The Brand NEW instalment in the bestselling Exham-on-Sea series. An unsolved murder echoes down the corridors of Cleeve Abbey for years. The Exham-on-Sea’s History Society's annual summer picnic comes to an abrupt end when human bones are discovered in Washford River, beside historic Cleeve Abbey. Thrilled to find evidence of a possible centuries-old murder mystery, the members of the society organise a ghost-hunting night in the ruins of Cleeve Abbey, despite amateur sleuth Libby Forest's reservations. Libby is a woman of many talents, a baker, chocolatier, even a reluctant sleuth, but she's no fan of the supernatural.and her doubts are justified when a friend is attacked under cover of darkness at the ghost-hunt. Distressed and angry, Libby sets out with her new husband Max and their two dogs Bear and Shipley to uncover the connection between the murder of a sixteenth century monk and a present-day attack in picturesque Somerset. With friends and neighbours as suspects, Libby and Max close in on the culprit only to find that others are still in danger. There's no time to lose as the sins of the past threaten lives in the community. Murder at the Abbey is the eighth in a series of Exham-on-Sea Murder Mysteries from the small English seaside town full of quirky characters, sea air, and gossip. If you love Agatha Christie-style mysteries, cosy crime, clever dogs and cake, then you'll love these intriguing whodunnits.THE EXHAM-ON-SEA MURDER MYSTERIES: 1. Murder at the Lighthouse 2. Murder on the Levels: 3. Murder on the Tor: 4. Murder at the Cathedral 5. Murder at the Bridge 6. Murder at the Castle 7. Murder at the Gorge 8. Murder at the Abbey Books in the Ham Hill Murder Mystery series by Frances Evesham A Village Murder A Racing Murder A Harvest Murder

The 'Evesham History' is one of the last important 13th-century texts to be translated.

A collection of 70 fourteenth century recipes from the Cellarer's accounts of Evesham Abbey ready to cook today

Previous ed.: Harmondsworth: Penguin, 1968, by Nikolaus Pevsner.

Immersed in mist and old magic, Storyland is an exquisitely illustrated new mythology of Britain, set in its wildest landscapes. Historian and printmaker Amy Jeffs reimagines ancient legends in wondrous detail in this this gift-worthy collection for all lovers of myth, folklore, and mysticism. Storyland begins between the Creation and Noah's Flood, follows the footsteps of the earliest generation of giants, covers the founding of Britain, England, Wales, and Scotland, the birth of Christ, the wars between Britons, Saxons and Vikings, and closes with the arrival of the Normans. These are retellings of medieval tales of legend, landscape, and the yearning to belong, inhabited by characters now half-remembered: Arthur, Brutus, Albina, and more. Told with narrative flair, embellished in stunning, original linocuts and glossed with a rich and erudite commentary, Storyland illuminates a collective memory that still informs the identity and culture of Britain and its descendants. Readers will visit beautiful, sacred places that include prehistoric monuments like Stonehenge and Wayland's Smithy; mountains and lakes such as Snowdon and Loch Etive; and rivers including the Ness, the Soar, and the storied Thames in this vivid, beautiful tale of a land steeped in myth.

An engaging, richly illustrated account of parish churches and churchgoers in England, from the Anglo-Saxons to the mid-sixteenth century Parish churches were at the heart of English religious and social life in the Middle Ages and the sixteenth century. In this comprehensive study, Nicholas Orme shows how they came into existence, who staffed them, and how their buildings were used. He explains who went to church, who did not attend, how people behaved there, and how they--not merely the clergy--affected how worship was staged. The book provides an accessible account of what happened in the daily and weekly services, and how churches marked the seasons of Christmas, Lent, Easter, and summer. It describes how they celebrated the great events of life: birth, coming of age, and marriage, and gave comfort in sickness and death. A final chapter covers the English Reformation in the sixteenth century and shows how, alongside its changes, much that went on in parish churches remained as before.

The later Middle Ages was a time of profound connection between the spheres of bureaucracy and art. By discussing the two together, this book argues that art-historical methods offer an important contribution to diplomatics, and that works of art are important sources for the cultural reception of documentary practices. Documents are also an important model for representation, and an understanding of the paradigmatic role of the document suggests alternative dimensions to the interpretation of late-medieval art. Ultimately, the ways documents appeared, functioned, and were perceived have implications for objects of all kinds. The discourses of documentation suggested an essential and consequential connection between objects and events: documents offered a powerful and widely disseminated model for how ephemeral actions and relationships could find enduring material form. With the broad diffusion of administrative records, this idea came to manifest itself in other forms of visual culture. Medieval monks inventoried documents alongside the contents of their treasuries, set them on the altar, and wrote about fantastical charters of gold. Documents can still be a person's - or a nation's - most treasured possessions. As powerful objects of veneration and instruments of control, they connect medieval society and our own, testing modern perceptions of the Middle Ages as an entirely lost world.

In deference to the wishes of innumerable readers and at fantastic trouble and expense, we are able to here present a collection of extracts from that learned work, long in preparation but still unpublished, treating upon the fascinating but difficult subject of 'Asum Grammar.' Ben Judd's articles on this mysterious if not mythical tome were a wonderful, long-running and well-loved mainstay in the pages of the Evesham Journal. They treat eruditely and humorously on the matter of Asum, the 'language' once peculiar to Evesham. The current book collects together selected articles and, on the basis that too much of a good thing can be too much, intersperses them with snippets on local vocabulary (places, flowers, birds and suchlike) together with odd poems and snippets in Asum from the letters page of the Evesham Journal. The whole is illustrated by some lovely drawings by E.H. New (from 1904) of many local scenes and buildings.