First published in 1962, David E. Miller’s award-winning work on the Hole-in-the-Rock episode was arguably his greatest achievement as a historian. One of the great set-pieces of Mormon history, the San Juan Mission had become clouded by myth and hagiography when Miller first became attracted to its study in the 1950s, and few reliable sources were at that time available. Not content with exhausting archival material, Miller contacted all locatable descendants of the members of the original party, and thereby brought to light a great number of previously unexploited sources. The Hole-in-the-Rock study achieved additional depth from his intimate knowledge of the actual trail acquired on repeated traverses by Jeep and on foot. A member of the LDS Church, Miller wrote of the Mormons with sympathy and understanding, but with a commitment as well to the critical standards of the historical profession. A must-read for anyone interested in American History.

A guide to the trail blazed by Utah pioneers answering the call of the LDS Church to pull up stakes and move to the distant San Juan country of southeastern Utah, an extraordinary year-long journey across the rugged frontier of the southwest.

In 1879 a stalwart group of Mormon pioneers are called to create a settlement that will serve as a buffer between the established communities of Utah and the lawless frontier of the Four Corners area. Their challenges will be enormous--but the biggest part of their mission may well be getting there in the first place!

From Queen Latifa to Count Basie, Madonna to Monk, Hole in Our Soul: The Loss of Beauty and Meaning in American Popular Music traces popular music back to its roots in jazz, blues, country, and gospel through the rise in rock 'n' roll and the emergence of heavy metal, punk, and rap. Yet despite the vigor and balance of these musical origins, Martha Bayles argues, something has gone seriously wrong, both with the sound of popular music and the sensibility it expresses. Bayles defends the tough, affirmative spirit of Afro-American music against the strain of artistic modernism she calls 'perverse.' She describes how perverse modernism was grafted onto popular music in the late 1960s, and argues that the result has been a cult of brutality and obscenity that is profoundly anti-musical. Unlike other recent critics of popular music, Bayles does not blame the problem on commerce. She argues that culture shapes the market and not the other way around. Finding censorship of popular music "both a practical and a constitutional impossibility," Bayles insists that "an informed shift in public tastes may be our only hope of reversing the current malignant mood."

WINNER OF THE MILKWEED PRIZE FOR CHILDREN’S LITERATURE Eleven-year-old Sebby has found the perfect escape from his crummy house and bickering family—a secret cave he calls “The Hole in the Wall.” It’s all the more beautiful for being in the midst of a devastated mining area behind his home. But soon after Sebby finds the hideaway, his world starts falling apart: his family’s chickens disappear, he falls ill with the mother of all stomachaches, and he finds a special pair of eyeglasses that show him a world where colors come alive and fly through the air. When Sebby sets out to solve these mysteries, he and his twin sister, Barbie, get caught in a wild chase through the tunnels around The Hole in the Wall—all leading them to the mining activities of astrophysicist Stanley Odum, who has been buying up all the land behind Sebby’s home. Exactly what is Mr. Odum mining in his secret facility, and does it have anything to do with these mysterious developments? The answers to these questions take the twins to places they never could have imagined.

In this Michael L. Printz Honor Book, the Newbery Honor-winning creator of the Joey Pigza books shares the true story of how he became a writer the hard way by learning a valuable lesson while he was in college.

A practical guide to letting go of the character defects that get in the way of true and joyful recovery. Resentment. Fear. Self-Pity. Intolerance. Anger. As Bill P. explains, these are the "rocks" that can sink recovery- or at the least, block further progress. Based on the principles behind Steps Six and Seven, Drop the Rock combines personal stories, practical advice, and powerful insights to help readers move forward in recovery. The second edition features additional stories and a reference section.

"With potent, lyrical language and a profound knowledge of storytelling, Shaw encourages and illuminates the mythic in our own lives. He is a modern-day bard." – Madeline Miller, author of Circe and The Song of Achilles At a time when we are all confronted by not one, but many crossroads in our modern lives—identity, technology, trust, politics, and a global pandemic—celebrated mythologist and wilderness guide Martin Shaw delivers Smoke Hole: three metaphors to help us understand our world, one that is assailed by the seductive promises of social media and shadowed by a health crisis that has brought loneliness and isolation to an all-time high. Smoke Hole is a passionate call to arms and an invitation to use these stories to face the complexities of contemporary life, from fake news, parenthood, climate crises, addictive technology and more. Shaw urges us to reclaim our imagination and untangle ourselves from modern menace, letting these tales be our guide. More Praise: "I can still remember the first time I heard Martin Shaw tell a story. The tale that emerged was like a living thing, bounding around, throwing itself at us there listening. I had never heard anything like it before." – Paul Kingsnorth, Booker shortlisted author of The Wake "Martin Shaw’s work is so very beautiful. A new animal. His love of images is deep and contagious." – Coleman Barks, author of The Essential Rumi "Through feral tales and poetic exegesis, Martin Shaw makes you re-see the world, as a place of adventure, and of initiation, as perfect home, and as perfectly other. What a gift." – David Keenan, author of Xstabeth "Shaw has so much wisdom and knowledge about the old stories, it emanates from his pores." – John Densmore, The Doors

Discover amazing and fascinating sea creatures in the hole in the bottom of the sea! Based on the traditional cumulative song, each verse introduces a new creature and its place in the food chain, with the shark chasing the eel, who chases the squid, who chases the snail. Enhanced CD includes videso animation and audio singalong.

Los Angeles rock generally conjures memories of surf music, The Doors, or Laurel Canyon folkies. But punk? L.A.'s punk scene, while not as notorious as that of New York City, emerged full-throated in 1977 and boasted bands like The Germs, X, and Black Flag. This book explores how, in the land of the Beach Boys, punk rock took hold. As a teenager, Dewar MacLeod witnessed firsthand the emergence of the punk subculture in Southern California. As a scholar, he here reveals the origins of an as-yet-uncharted revolution. Having combed countless fanzines and interviewed key participants, he shows how a marginal scene became a "mass subculture" that democratized performance art, and he captures the excitement and creativity of a neglected episode in rock history. Kids of the Black Hole tells how L.A. punk developed, fueled by youth unemployment and alienation, social conservatism, and the spare landscape of suburban sprawl communities; how it responded to the wider cultural influences of Southern California life, from freeways to architecture to getting high; and how L.A. punks borrowed from their New York and London forebears to create their own distinctive subculture. Along the way, MacLeod not only teases out the differences between the New York and L.A. scenes but also distinguishes between local styles, from Hollywood's avant-garde to Orange County's hardcore. With an intimate knowledge of bands, venues, and zines, MacLeod cuts to the heart of L.A. punk as no one has before. Told in lively prose that will satisfy fans, Kids of the Black Hole will also enlighten historians of American suburbia and of youth and popular culture.