From the cotton boom after the Civil War to Savannah's economic decline around the middle of the 20th century, the city's streetscapes were crowded with signs. In a time before strict sign regulations, business owners embellished building facades and and rooftops with extensive signage to catch the eye of pedestrians and motorists. The abundance of advertising was symbolic of Savannah's rapid growth and prosperity, but the majority of these signs were discarded over the years, and only a few remain. Photographs and postcards from the past survive, however, and images of historic signs serve as reminders of these lost commercial relics. Such signs give the bricks and mortar of the past another dimension by identifying their social purpose. Through vintage images of Savannah signage, this volume provides a history of the city's businesses and industries. Included are local landmarks like Levy Jewelers, the Globe Shoe Company, the Lucas Theatre, the Marshall House, and Johnny Harris Restaurant.

From the cotton boom after the Civil War to Savannah's economic decline around the middle of the 20th century, the city's streetscapes were crowded with signs. In a time before strict sign regulations, business owners embellished building facades and and rooftops with extensive signage to catch the eye of pedestrians and motorists. The abundance of advertising was symbolic of Savannah's rapid growth and prosperity, but the majority of these signs were discarded over the years, and only a few remain. Photographs and postcards from the past survive, however, and images of historic signs serve as reminders of these lost commercial relics. Such signs give the bricks and mortar of the past another dimension by identifying their social purpose. Through vintage images of Savannah signage, this volume provides a history of the city's businesses and industries. Included are local landmarks like Levy Jewelers, the Globe Shoe Company, the Lucas Theatre, the Marshall House, and Johnny Harris Restaurant.

The South Carolina Historical Marker Program, established in 1936, has approved the installation of more than 1,700 interpretive plaques, each highlighting how places both grand and unassuming have played important roles in the history of the Palmetto State. These roadside markers identify and interpret places valuable for understanding South Carolina's past, including sites of consequential events and buildings, structures, or other resources significant for their design or their association with institutions or individuals prominent in local, state, or national history. This volume includes a concise history of the South Carolina Historical Marker Program and an overview of the marker application process. For those interested in specific historic periods or themes, the volume features condensed lists of markers associated with broader topics such as the American Revolution, African American history, women's history, the Civil War, and Reconstruction. While the program is administered by the South Carolina Department of Archives and History, most markers are proposed by local organizations that serve as a marker's official sponsor, paying its cost and assuming responsibility for its upkeep. In that sense, this inventory is a record not just of places and subjects that the state has deemed worthy of acknowledgment, but of those that South Carolinians themselves have worked to enshrine.

NATIONAL BESTSELLER • A modern classic of true crime, set in a most beguiling Southern city—now in a 30th anniversary edition with a new afterword by the author “Elegant and wicked . . . might be the first true-crime book that makes the reader want to book a bed and breakfast for an extended weekend at the scene of the crime.”—The New York Times Book Review Shots rang out in Savannah’s grandest mansion in the misty, early morning hours of May 2, 1981. Was it murder or self-defense? For nearly a decade, the shooting and its aftermath reverberated throughout this hauntingly beautiful city of moss-hung oaks and shaded squares. In this sharply observed, suspenseful, and witty narrative, John Berendt skillfully interweaves a hugely entertaining first-person account of life in this isolated remnant of the Old South with the unpredictable twists and turns of a landmark murder case. It is a spellbinding story peopled by a gallery of remarkable characters: the well-bred society ladies of the Married Woman’s Card Club; the turbulent young gigolo; the hapless recluse who owns a bottle of poison so powerful it could kill every man, woman, and child in Savannah; the aging and profane Southern belle who is the “soul of pampered self-absorption”; the uproariously funny drag queen; the acerbic and arrogant antiques dealer; the sweet-talking, piano-playing con artist; young people dancing the minuet at the black debutante ball; and Minerva, the voodoo priestess who works her magic in the graveyard at midnight. These and other Savannahians act as a Greek chorus, with Berendt revealing the alliances, hostilities, and intrigues that thrive in a town where everyone knows everyone else. Brilliantly conceived and masterfully written, Midnight in the Garden of Good and Evil is a sublime and seductive reading experience.

Savannah is as Southern a place as has ever existed, and the Savannah River Plantations were the pinnacle of Southern heritage. Place names such as Richmond Oakgrove, Mulberry Grove, Drakies, Whitehall, and Colerain signified extensive land holdings, moss-draped oaks, and a culture not found anywhere else in the world.

Art and Public History: Approaches, Opportunities, and Challenges examines the relationship between art and public history, outlining opportunities, challenges, and insights drawn from recent initiatives. With a special eye towards audience engagement and challenging historical narratives, all of the case studies and projects combine historical interpretation with contemporary and historical forms of visual art in unique and insightful ways. In addition to emphasizing the kind of practical advice found in the best case studies, this volume also offers a critical discussion of the concepts, tools, skills and technologies that contribute to fruitful interdisciplinary collaboration. These issues are addressed through sections on projects related to historical artworks; contemporary art and artists; and public art and the built environment. It addresses how public historians can incorporate art into their practice by outlining opportunities, challenges, and insights drawn from recent projects in the United States and Britain. These projects have taken place across a variety of platforms, including local and national history museums; art galleries; digital archives; classrooms; historical markers; and public art projects. The case studies incorporate the perspectives of different stakeholders, including public historians, artists, and audiences. The book will provide both public history practitioners and academics with useful guidance on how art can be integrated into public history initiatives, through critical discussion of tools, strategies, and technologies that contribute to fruitful collaboration and audience engagement across a variety of platforms. Readers will walk away with new ideas, strategies, and practical considerations for interdisciplinary projects to attract audiences in new ways.

An anthology of fiction and nonfiction about Savannah

Savannah's distinct architecture has been studied and admired by scholars, builders, and tourists from all over the world, and the history of its most prolific period of expansion and development is explored in this photographic essay. A city that was spared the wrath of the Union forces, Savannah emerged from the Civil War psychologically defeated but still physically intact. During the second half of the nineteenth century, this picturesque Georgia city enjoyed tremendous growth in a booming economic environment. Building Savannah chronicles this period in the city's history with photographs, sketches, maps, and advertisements, many culled from the archives of the Georgia Historical Society. Coupled with informative research, these images illustrate every aspect of the building industry that thrived in Savannah. Local architects and builders embraced the transformation that was sweeping the entire country and used both natural resources and technical innovation to create a unique built environment. The building industries once fueled by the virgin resources of the South would be exhausted by the end of the Second World War. As modern materials became popular, the lumber mills withered, old foundries closed, and the industry was forever changed. What was left in Savannah was the indelible mark of the building era, seen in the careful craftsmanship and ornate design of its homes and businesses.

In this masterful portrait of life in Savannah before, during, and after the Civil War, prize-winning historian Jacqueline Jones transports readers to the balmy, raucous streets of that fabled Southern port city. Here is a subtle and rich social history that weaves together stories of the everyday lives of blacks and whites, rich and poor, men and women from all walks of life confronting the transformations that would alter their city forever. Deeply researched and vividly written, Saving Savannah is an invaluable contribution to our understanding of the Civil War years.