Once a year, the town of Ravenscroft celebrates the winter solstice by watching the Oak King symbolically slay the Holly King to ensure the death of winter. To most people, it's a pagan ritual that has lost all meaning in the modern world, harmless fun during the week of Christmas. To the coven who founded the town, it's a magic so important they entrusted it to the two strongest witches in generations.Will Battle and Chester Sibley are opposites in every way, or so Ravenscroft residents insist. Quiet, polite Will is the town's beloved adopted son, popular and admired. Defiant, outspoken Chester is disliked and avoided despite being a direct descendant of the town's founders. It's no wonder Will is the embodiment of spring and life as the Oak King and Chester was given the cold, dark Season of Holly. No one in town seems to realize their nice, well-mannered Oak King has iron at his core and their fearsome Holly King only wants to make people happy. Perhaps that's also why not even the other witches suspect that Chester has been in love with Will for almost his entire life.That's how Chester wants it. He might dream of Will, but he's learned to keep his dreams to himself. The trouble is Will. For all that he smiles and nods, Will has started quietly rebelling against both the town and the coven. With only days until the winter solstice, he issues Chester a challenge--to finally ask for what he wants. If Chester tells the truth, he risks losing Will and upsetting the ritual that has made the town prosperous. But there is more between them than magic, no matter how powerful or ancient, and Chester would do anything for Will, even, just maybe, coming in from the cold.

Shrike, the Butcher of Blackthorn, is a legendary warrior of the fae realms. When he wins a tournament in the Court of the Silver Wheel, its queen names him her Oak King - a figurehead destined to die in a ritual duel to invoke the change of seasons. Shrike is determined to survive. Even if it means he must put his heart as well as his life into a mere mortal's hands. Wren Lofthouse, a London clerk, has long ago resigned himself to a life of tedium and given up his fanciful dreams. When a medieval-looking brute arrives at his office to murmur of destiny, he's inclined to think his old enemies are playing an elaborate prank. Still, he can't help feeling intrigued by the bizarre-yet-handsome stranger and his fantastical ramblings, whose presence stirs up emotions Wren has tried to lock away in the withered husk of his heart. As Shrike whisks Wren away to a world of Wild Hunts and arcane rites, Wren is freed from the repression of Victorian society. But both the fae and mortal realms prove treacherous to their growing bond. Wren and Shrike must fight side-by-side to see who will claim victory - Oak King or Holly King.

On a magickal mountain with the power to change the weather, twin stars fall into the forest, and two kings are born. The Holly King and the Oak King live on the magickal mountain until a tremor leads them down the slope and into the human lands below. They discover a world in trouble without the right balance of sunlight. But the kings cannot agree on the best course, and a battle is sure to ensue.

When Dan and his sister Daisy are chosen by the Oak King and the Ash Queen to witness the Rites of the Trees, they find themselves caught up in a struggle against the Winter Trees, who seek to engulf the world in perpetual darkness.

Sometimes the difference between a love story and a horror story is where the ending comes... While Jude fought for power in the Court of Elfhame against the cruel Prince Cardan, her sister Taryn began to fall in love with the trickster, Locke. Half-apology and half-explanation, it turns out that Taryn has some secrets of her own to reveal. The Lost Sisters is a companion e-novella to the New York Times bestselling novel The Cruel Prince, by master writer Holly Black.

In Baring Witness, Holly Welker and thirty-six Mormon women write about devotion and love and luck, about the wonder of discovery, and about the journeys, both thorny and magical, to humor, grace, and contentment. They speak to a diversity of life experiences: what happens when one partner rejects Church teachings; marrying outside one's faith; the pain of divorce and widowhood; the horrors of spousal abuse; the hard journey from visions of an idealized marriage to the everyday truth; sexuality within Mormon marriage; how the pressure to find a husband shapes young women's actions and sense of self; and the ways Mormon belief and culture can influence second marriages and same-sex unions. The result is an unflinching look at the earthly realities of an institution central to Mormon life.

A powerful witch, Piotr Russell has resigned himself to loneliness, because ordinary humans can

The eye-arresting images in this original contemporary art book feature two popular mediums, painting and photography. Although the art is inspired by the Long Island landscape, its visual appeal in artists’ interpretations of locations is universal. Paired with the dialog of the artists, the narrative becomes an intimate conversation with the reader. Combining life, loss, serendipity and art, it portrays two artists, whose conceptually similar work evolved independently until social media brought them together. Their collaboration continues to produce treasures of stunning, memorable beauty. The improbable pairing of Holly Gordon, photographer from Bay Shore, Long Island, and Ward Hooper, painter from Northport, Long Island, is a symbiotic match. Their artistic relationship is an affirmation of the human spirit in an age where most can’t seem to detach from objects. These two contemporary artists discovered a serendipitous connection to the earlier American artistic and personal alliance of Arthur Dove and Helen Torr, whose work was inspired by the same Long Island locations. The past thus joined the present, deepening Gordon and Hooper’s bond, both personally and geographically. In Gordon and Hooper’s intimate relationship there is a sense of empathy, connection, and mutual discovery that is invincible. Ward Hooper and Holly Gordon understand that the meaning of their journey extends beyond themselves. Their camaraderie and brilliant exposition beckons others to do the same and thereby reach their own heights in art and life. The transformative journey that unfolds centers on art as a positive force that ultimately unites two creative spirits. I found the imagery captivating and the text inspirational. Learning about how these two people from different art disciplines came together to help heal and enrich each others’ lives (and create wonderful imagery throughout the process) made me appreciate my life and relationships even more. The book may even encourage you to create something new, or collaborate with someone you already know...or someone who is out there waiting to be a part of your “Light's Journey.” -- Andrew Darlow, Photographer, Educator and Author ......A love story of friendship and renewal. Holly and Ward were meant to meet to discover their connection through art and nature. Two wonderful artists exploring life together through the warmth of colors, brush and lens strokes and subjects they created separately at different times and then together revealing their deep passion for life, friendship and art. --Charlee M. Miller, Executive Director, Art League of Long Island, Dix Hills, N.Y. Parallel Perspectives: The Brush/Lens Project gives us seamlessly created images that work on many levels: They pay attention to tiny details yet pulse with large swaths of vibrant color. They look like paintings — but they could be photographs, and vice versa. These are eye-arresting scenes, a visual harvest of the natural beauty that surrounds us, creating lasting sights that celebrate what talented artists have always quested for: the light. Holly Gordon finds images and builds digital layers that blend an unflinching assessment by a documentary photographer and environmentalist with a painterly sensitivity; Ward Hooper’s loose brushstrokes capture the ever-shifting light and shadow through watercolors that are as elusive as the light. Their collaboration continues to produce treasures of stunning, memorable beauty.—Annie Wilkinson Blachley’s features and cover stories have been published by The New York Times, Los Angeles Times, and national and regional newspapers and magazines. She is a copy editor and columnist for the Long Island Press and writes several monthly columns for Long Island Woman Magazine