Screenwriting market intel you won't find anywhere else! Mailing out submissions based on some contact information you found on the Internet isn't going to get your script sold. What's truly valuable to an aspiring screenwriter is the kind of specific details you can only get through years of Industry experience. That's why The Writers Store compiled the Hollywood Screenwriting Directory, the product of more than three decades working directly with the people behind the world's favorite films. This targeted reference book features: Verified contact information for Hollywood buyers, including phone numbers, and street and email addresses. Crucial details like whether they accept unsolicited material and how they prefer to receive submissions. A guide to proper script format and advice on packaging your submission. Step-by-step instructions for writing professional query letters, treatments and tag lines. Plus, you'll find samples throughout, illustrated with tips and pointers to help you create a quality submission. With the Hollywood Screenwriting Directory by your side, you'll have a reliable resource that significantly ups your chances of script-selling success!

The Hollywood Screenwriting Directory is a specialized resource for discovering where and how to sell your screenplay. It contains over 2,500 listings for Industry insiders such as studios, production companies, and independent financiers - plus, pointers to help you create a quality screenplay submission. The Hollywood Screenwriting Directory includes a free subscription to ScreenwritingDirectory.com, where screenwriters can access updated listings and market their projects to Industry Professionals.

To get your screenplay in front of the right buyer, you need exclusive information and specific details you can only gain through years of industry experience. That's why The Writers Store has compiled the Hollywood Screenwriting Directory, the product of more than three decades working directly with the decision makers behind the world's favorite films. This invaluable reference features: Thousands of listings for Hollywood buyers, industry insiders, studios, and independent financiers, all with verifi ed contact information Crucial details for submitting your screenplay to specific markets: how they prefer to receive submissions, and whether they accept unsolicited material A guide to properly formatting your script and packaging your submission Clear, step-by-step instructions for crafting professional query letters, treatments, and log lines A Silver subscription to ScreenwritingDirectory.com (a $49 value) In addition, you'll find illustrated screenplay samples, essential legal information, and tips for creating a quality submission. With the Hollywood Screenwriting Directory at your fingertips, you'll significantly increase your chances of script-selling success!

To get your screenplay in front of the right buyer, you need exclusive information and specific details you can only gain through years of industry experience. That's why The Writers Store has compiled the Hollywood Screenwriting Directory, the product of more than three decades working directly with the decision makers behind the world's favorite films. This invaluable reference features: Thousands of listings for Hollywood buyers, industry insiders, studios, and independent financiers, all with verifi ed contact information Crucial details for submitting your screenplay to specific markets: how they prefer to receive submissions, and whether they accept unsolicited material A guide to properly formatting your script and packaging your submission Clear, step-by-step instructions for crafting professional query letters, treatments, and log lines A Silver subscription to ScreenwritingDirectory.com (a $49 value) In addition, you'll find illustrated screenplay samples, essential legal information, and tips for creating a quality submission. With the Hollywood Screenwriting Directory at your fingertips, you'll significantly increase your chances of script-selling success!

An Indian American girl navigates prejudice in her small town and learns the power of her own voice in this brilliant gem of a middle grade novel full of humor and heart, perfect for fans of Front Desk and Amina’s Voice. As the only Indian American kid in her small town, Lekha Divekar feels like she has two versions of herself: Home Lekha, who loves watching Bollywood movies and eating Indian food, and School Lekha, who pins her hair over her bindi birthmark and avoids confrontation at all costs, especially when someone teases her for being Indian. When a girl Lekha’s age moves in across the street, Lekha is excited to hear that her name is Avantika and she’s Desi, too! Finally, there will be someone else around who gets it. But as soon as Avantika speaks, Lekha realizes she has an accent. She’s new to this country, and not at all like Lekha. To Lekha’s surprise, Avantika does not feel the same way as Lekha about having two separate lives or about the bullying at school. Avantika doesn’t take the bullying quietly. And she proudly displays her culture no matter where she is: at home or at school. When a racist incident rocks Lekha’s community, Lekha realizes she must make a choice: continue to remain silent or find her voice before it’s too late.

"This is a fascinating book. It will educate you. Schwartzel has done some extraordinary reporting." — The New York Times Book Review “In this highly entertaining but deeply disturbing book, Erich Schwartzel demonstrates the extent of our cultural thrall to China. His depiction of the craven characters, American and Chinese, who have enabled this situation represents a significant feat of investigative journalism. His narrative is about not merely the movie business, but the new world order.” —Andrew Solomon, author of Far from the Tree and The Noonday Demon An eye-opening and deeply reported narrative that details the surprising role of the movie business in the high-stakes contest between the U.S. and China From trade to technology to military might, competition between the United States and China dominates the foreign policy landscape. But this battle for global influence is also playing out in a strange and unexpected arena: the movies. The film industry, Wall Street Journal reporter Erich Schwartzel explains, is the latest battleground in the tense and complex rivalry between these two world powers. In recent decades, as China has grown into a giant of the international economy, it has become a crucial source of revenue for the American film industry. Hollywood studios are now bending over backward to make movies that will appeal to China’s citizens—and gain approval from severe Communist Party censors. At the same time, and with America’s unwitting help, China has built its own film industry into an essential arm of its plan to export its national agenda to the rest of the world. The competition between these two movie businesses is a Cold War for this century, a clash that determines whether democratic or authoritarian values will be broadcast most powerfully around the world. Red Carpet is packed with memorable characters who have—knowingly or otherwise—played key roles in this tangled industry web: not only A-list stars like Matt Damon, Angelina Jolie, and Richard Gere but also eccentric Chinese billionaires, zany expatriate filmmakers, and starlets who disappear from public life without explanation or trace. Schwartzel combines original reporting, political history, and show-biz intrigue in an exhilarating tour of global entertainment, from propaganda film sets in Beijing to the boardrooms of Hollywood studios to the living rooms in Kenya where families decide whether to watch an American or Chinese movie. Alarming, occasionally absurd, and wildly entertaining, Red Carpet will not only alter the way we watch movies but also offer essential new perspective on the power struggle of this century.

Appalachia resides in the American imagination at the intersections of race and class in a very particular way, in the tension between deep historic investments in seeing the region as “pure white stock” and as deeply impoverished and backward. Meredith McCarroll’s Unwhite analyzes the fraught location of Appalachians within the southern and American imaginaries, building on studies of race in literary and cinematic characterizations of the American South. Not only do we know what “rednecks” and “white trash” are, McCarroll argues, we rely on the continued use of such categories in fashioning our broader sense of self and other. Further, we continue to depend upon the existence of the region of Appalachia as a cultural construct. As a consequence, Appalachia has long been represented in the collective cultural history as the lowest, the poorest, the most ignorant, and the most laughable community. McCarroll complicates this understanding by asserting that white privilege remains intact while Appalachia is othered through reliance on recognizable nonwhite cinematic stereotypes. Unwhite demonstrates how typical characterizations of Appalachian people serve as foils to set off and define the “whiteness” of the non-Appalachian southerners. In this dynamic, Appalachian characters become the racial other. Analyzing the representation of the people of Appalachia in films such as Deliverance, Cold Mountain, Medium Cool, Norma Rae, Cape Fear, The Killing Season, and Winter’s Bone through the critical lens of race and specifically whiteness, McCarroll offers a reshaping of the understanding of the relationship between racial and regional identities.

A world list of books in the English language.