The Knights of Pythias fraternal organization was founded in 1865 by an Act of Congress. When African American men were denied membership, they created their own organization in Vicksburg, MS, in 1880. Its founder, Thomas Stringer, believed that fraternal organizations could provide the black community with business networks, economic safety nets, and political experience at a time when Jim Crow laws were being constructed all around them. In Birmingham, Alabama, these Pythians became the cornerstone of an African American business community that included the first black-owned and operated bank in the state. They provided burial, life, and disability insurance for members and became a source of civic pride and racial solidarity. When their right to exist was challenged, they took the case to the Supreme Court in 1912 and won. This strategy would be used decades later in Brown v. Board of Education.

In this study of American 19th-century secret orders, the author argues that religious practices and gender roles became increasingly feminized in Victorian America and that secret societies, such as the Freemasons, offered men and boys an alternative, male counterculture.

In Freemasonry in Context: History, Ritual, Controversy editors Arturo de Hoyos and S. Brent Morris feature work by renown Masonic scholars. Essays explore the rich and often times controversial events that comprise the cultural and social history of Freemasonry.

Affectionately combining both the idyllic and ironic, Sunshine Sketches of a Little Town is Stephen Leacock’s most beloved book. Set in fictional Mariposa, an Ontario town on the shore of Lake Wissanotti, these sketches present a remarkable range of characters: some irritating, some exasperating, some foolhardy, but all endearing. Painted with the skilful brushstrokes of a great comic artist, the delightful inhabitants of Mariposa represent the people of small towns everywhere. As fresh, funny, and insightful today as when it was first published in 1912, Sunshine Sketches of a Little Town is Stephen Leacock at his best – colourful, imaginative, and thoroughly entertaining.