Poetry. Literary Criticism. Middle Eastern Studies. LGBT Studies. Edited by Lindsey Boldt, Steve Dickison, and Samantha Giles. Compiled on the occasion of Arab American poet and painter, Etel Adnan's receipt of Small Press Traffic Literary Arts Center's Lifetime Achievement Award in 2011, HOMAGE TO ETEL is a collection of original writings written in tribute by friends, colleagues and admireres of Etel Adnan and her work. Contributors are Ammiel Alcalay, Jen Benka, David Buuck, Norma Cole, Steve Dickison, Thom Donovan, Sharon Doubiago, Simone Fattal, Robert Grenier, Benjamin Hollander, Joanne Kyger, Michael McClure, Stephen Motika, Nancy J. Peters, Csaba Polony, Megan Pruiett, Brandon Shimoda, Roger Snell, Cole Swensen, Stacy Szymaszek, Lynne Tillman, Fawwaz Traboulsi, and Anne Waldman.

As skilled a philosopher as she is a poet, Adnan weaves multiple sonic, theoretical, syntactic pleasures at once.

Translated from the French and with drawings by the author.

-Culled from Dia Art Foundation's -Readings in Contemporary Poetry- series, this anthology includes ninety-four poets who have participated in the reading series from 2010 to 2016. Edited by poet and author Vincent Katz, the book stresses the experimental aspects of contemporary poetic practice, highlighting commonalities among poets and placing their diverse voices in conversation with one another---

Literary Nonfiction. JOURNEY TO MOUNT TAMALPAIS is an essay on Nature, Art, and the relationship between them. Highly original in both content and literary structure, it provides a new outlook on the importance of Nature as an element of thinking; one of the major works on the "spirit of place" in contemporary literature. This book is illustrated with 17 drawings by the author. "An enlightening journey for those who love the mountain, and for those who love Etel Adnan." Wendell Berry"

A mosaic of lyrical vignettes, at once deeply personal and political, set against the turbulent backdrop of Arab/Western relations. Adnan writes, "Contrary to what is usually believed, it is not general ideas and grandiose unfolding of great events that impress the mind during times of heightened historic upheavals, but rather the uninterrupted flow of little experiences, observations, disturbances, small ecstasies, or barely perceptible discouragements that make up day-to-day living." Etel Adnan, a Lebanese American poet, painter, and essayist, lives in Paris, Beirut, and the San Francisco Bay Area. Among her books, the novel Sitt Marie Rose is considered a classic of Middle Eastern literature. She has been a powerful voice for compassion and empowerment in feminist and antiwar movements.

Poetry. "With this book of poems Etel Adnan establishes herself as a major poet who belongs beside internationally acclaimed poets like Transtromer, Bly, Neruda, Vallejo, and Pessoa." Eric Sellin"

Poetry. "THERE is a poem of hidden seams, fissures that we cross unsuspecting. A smooth surface conceals a universe of sudden shifts and transitions from one level to another a philosophical level which pursues the mysteries of consciousness and place, a second level which asks the same questions ('do I have to have a nationality in order to be human?') in a committed social and political vision, a passionate and engaged post-modernism." Michael Beard, Univ. of North Dakota"

Worldwide Women Writers in Paris examines a new literary phenomenon consisting of an unprecedented number of women from around the world who have come to Paris and become authors of written works in French. It takes as its starting point a series of filmed interviews conducted in the French capital, a set of recorded conversations motivated by a desire to pay homage to these discrete voices and images at a moment characterized by impressive diversity. Their individual paths to France and to French are noteworthy, and these authors of different generations and varying places of origin emphasize their singularity. However, the juxtaposition of their reflections reveals that many have faced similar difficulties when learning the French language, adapting to life in France, and many have encountered forms of prejudice in the publishing world related to their ethnicity or gender. These challenges have led them, each in an idiosyncratic manner, to tackle tough topics in their work and to respond to adversity by finding effective creative expressions. Taken together, the innovations and interventions in oral and written form of these authors collectively contribute to significant change in the specialized score that is the Parisian literary landscape: Hélène Cixous (Algeria); Zahia Rahmani (Algeria); Leïla Sebbar (Algeria); Bessora (Belgium); Julia Kristeva (Bulgaria); Pia Petersen (Denmark); Maryse Condé (Guadeloupe); Eva Almassy (Hungary); Shumona Sinha (India); Chahdortt Djavann (Iran); Yumiko Seki (Japan); Evelyne Accad (Lebanon); Etel Adnan (Lebanon); Nathacha Appanah (Mauritius); Brina Svit (Slovenia); Eun-Ja Kang (South Korea); Anna Moï (Vietnam).

Award-winning poet Arleen Paré pays homage to the work of lesbian Syrian American poet Etel Adnan. If books come from books, as David W. McFadden has claimed, then Time Out of Time is a clear example, arising, very deliberately as it does, out of Etel Adnan's astonishing collection entitled Time. The poems in Time Out of Time are in love with the poems in Adnan's Time and, it seems, Paré has fallen in love with Time's author, Etel Adnan, the internationally renowned poet and painter--or perhaps it is that she has merely fallen in love with Adnan's words. Paré's poems mirror the form, the rhythm, the shape, the short, brief lines in her own spare missives that are the poems in Time. This mirroring increases the intensity of Time Out of Time, creating a rare intimacy in Paré's collection. Paré's work pays homage to Adnan's work. Both collections pay homage to the world of the lesbian in the twenty-first century and to the world of the small poem. Using clear, crisp, well-defined language in visibly defined geometries, in "stanza after sweet-smelling stanza," Paré attempts to examine the trials of this new century, the hush around the word lesbian, the hush of the world's general collapse.