A vivid biography of Harvey Weinstein—how he rose to become a dominant figure in the film world, how he used that position to feed his monstrous sexual appetites, and how it all came crashing down, from the author who has covered the Hollywood and media power game for The New Yorker for three decades Twenty years ago, Ken Auletta wrote an iconic New Yorker profile of the Hollywood mogul Harvey Weinstein, who was then at the height of his powers. The profile made waves for exposing how volatile, even violent, Weinstein was to his employees and collaborators. But there was a much darker story that was just out of reach: rumors had long swirled that Weinstein was a sexual predator. Auletta confronted Weinstein, who denied the claims. Since no one was willing to go on the record, Auletta and the magazine concluded they couldn’t close the case. Years later, he was able to share his reporting notes and knowledge with Ronan Farrow; he cheered as Farrow, and Jodi Kantor and Megan Twohey, finally revealed the truth. Still, the story continued to nag him. The trail of assaults and cover-ups had been exposed, but the larger questions remained: What was at the root of Weinstein’s monstrousness? How, and why, was it never checked? Why the silence? How does a man run the day-to-day operations of a company with hundreds of employees and revenues in the hundreds of millions of dollars, and at the same time live a shadow life of sexual predation without ever being caught? How much is this a story about Harvey Weinstein, and how much is this a story about Hollywood and power? In pursuit of the answers, Auletta digs into Weinstein’s life, searching for the mysteries beneath a film career unparalleled for its extraordinary talent and creative success, which combined with a personal brutality and viciousness to leave a trail of ruined lives in its wake. Hollywood Ending is more than a prosecutor’s litany; it is an unflinching examination of Weinstein's life and career, embedding his crimes in the context of the movie business, in his failures and the successes that led to enormous power. Film stars, Miramax employees and board members, old friends and family, and even the person who knew him best—Harvey’s brother, Bob—all talked to Auletta at length. Weinstein himself also responded to Auletta’s questions from prison. The result is not simply the portrait of a predator but of the power that allowed Weinstein to operate with such impunity for so many years, the spiderweb in which his victims found themselves trapped.

And the award goes to... ...Dayna Anderson, the semi-famous actress turned PI who steps up her sleuthing swagger in this follow-up to breakout hit Hollywood Homicide, winner of the Lefty Award and the Agatha Award for Best First Novel! Tinseltown's awards season is in full swing, and everyone is obsessed with dressing up, scoring free swag, and getting invited to the biggest awards shows of the year. But when celebrity publicist Lyla Davis is killed, the festive mood comes to an abrupt halt. Apprentice private eye Dayna Anderson thinks she's uncovered the killer. Unfortunately, what starts as an open-and-shut case turns out to be anything but. Diving deeper into the investigation, Dayna gets a backstage look at gossip blogging, Hollywood royalty, and one of entertainment's most respected awards shows—all while trying to avoid her own Hollywood ending. Praise for Hollywood Ending: A 2019 Lefty Award Nominee Named Best of 2018 by Suspense Magazine "Garrett continues to build an appealingly quirky crime-solving team."—Kirkus Reviews "Garrett, who wrote for TV's Cold Case, brings a smart insider's view of contemporary Hollywood to this lighthearted series."—Publishers Weekly "Fans of Janet Evanovich's Stephanie Plum series will feel right at home."—Library Journal "Day's funny and determined, the sort of woman who really WOULD make a wisecrack when faced with danger."—Donna Andrews, New York Times bestselling author of the Meg Langslow series "Kellye Garrett's Hollywood Ending glitters with stardust. A fun, fast-paced mystery, it's definitely an A-lister."—Elaine Viets, author of the Dead-End Job mysteries "Fasten your seatbelts. A star is born!"—Nancy Martin, author of the Blackbird Sisters mysteries "An entertaining whodunit that provides readers a peek behind Hollywood's star-studded curtain."—Diane Kelly, award-winning author Praise for Hollywood Homicide: Winner of the 2018 Agatha Award for Best First Novel Winner of the 2018 Anthony Award for Best First Novel Winner of the 2018 Lefty Award for Best Debut Winner of the 2018 IPPY Gold Medal for Best First Book "[A] winning first novel and series launch...Garrett writes with humor and insight about the Hollywood scene."—Publishers Weekly (starred review) "A smart, sassy debut."—Library Journal (starred review) and Debut of the Month "Veteran TV writer Garrett uses her Cold Case experience to inform her debut, which sets up more than one charming character and isn't afraid to go cynical on all things LA."—Kirkus Reviews "Funny, lively characters populate this new Detective by Day series."—RT Book Reviews "Dayna Anderson is a heroine readers will fall in love with."—Kyra Davis, New York Times bestselling author "A non-stop, fun read with humor sharp as a stiletto heel."—Ellen Byron, USA Today bestselling author "Toss in a hit-and-run, a steep reward, and more one-liners than a Marx Brothers marathon and you've got Hollywood Homicide."—Catriona McPherson, Agatha Award-winning author "Has a heart as big as Los Angeles."—Rachel Howzell Hall, author of the LAPD Detective Elouise Norton series "Garrett has written a novel with great voice, characters, hilarious moments, and a lot of Hollywood."—BookRiot

With wit, humor, and a delightfully fresh voice, from the inimitable duo Tash Skilton, author of Ghosting: A Love Story, comes this friends-to-lovers rom-com that explores the hilarious highs and lows of adulting, Hollywood, and what happens when BFFs are forced to take a hard second look at their favorite fandoms—and at each other. ONE PERECT FRIENDSHIP—ABRUPTLY CANCELED All through college, Nina and Sebastian were sentence-finishing, secret-sharing BFFs, and absolute super fans of Castles of Rust and Bone. It was the kind of show—and the kind of friendship—that demands you’re all in, for the plot twists, the unresolved sexual tension, the weekly coup d’etat—and ultimately, the heartbreak. At least until the big cliffhanger . . . But when Castles’ season finale turned into the unceremoniously axed show’s awkward farewell, Nina and Sebastian’s friendship ended just as suddenly—and just as awkwardly. And Sebastian’s longed-for chance to woo Nina into something more than friendship was written out of their story. In Hollywood, there’s always a comeback. Five years later, Nina and Sebastian are living their best lives in L.A.—and Castles is being rebooted. Nina’s a social media coordinator for the streaming service that will air the show, and Sebastian is a PA for the production company. What could be more perfect? How about running into each other on set . . . ? Fingers crossed for a happy ending . . . Turns out even the most dedicated fans are due for a wake-up call when they get to peek behind-the-scenes. And suddenly Nina and Sebastian are remembering when they were super fans of each other instead. Will flipping the script from buddy comedy to real romance ruin everything—or deliver the happily-ever-after they both crave? Praise for Ghosting: A Love Story “I absolutely loved this modern-day You've Got Mail.” —Kerry Winfrey, author of Waiting for Tom Hanks “An energetic romance that would make Nora Ephron proud.” —Kirkus Reviews “A multicultural millennial spin on You’ve Got Mail in this laugh out loud romance.” —Publishers Weekly

A vivid biography of Harvey Weinstein—how he rose to become a dominant figure in the film world, how he used that position to feed his monstrous sexual appetites, and how it all came crashing down, from the author who has covered the Hollywood and media power game for The New Yorker for three decades Twenty years ago, Ken Auletta wrote an iconic New Yorker profile of the Hollywood mogul Harvey Weinstein, who was then at the height of his powers. The profile made waves for exposing how volatile, even violent, Weinstein was to his employees and collaborators. But there was a much darker story that was just out of reach: rumors had long swirled that Weinstein was a sexual predator. Auletta confronted Weinstein, who denied the claims. Since no one was willing to go on the record, Auletta and the magazine concluded they couldn’t close the case. Years later, he was able to share his reporting notes and knowledge with Ronan Farrow; he cheered as Farrow, and Jodi Kantor and Megan Twohey, finally revealed the truth. Still, the story continued to nag him. The trail of assaults and cover-ups had been exposed, but the larger questions remained: What was at the root of Weinstein’s monstrousness? How, and why, was it never checked? Why the silence? How does a man run the day-to-day operations of a company with hundreds of employees and revenues in the hundreds of millions of dollars, and at the same time live a shadow life of sexual predation without ever being caught? How much is this a story about Harvey Weinstein, and how much is this a story about Hollywood and power? In pursuit of the answers, Auletta digs into Weinstein’s life, searching for the mysteries beneath a film career unparalleled for its extraordinary talent and creative success, which combined with a personal brutality and viciousness to leave a trail of ruined lives in its wake. Hollywood Ending is more than a prosecutor’s litany; it is an unflinching examination of Weinstein's life and career, embedding his crimes in the context of the movie business, in his failures and the successes that led to enormous power. Film stars, Miramax employees and board members, old friends and family, and even the person who knew him best—Harvey’s brother, Bob—all talked to Auletta at length. Weinstein himself also responded to Auletta’s questions from prison. The result is not simply the portrait of a predator but of the power that allowed Weinstein to operate with such impunity for so many years, the spiderweb in which his victims found themselves trapped.

Heading for London to try her hand at Shakespeare and to prove that she is a real actress, American starlet Paige Carson soon discovers that stage acting is not when she had expected and finds herself drawn to her new landlord, Ed Hawkshead, a snooty documentary filmmaker who has no use for spoiled Hollywood brats. Original.

Winner of the 2018 Anthony Award for Best First Novel Winner of the 2017 Agatha Award for Best First Novel Also a Lefty Award Winner and a Barry Award-Nominated Title The Surprise Hit of the Season! Actress Dayna Anderson's Deadly New Role: Homicide Detective Dayna Anderson doesn't set out to solve a murder. All the semifamous, mega-broke actress wants is to help her parents keep their house. So after witnessing a deadly hit-and-run, she pursues the fifteen grand reward. But Dayna soon finds herself doing a full-on investigation, wanting more than just money—she wants justice for the victim. She chases down leads at paparazzi hot spots, celeb homes, and movie premieres, loving every second of it—until someone tries to kill her. And there are no second takes in real life. Praise: "[A] winning first novel and series launch...Garrett writes with humor and insight about the Hollywood scene. Readers will look forward to Day's further adventures."—Publishers Weekly (starred review) "A smart, sassy debut, introducing an appealing protagonist with amusing friends."—Library Journal (starred review) and Debut of the Month "Veteran TV writer Garrett uses her Cold Case experience to inform her debut, which sets up more than one charming character and isn't afraid to go cynical on all things LA."—Kirkus Reviews "Funny, lively characters populate this new Detective by Day series...this will be an entertaining entry into the amateur sleuth genre."—RT Book Reviews "Fun, smart, endearingly flawed, and impressively determined, Dayna Anderson is a heroine readers will fall in love with...I relished every unexpected twist and turn of this highly entertaining mystery!"—Kyra Davis, New York Times bestselling author

"e;Hollywood 'happy ending' has long been considered among the most famous and standardised features in the whole of narrative filmmaking. Yet, while ceaselessly invoked, this notorious device has received barely any detailed attention from the field of film studies. This book is thus the first in-depth examination of one of the most overused and under-analysed concepts in discussions of popular cinema. What exactly is the 'happy ending'? Is it simply a cliche, as commonly supposed? Why has it earned such an unenviable reputation? What does it, or can it, mean? Concentrating especially on conclusions featuring an ultimate romantic union - the final couple - this wide-ranging investigation probes traditional associations between the 'happy ending' and homogeneity, closure, 'unrealism', and ideological conservatism, testing widespread assumptions against the evidence offered by a range of classical and contemporary films. "e;

An unforgettable story of insight, inspiration, and faith Growing up in a small town in the Panama Canal Zone, Rod Carew and his friends spent the long, temperate days hitting bottle caps with broomsticks, outfitted with mitts molded from paper bags, cardboard, and string. Each broomstick bat was customized by its owner; Carew's, slathered in black paint with yellow trim, bore in orange the number 42—that of his idol, Jackie Robinson. It was in this fashion, years before he would move to New York City in search of a better life, Carew honed the skills that would one day turn him into a perennial All-Star. For 19 seasons, Carew was a maestro in the batter's box. Uncoiling from his crouched stance, he seemed to guide the ball wherever he wanted on the way to a whopping seven batting titles and a spot in the Baseball Hall of Fame. If only everything in life had been as easy as he made hitting look. In One Tough Out: Fighting Off Life's Curveballs, Carew reflects on the highlights, anecdotes, and friendships from his outstanding career, describing the abuse, poverty, and racism he overcame to even reach the majors. In conversational, confessional prose, he takes readers through the challenges he's conquered in the second half of his life, from burying his youngest daughter to surviving several near-fatal bouts with heart disease. He also details the remarkable reason he's alive today: the heart transplant he received from Konrad Reuland, a 29-year-old NFL player he'd met years before. Carew explains how that astonishing connection was revealed and the unique bond he and his wife, Rhonda, have since forged with his donor's family. As Robinson once said, "A life is not important except in the impact it has on other lives." As Carew recounts his story, Robinson's words take on an even greater resonance.

Six interlinked short stories that follow Evelyn Ross - the character from Amor Towles's bestselling novel Rules of Civility - to Hollywood in 1938. 'Impossibly glamorous' The Times 'Achingly stylish' Guardian Near the end of RULES OF CIVILITY, the fiercely independent Evelyn Ross boards a train from New York to Chicago to visit her parents, but never disembarks. Six months later, she appears in a photograph in a gossip magazine exiting the Tropicana Club on Sunset Boulevard on the arm of Olivia de Havilland. In this chain of six richly detailed and atmospheric stories, each told from a different perspective, Towles unfolds the events that take Eve to the heart of old Hollywood. Beginning in the dining car of the Golden State Limited in September 1938, we follow Eve to the elegant rooms of the Beverly Hills Hotel, the fabled tables of Antonio's, the amusement parks on the Santa Monica piers, the afro-Cuban dance clubs off Central Avenue, and ultimately the set of Gone with the Wind. With the glamour and grit of the studio system's golden age as a backdrop, Towles introduces in each story a memorable new character whose fate may well be altered by their encounter with Eve. But in following the thread of these varied encounters, we also watch as Eve forges a new and unexpected life for herself in late 1930s Los Angeles.

Quentin Tarantino’s long-awaited first work of fiction—at once hilarious, delicious and brutal—is the always surprising, sometimes shocking, novelization of his Academy Award winning film. RICK DALTON—Once he had his own TV series, but now Rick’s a washed-up villain-of-the week drowning his sorrows in whiskey sours. Will a phone call from Rome save his fate or seal it? CLIFF BOOTH—Rick’s stunt double, and the most infamous man on any movie set because he’s the only one there who might have got away with murder. . . . SHARON TATE—She left Texas to chase a movie-star dream, and found it. Sharon’s salad days are now spent on Cielo Drive, high in the Hollywood Hills. CHARLES MANSON—The ex-con’s got a bunch of zonked-out hippies thinking he’s their spiritual leader, but he’d trade it all to be a rock ‘n’ roll star.