Living in the shadow of a famous parent can have powerful effects, from professional opportunities to pressure so great it leads to suicide. Some children of stars are proud of their roots while others live in secrecy. This is a rare look into the private lives of the children (and, in a few cases, grandchildren) of these classic Hollywood icons, revealing the stresses and inspirations of living with great performers who may or may not have been great parents. Some movie stars protected their offspring, but others used them as publicity props or even made them into rivals. Despite their unusual upbringing, some of the children succeeded in the movies or elsewhere, but many never lived up to the public expectations. Many lost their parents, whether to the extremes of the celebrity lifestyle, to divorce, or to their careers. From the beautiful bedtime stories Harpo Marx and his wife told their four adopted children to explain where they'd come from, to the studded belt Bing Crosby used to punish his sons for not obeying the strict family rules, this work tells the best and worst of growing up in a celebrity home. Families covered include those of W.C. Fields, the Marx Brothers, Eddie Cantor, Mario Lanza, Ruth Hussey, Jerry Lewis, Douglas Fairbanks and Boris Karloff. Research is drawn from interviews with celebrity offspring, who also provided never-before-published snapshots of Hollywood legends at home.

Diana Serra Cary's well-wrought, empathetic narrative presents the underside of the glittering stage and screen world: frightened children, merchants who buy and sell childhood as a commodity, rapacious stage mothers and fathers whose ambition and avarice make them willing to sacrifice their children to fulfill their own dreams. The first part of the book mines a lode of new information, recounting stories of the precursors to Hollywood's child stars (and their ambitious parents) - the spectacular 1853 stage debut of four-year-old Cordelia Howard, the rise of red-haired Lotta Crabtree in California's Gold Rush camps, and the travails and triumphs of the hoydenish Elsie Janis as she ad-libbed her way to stardom. Cary - as "Baby Peggy", Hollywood's pioneer child star, the youngest in theatrical history - has lived her subject, surviving a childhood filled with an enormous workload, some real physical danger, and emotional trauma. She weaves her own story of being her family's chief breadwinner with similar tales involving famous movie children she knew and worked with - Jackie Coogan, Shirley Temple, Mickey Rooney, and Judy Garland, among many others.

This collection of interviews, all conducted by the author, focuses on the children of Hollywood legends. Each child (and, in one case, grandchild) talks about the joys and difficulties of growing up in the shadow of the Hollywood spotlight. While some were significantly influenced by their famous parents and chose a career in entertainment, others felt no attraction toward the glamour of Tinseltown fame. Among the interviewees are the offspring of such major stars as Errol Flynn, Gary Cooper, Ingrid Bergman, Jimmy Stewart and Rosalind Russell, as well as such prominent supporting players as Jack Elam, Gene Lockhart, Billy Barty and Jesse White. The collection also includes a list of books and/or websites published by the children of the actors featured.

Long before Shirley Temple's curls bounced their way into America's heart, Baby Peggy lit up marques here and abroad. This story of the shared infancy of a child and the film industry reveals the incredible life and awesome burdens of a child super-star.

A guide to child stars and the movies that made them famous traces the lives, careers, and changing fortunes of child actors, including Mary Pickford, Judy Garland, James Dean, and Tatum O'Neal

This book explores cultural conceptions of the child and the cinematic absence of black children from contemporary Hollywood film. Debbie Olson argues that within the discourse of children’s studies and film scholarship in relation to the conception of “the child,” there is often little to no distinction among children by race—the “child” is most often discussed as a universal entity, as the embodiment of all things not adult, not (sexually) corrupt. Discussions about children of color among scholars often take place within contexts such as crime, drugs, urbanization, poverty, or lack of education that tend to reinforce historically stereotypical beliefs about African Americans. Olson looks at historical conceptions of childhood within scholarly discourse, the child character in popular film and what space the black child (both African and African American) occupies within that ideal.

The best way to get children excited about history is to make it fun! This book will take your child on an adventurous journey through Hollywood. This book contains 50 clue-based questions that will send them on a scavenger hunt through all parts of the city; each question gives them factual information about the city.

INSTANT NEW YORK TIMES BESTSELLER “This extraordinary book is not only a chronicle of Ron’s and Clint’s early careers and their wild adventures, but also a primer on so many topics—how an actor prepares, how to survive as a kid working in Hollywood, and how to be the best parents in the world! The Boys will surprise every reader with its humanity.” — Tom Hanks "I have read dozens of Hollywood memoirs. But The Boys stands alone. A delightful, warm and fascinating story of a good life in show business.” — Malcolm Gladwell Happy Days, The Andy Griffith Show, Gentle Ben—these shows captivated millions of TV viewers in the ’60s and ’70s. Join award-winning filmmaker Ron Howard and audience-favorite actor Clint Howard as they frankly and fondly share their unusual family story of navigating and surviving life as sibling child actors. “What was it like to grow up on TV?” Ron Howard has been asked this question throughout his adult life. in The Boys, he and his younger brother, Clint, examine their childhoods in detail for the first time. For Ron, playing Opie on The Andy Griffith Show and Richie Cunningham on Happy Days offered fame, joy, and opportunity—but also invited stress and bullying. For Clint, a fast start on such programs as Gentle Ben and Star Trek petered out in adolescence, with some tough consequences and lessons. With the perspective of time and success—Ron as a filmmaker, producer, and Hollywood A-lister, Clint as a busy character actor—the Howard brothers delve deep into an upbringing that seemed normal to them yet was anything but. Their Midwestern parents, Rance and Jean, moved to California to pursue their own showbiz dreams. But it was their young sons who found steady employment as actors. Rance put aside his ego and ambition to become Ron and Clint’s teacher, sage, and moral compass. Jean became their loving protector—sometimes over-protector—from the snares and traps of Hollywood. By turns confessional, nostalgic, heartwarming, and harrowing, THE BOYS is a dual narrative that lifts the lid on the Howard brothers’ closely held lives. It’s the journey of a tight four-person family unit that held fast in an unforgiving business and of two brothers who survived “child-actor syndrome” to become fulfilled adults.

Spider thinks he is a celebrity. Why you ask? Because if anyone sees him, they scream with "delight." This charming tale shows that your perspective on life, no matter how misconstrued, can keep you confident in any situation.