie Loveless, Karen Moss, and Stephanie Rothenberg present twenty-five in-depth case studies by established and emerging contemporary artists including Kim Abeles, Christopher Blay, Joseph DeLappe, Mary Beth Heffernan, Chris Johnson, Rebekah Modrak, Praba Pilar, Tabita Rezaire, Sylvain Souklaye, and collaborators Victoria Vesna and Siddharth Ramakrishnan. Artists offer firsthand insight into how they activate methods used in socially engaged art projects from the twentieth century and incorporated new technologies to create twenty-first century, socially engaged, digital art practices. Works highlighted in this book span collaborative image-making, immersive experiences, telematic art, time machines, artificial intelligence, and physical computing. These reflective case studies reveal how the artists collaborate with participants and communities, and have found ways to expand, transform, reimagine, and create new platforms for meaningful exchange in both physical and virtual spaces. An invaluable resource for students and scholars of art, technology, and new media, as well as artists interested in exploring these intersections.

This anthology elucidates the historical, global, and regional connections, as well as current manifestations, of socially engaged public art (SEPA) in East Asia. It covers case studies and theoretical inquiries on artistic practices from Hong Kong, Japan, mainland China, South Korea, and Taiwan with a focus on the period since the 2000s. It examines how public art has been employed by artists, curators, ordinary citizens, and grassroots organizations in the region to raise awareness of prevailing social problems, foster collaborations among people of varying backgrounds, establish alternative value systems and social relations, and stimulate action to advance changes in real life situations. It argues that through the endeavors of critically-minded art professionals, public art has become artivism as it ventures into an expanded field of transdisciplinary practices, a site of new possibilities where disparate domains such as aesthetics, sustainability, placemaking, social justice, and politics interact and where people work together to activate space, place, and community in a way that impacts the everyday lives of ordinary people. As the first book-length anthology on the thriving yet disparate scenes of SEPA in East Asia, it consists of eight chapters by eight authors who have well-grounded knowledge of a specific locality or localities in East Asia. In their analyses of ideas and actions, emerging from varying geographical, sociopolitical, and cultural circumstances in the region, most authors also engage with concepts and key publications from scholars which examine artistic practices striving for social intervention and public participation in different parts of the world. Although grounded in the realities of SEPA from East Asia, this book contributes to global conversations and debates concerning the evolving relationship between public art, civic politics, and society at large.

The musical bow is usually considered one of the earliest instruments in the history of instrumental development; yet, the validity of this view has not been proven. In all likelihood, it was one among many other early instruments created to produce sound. The same can be said in general for all the simple chordophones called zithers, of which the musical bow is one type. The papers collected in this volume have been initially presented at the International Council for Traditional Music Colloquium (ICTM) held in Shanghai in December 2022. They try to challenge some previous depictions of instrumental development and one-sided explanations of musical histories. They specifically focus on exploring the interrelationship between instrumental development and the availability of natural resources in particular geographical regions. While the papers at the colloquium focused on sound production, they also explored the role of ethnomusicology as a discipline in guiding local decision making and interregional research co-operation.

This book introduces the educational philosophies of notable African and Asian thinkers who tend to be little recognized in Europe and North America. It offers specific resources for diversification of higher education curricula. The book expands the philosophy of education, in clear language, to include ideas of major non-western educational thinkers who are little discussed in previous publications. It includes critical analysis of non-western concepts and consideration of their relevance to schools worldwide. The book features discussions of how the work of Tagore and postcolonial thinkers offers diverse visions that increasingly inspire a decolonizing approach to education. This book offers a unique emphasis on how a decolonized philosophy of education can especially enable a rethinking of approaches to education in arts and humanities subjects.

This proceedings LNCS 13516 constitutes the refereed proceedings of the 24th International Conference on Human-Computer Interaction, HCII 2022, which was held virtually as part of the 24th International Conference, HCII 2022, during June 26 to July 1, 2022. HCII 2022 received a total of 5583 submissions from academia, research institutes, industry, and governmental agencies from 88 countries submitted contributions, and 1276 papers and 275 posters were included in the proceedings that were published just before the start of the conference. Additionally, 296 papers and 181 posters are included in the volumes of the proceedings published after the conference, as “Late Breaking Work” (papers and posters). The contributions thoroughly cover the entire field of human-computer interaction, addressing major advances in knowledge and effective use of computers in a variety of application areas.

This study constructs a framework of narratology for art history and rewrites the development of twentieth-century Chinese art from a narratological perspective. Theoretically and methodologically oriented, this is a self-reflective meta-art history studying the art historical narratives while narrating the story of modern and contemporary Chinese art. Thus, this book explores the three layers of narrative within the narratological framework: the first-hand fabula, the secondary narration, and the tertiary narrativization. With this tertiary narrativization, the reader-author presents three types of narrative: the grand narrative of the central thesis of this book, the middle-range narrative of the chapter theses, and case analyses supporting these theses. The focus of this tertiary narrativization is the interaction between Western influence on Chinese art and the Chinese response to this influence. The central thesis is that this interaction conditioned and shaped the development of Chinese art at every historical turning point in the twentieth century. The book will be of interest to scholars working in art history, critical theory, Chinese studies, and cultural studies.

The Built Environment through the Prism of the Colonial Periodical Press is a venture of the International Group for Studies of Colonial Periodical Press of the Portuguese Empire (IGSCP-PE), who are also interested in comparative studies and conceptual discussions. Through a focus on the understudied role of colonial periodicals in the creation and public discussion of colonial built environments, the present book contributes to a cultural history of the idea of built environment. The studies underscore the role of press in articulating environment imaging and transformations with colonial ideologies, projects and policies, and the fixing, othering and disputing of identities, while still retaining the epochal circulation of ideas. This role is evidenced through discussions of forests, clubs, hotels, barracks, hospitals, houses, verandas and gardens, railways, Catholic churches and Hindu "templescapes", restorations and exhibitions. The book also examines a non-canonical variety of periodicals, such as newspapers, bulletins, women’s magazines, and professional journals. Published within the sphere of Portuguese, Belgium, Italian, British formal and informal Empire, the analysis of these periodicals provides a multilingual, plural and complex comprehension of the discursive creation of modern built environments in colonial ambiances. This volume is indispensable for scholars and students interested in Media Studies, Architectural and Engineering studies, Built Environment studies as well as Colonial and Imperial history.