An illustrated history of Clayton County, Georgia, paired with histories of the local companies.

Pioneers came to the Jonesboro area, originally known as Leaksville, following the Treaty of Indian Springs with the Creek Indians. In 1845, the Macon and Western Railroad was completed, and the town was renamed in honor of engineer Samuel Jones. It was designated the county seat when Clayton County was formed in 1859 and was soon a commercial center for the surrounding area. Jonesboro was developed around the railroad, and these rails brought the Yankees here for the last and decisive battle of the Atlanta Campaign during the Civil War, which destroyed much of the town. Turmoil followed with Reconstruction, but by the 1880s, the economy had been revitalized. When a journalist visited her grandparents, local residents shared their memories of war experiences with her. Their stories and Margaret Mitchell's imagination produced the masterpiece Gone with the Wind. Tourists from around the world still come looking for Tara and the old South. They may not find Tara, but Jonesboro still offers true Southern charm. Catch a glimpse of Jonesboro from the early days through its centennial celebration.

"Introduces the reader to fractions and decimals."--

Few places in the United States feel the impact of courthouse disasters like the state of Georgia. Over its history, 75 of the state's counties have suffered 109 events resulting in the loss or severe damage of their courthouse or court offices. This book documents those destructive events, including the date, time, circumstance, and impact on records. Each county narrative is supported by historical accounts from witnesses, newspapers, and legal documents. Maps show the geographic extent of major courthouse fires. Record losses are described in general terms, helping researchers understand which events are most likely to affect their work.

Their songs insist that the arrival of the railroad and the appearance of the tiny depot often created such hope that it inspired the construction of the architectural extravaganzas that were the courthouses of the era. In these buildings the distorted myth of the Old South collided head-on with the equally deformed myth of the New South."

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