Nana, who is brought up in a rich family, is now homeless. One day, she ends up surrounded by delinquent boys. The guy who helpes her from them is the son of the Narumiya Family, who had a bad relationship with Nana's family. He is such a sadistic guy who ties Nana up, and fondles the sensitive parts of her body. She is humiliated by getting stimulated by her arch enemy. What is going to happen to Nana?

"Look at you wetting yourself like this. My hands are sticky with your nectar."-------On the night Koharu turns twenty, a guy named Sayle, who claims himself that he's a devil, showed up to Koharu's house suddenly. He insists that Koharu is a half-devil-half-human, and says he comes to take her as a bride..."I'm starving. My maindish is you," says Sayle as he fondles Koharu's body erotically! He spreads her legs in front of the mirror, caresses until the love juice pours out...Koharu is at her limit with an endless ecstasy! What does he mean that I'm a bride of a devil...?

In this “brave and heartbreaking novel that digs its claws into you and doesn’t let go, long after you’ve finished it” (Anna Todd, New York Times bestselling author) from the #1 New York Times bestselling author of All Your Perfects, a workaholic with a too-good-to-be-true romance can’t stop thinking about her first love. Lily hasn’t always had it easy, but that’s never stopped her from working hard for the life she wants. She’s come a long way from the small town where she grew up—she graduated from college, moved to Boston, and started her own business. And when she feels a spark with a gorgeous neurosurgeon named Ryle Kincaid, everything in Lily’s life seems too good to be true. Ryle is assertive, stubborn, maybe even a little arrogant. He’s also sensitive, brilliant, and has a total soft spot for Lily. And the way he looks in scrubs certainly doesn’t hurt. Lily can’t get him out of her head. But Ryle’s complete aversion to relationships is disturbing. Even as Lily finds herself becoming the exception to his “no dating” rule, she can’t help but wonder what made him that way in the first place. As questions about her new relationship overwhelm her, so do thoughts of Atlas Corrigan—her first love and a link to the past she left behind. He was her kindred spirit, her protector. When Atlas suddenly reappears, everything Lily has built with Ryle is threatened. An honest, evocative, and tender novel, It Ends with Us is “a glorious and touching read, a forever keeper. The kind of book that gets handed down” (USA TODAY).

Mito finally understands her feelings for Ruka … but just as she realizes the truth, she and Ruka have a fight, and she ends up spending the night with Ren. However, being in close quarters with her awakens the half-vampire dhampir Ren's predatory nature! It's a three-way triangle between a crossdressing girl, an obsessive vampire, and a dangerous dhampir in this heart-pounding third volume!

Ten minutes in the future, the world runs on an economy of job shares and apps like Reaper, a platform for legal assassination. When the apparently average Charlie Ellison wakes up one day to find out she's the target of a million dollar Reapr campaign, she hires Vita, the lowest rated bodyguard on the Dfend app. Now, with all of Los Angeles hunting Charlie, she and Vita will have to figure out who wants her dead, and why, before the campaign's 30 days or their lives are over. From Eisner-nominated writer CHRISTOPHER SEBELA (SHANGHAI RED, We(l)come Back, Heartthrob), RO STEIN and TED BRANDT (Captain Marvel, Raven: The Pirate Princess), TRIONA FARRELL (Runaways, Mech Cadet Yu), and CARDINAL RAE (BINGO LOVE, ROSE). Collects CROWDED #1-6 HOLLYWOOD NEWS! Rebel Wilson has optioned the rights with the goal of starring in and producing the movie adaptation. Wilson will develop the project and produce it via her Camp Sugar production banner. Also producing is Oni Entertainment.

Jihyo is an Account Executive at a mid-size ad firm. Jegook is Jihyo's ex-boyfriend who shows up one day as a very important client. Jihyo tries to avoid working for Jegook, but the client is too important for her company that she has no way to escape. What does he want from Jihyo?!

Based on a four-year study, Manga High explores the convergence of literacy, creativity, social development, and personal identity in one of New York City’s largest high schools. Since 2004, students at Martin Luther King, Jr., High School in Manhattan have been creating manga—Japanese comic books. They write the stories, design the characters, and publish their works in print and on the Internet. These students—African-American and Latino teenagers—are more than interested in the art and medium of manga. They have become completely engrossed in Japanese language, culture, and society. Manga High is highlighted by reproductions and content analysis of students’ original art and writing. An appendix includes guidelines for educators on starting a comic book club.

Hashimoto is your average office worker—young, and prone to being pushed around by his demon boss, Shirase. His only escape is his favorite online game, and the friends he’s made within. But when he plans an offline meetup for his party, he gets the surprise of his life…!

Manga and anime (illustrated serial novels and animated films) are highly influential Japanese entertainment media that boast tremendous domestic consumption as well as worldwide distribution and an international audience. Drawing on Tradition examines religious aspects of the culture of manga and anime production and consumption through a methodological synthesis of narrative and visual analysis, history, and ethnography. Rather than merely describing the incidence of religions such as Buddhism or Shinto in these media, Jolyon Baraka Thomas shows that authors and audiences create and re-create “religious frames of mind” through their imaginative and ritualized interactions with illustrated worlds. Manga and anime therefore not only contribute to familiarity with traditional religious doctrines and imagery, but also allow authors, directors, and audiences to modify and elaborate upon such traditional tropes, sometimes creating hitherto unforeseen religious ideas and practices. The book takes play seriously by highlighting these recursive relationships between recreation and religion, emphasizing throughout the double sense of play as entertainment and play as adulteration (i.e., the whimsical or parodic representation of religious figures, doctrines, and imagery). Building on recent developments in academic studies of manga and anime—as well as on recent advances in the study of religion as related to art and film—Thomas demonstrates that the specific aesthetic qualities and industrial dispositions of manga and anime invite practices of rendition and reception that can and do influence the ways that religious institutions and lay authors have attempted to captivate new audiences. Drawing on Tradition will appeal to both the dilettante and the specialist: Fans and self-professed otaku will find an engaging academic perspective on often overlooked facets of the media and culture of manga and anime, while scholars and students of religion will discover a fresh approach to the complicated relationships between religion and visual media, religion and quotidian practice, and the putative differences between “traditional” and “new” religions.