Relating to the French church assembling in the crypt of Canterbury cathedral.

Studies of Kent's economic history confirm the industrial revolution to have been less cataclysmic and more widespread then formerly accepted.

Early Modern Kent offers an accessible but scholarly introduction to the country's history during a century of extraordinary change."--BOOK JACKET.

This groundbreaking book examines the complex relationships between individuals and communities in the profound transitions of the early modern period. Taking a global and comparative approach to historical issues, the distinguished contributors show that individual and community created and recreated one another in the major structures, interactions, and transitions of early modern times. Offering an important contribution to our understanding both of the early modern period and of its historiography, this volume will be an invaluable resource for scholars working in the fields of medieval, early modern, and modern history, and on the Renaissance and Reformation.

Director of the 1985 Huguenot Heritage tercentenary commemoration, Gwynn surveys the contributions to Britain and Ireland by the French-speaking Calvinist refugees who crossed the Channel between the 16th and 18th centuries. Among the topics are the situation in France, settlements in England, government reaction, crafts and trades, churches, opposition, the impact of Louis XIV's defeat, and assimilation. The first edition was published by Routledge in 1985; the second incorporates literature published and artefacts discovered since then, and is more comprehensively footnoted. All referencing material has been updated tin the light of new findings. And the plate section has been expanded to take into account recently available pictures of Huguenot artefacts and scenes.

This is a much-revised version of Professor Cottret's acclaimed study of the Huguenot communities in England, first published in French by Aubier in 1985. The Huguenots in England presents a detailed, sympathetic assessment of one of the great migrations of early modern Europe, examining the social origins, aspirations and eventual destiny of the refugees, and their responses to their new-found home, a Protestant terre d'exil. Bernard Cottret shows how for the poor weavers, carders and craftsmen who constituted the majority of the exiles the experience of religious persecution was at once personal calamity, disruptive of home and family, and heaven-sent economic opportunity, which many were quick to exploit. The individual testimonies contained in consistory registers contain a wealth of personal narrative, reflection and reaction, enabling Professor Cottret to build a fully rounded picture of the Huguenot experience in early modern England. In an extended afterword Professor Emmanuel Le Roy Ladurie considers the Huguenot phenomenon in the wider context of the contrasting British and French attitudes to religious minorities in the early modern period.

Contributions to this volume explore the idea of Marlowe as a working artist, in keeping with John Addington Symonds' characterization of him as a "sculptor-poet." Throughout the body of his work-including not only the poems and plays, but also his forays into translation and imitation-a distinguished company of established and emerging literary scholars traces how Marlowe conceives an idea, shapes and refines it, then remakes and remodels it, only to refashion it further in his writing process. These essays necessarily overlap with one another in the categories of lives, stage, and page, which signals their interdependent nature regarding questions of authorship, theater and performance history, as well as interpretive issues within the works themselves. The contributors interpret and analyze the disputed facts of Marlowe's life, the textual difficulties that emerge from the staging of his plays, the critical investigations arising from analyses of individual works, and their relationship to those of his contemporaries. The collection engages in new ways the controversies and complexities of its subject's life and art. It reflects the flourishing state of Marlowe studies as it shapes the twenty-first century conception of the poet and playwright as master craftsman.