Composed on the occasion of the poet's near-fatal bout with typhus in 1623, the Devotions contains the essential germ of John Donne's mature thought, embodied in obscurely structured verse/prose divisions. Because of its seeming digressiveness, critics have struggled to understand this most significant of Renaissance texts as a whole. Kate Gartner Frost, however, shows that the Devotions, which combines odd bits of natural history, personal life-data, quotations from scripture, and descriptions of unpleasant medical nostrums with personal religious outpourings, is a unified work belonging to the tradition of English devotional literature and spiritual autobiography from Augustine onward. Frost examines how Donne patterned his work on models and structures that allowed the blending of chronology, experience, anecdote, and insight into the fullness of extended metaphor reflecting the human condition. Donne's use of biblical typology is treated, as well as his adherence to a poetics rooted in pre-Copernican cosmology, which relies on underlying spatial structures. Finally, Frost reveals the actual numerological structures present in the Devotions and addresses the problem of discursive reading in relation to spatially organized premodern works. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

The Reading Augustine series presents short, engaging books offering personal readings of St. Augustine of Hippo's contributions to western philosophical, literary, and religious life. Mark Clavier's On Consumer Culture, Identity, The Church and the Rhetorics of Delight draws on Augustine of Hippo to provide a theological explanation for the success of marketing and consumer culture. Augustine's thought, rooted in rhetorical theory, presents a brilliant understanding of the experiences of damnation and salvation that takes seriously the often hidden psychology of human motivation. Clavier examines how Augustine's keen insight into the power of delight over personal notions of freedom and self-identity can be used to shed light on how the constant lure of promised happiness shapes our identities as consumers. From Augustine's perspective, it is only by addressing the sources of delight within consumerism and by rediscovering the wellsprings of God's delight that we can effectively challenge consumer culture. To an age awash with commercial rhetoric, the fifth-century Bishop of Hippo offers a theological rhetoric that is surprisingly contemporary and insightful.

"The world is our parish and all her creatures our congregation." Based on talks given to ordinands in Wales, this book presents the ministry as responding to God's call to be priestly stewards of creation and to participate in the blossoming of the new creation. Clavier engages with Scripture and people such as Augustine, Anselm, Bernard of Clairvaux, Bonaventure, Julian of Norwich, Lancelot Andrewes, George Herbert, C. S. Lewis, N. T. Wright, and Rowan Williams to portray the whole ministry of God's people as being animated by the generosity, freedom, delight, and love of God. Our understanding of the ministry must break free from managerial philosophy and business know-how to recapture an approach to ministry that seeks to delight in God, neighbors, and all of creation in order to reveal the depth of God's love to a world increasingly immersed in mass consumption.