Specially commissioned photographs and lively text capture the spirit of 23 of South Africa's grandest houses, following a timeline of social and cultural development. Authoritative text brings to life the spirit of the houses, along with their builders and occupantsfrom Dutch East India Company merchants and English aristocrats to 19th-century sugar barons and diamond magnates. 337 illustrations. 237 in full color.

From a grand sandstone mansion rescued from dilapidation in the scrubby Free State veld, to a romantic Arts & Crafts style double-storey that presides over a halfacre of prime real estate in the high Berea suburb of Durban, Remarkable Heritage Houses of South Africa provides a privileged glimpse inside 20 of the country's most distinguished, remarkable and treasured private residences. Predominantly constructed no later than the mid 1950s and chosen for the singular legacy each keeps alive, these are homes that blend architectural integrity with an uncanny sense of place. Some more 'historic' than others, they have been sensitively rescued or meticulously preserved, or simply kept current with custodianship that has at all times respected their unique pedigree. Strikingly captured by distinguished photographer, Craig Fraser, they cover the full gamut of locations, architectural genres and interior decorating styles, yet have all been skilfully adapted to meet the demands of modern living.

Great Houses of Minnesota is the engaging story of the evolution of architectural styles in Minnesota from 1830 to 1914--from the influence of the early French traders along the Mississippi and St. Croix to the emergence of the school of Frank Lloyd Wright. Through photographs and colorfully informative text, internationally known historian Roger Kennedy helps readers understand the unique styles of Minnesota's first homes, including the Mower House in Arcola, the first large house on the St. Croix; Alexander Ramsey's "Mansion House" in St. Paul, influenced by Pennsylvania Dutch virtues; the whimsical Charles C. Clement house in Fergus Falls, clearly Norse in spirit; and the Purcell House in Minneapolis, a fine example of the Prairie School design. On a broad plane these architectural eras reflected social customs, politics, commerce, religion, and literature. On a personal level they often revealed the national origin and character of the families that made the house a home. In short, this is in large measure a history of the people. Kennedy has considered their heritage and traditions as carefully as he has examined the architecture they created, and he offers a fresh, wholistic approach to the study of our state's great houses.

As the most influential and powerful country on the entire continent of Africa, an understanding of South Africa’s past and its present trends is crucial in appreciating where South Africans are going to, and from where they have come. South Africa changed dramatically in 1994 when apartheid was dismantled, and it became a democratic state. Since 2000, when the previous edition appeared, further big changes occurred, with the rise of new political leaders and of a new black middle class. There were also serious problems in governance, in public health, and the economy, but with a remarkable popular resilience too. This third edition of Historical Dictionary of South Africa contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 600 cross-referenced entries on important personalities as well as aspects of the country’s politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about South Africa.

An integral part of the renowned beauty of South Africa's southwestern Cape are the Cape Dutch houses that date back 200-300 years. This historical and potographic record explores 150 old houses, paying tribute to the architects and craftsmen who built them.

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

Through a specific architectural lens, this book exposes the role the British Empire played in the development of apartheid. Through reference to previously unexamined archival material, the book uncovers a myriad of mechanisms through which Empire laid the foundations onto which the edifice of apartheid was built. It unearths the significant role British architects and British architectural ideas played in facilitating white dominance and racial segregation in pre-apartheid Cape Town. To achieve this, the book follows the progenitor of the Garden City Movement, Ebenezer Howard, in its tripartite structure of Country/Town/Suburb, acknowledging the Garden City Movement's dominance at the Cape at the time. This tripartite structure also provides a significant match to postcolonial schemas of Self/Other/Same which underpin the three parts to the book. Much is owed to Edward Said's discourse-analytical approach in Orientalism - and the work of Homi Bhabha - in the definition and interpretation of archival material. This material ranges across written and visual representations in journals and newspapers, through exhibitions and events, to legislative acts, as well as the physicality of the various architectural objects studied. The book concludes by drawing attention to the ideological potency of architecture which tends to be veiled more so through its ubiquitous presence and in doing so, it presents not only a story peculiar to Imperial Cape Town, but one inherent to architecture more broadly. The concluding chapter also provides a timely mirror for the machinations currently at play in establishing a 'post-apartheid' architecture and urbanity in the 'new' South Africa.

The classic reference work that provides annually updated information on the countries of the world.