The Història de Jacob Xalabín, an anonymous novel written in Catalan c.1400, focuses on the figure of the Ottoman prince Yakub Çelebi, son of Murad I and half-brother of Bayezid I. It ends with the first detailed account of the battle of Kosovo of 1389, which left a lasting mark on the history of the Balkans. This text, mixing historical and fictional elements, is one of the earliest depictions in Western Literature of the rising Ottoman empire. Because of this, it is most relevant for Mediterranean studies and debates about orientalism. Juan Carlos Bayo has prepared a new critical edition of this novel, with an introduction and notes, and Barry Taylor offers its first translation ever into the English language. The volume is completed with an appendix of texts and documents on the Turkish connections of the Crown of Aragon.

The Història de Jacob Xalabín, a Catalan novel c.1400 about the Ottoman prince Yakub Çelebi killed in the aftermath of the battle of Kosovo in 1389, is offered here in a new critical edition with the first ever English translation.

The Holy Wars of King Wladislas and Sultan Murad presents a detailed account of the conflict between Christendom and the Ottoman Empire from 1438-1444, which culminated in the Crusade of Varna.

Famagusta Maritima: Mariners, Merchants, Pilgrims and Mercenaries presents a collection of scholarly studies spanning the thousand year history of the port of Famagusta in Cyprus. This historic harbour city was at the heart of the Crusading Lusignan dynasty, a possession of both Genoa and Venice during the Renaissance, a port of the Ottoman Empire for three centuries, and in time, a strategic naval and intelligence node for the British Empire. It is a maritime space made famous by the realities of its extraordinary importance and influence, followed by its calamitous demise. Contributors are: Michele Bacci, Lucie Bonato, Tomasz Borowski, Mike Carr, Pierre-Vincent Claverie, Dragos Cosmescu, Nicholas Coureas, Marko Kiessel, Antonio Musarra, William Spates, Asu Tozan, Ahmet Usta, and Michael Walsh.

Many scholars, in the U.S. and elsewhere, have decried the racism and "Orientalism" that characterizes much Western writing on the Middle East. Such writings conflate different peoples and nations, and movements within such peoples and nations, into unitary and malevolent hordes, uncivilized reservoirs of danger, while ignoring or downplaying analogous tendencies towards conformity or barbarism in other regions, including the West. Assyrians in particular suffer from Old Testament and pop culture references to their barbarity and cruelty, which ignore or downplay massacres or torture by the Judeans, Greeks, and Romans who are celebrated by history as ancestors of the West. This work, through its rich depictions of tribal and religious diversity within Mesopotamia, may help serve as a corrective to this tendency of contemporary writing on the Middle East and the Assyrians in particular. Furthermore, Aboona's work also steps away from the age-old oversimplified rubric of an "Arab Muslim" Middle East, and into the cultural mosaic that is more representative of the region. In this book, author Hirmis Aboona presents compelling research from numerous primary sources in English, Arabic, and Syriac on the ancient origins, modern struggles, and distinctive culture of the Assyrian tribes living in northern Mesopotamia, from the plains of Nineveh north and east to southeastern Anatolia and the Lake Urmia region. Among other findings, this book debunks the tendency of modern scholars to question the continuity of the Assyrian identity to the modern day by confirming that the Assyrians of northern Mesopotamia told some of the earliest English and American visitors to the region that they descended from the ancient Assyrians and that their churches and identity predated the Arab conquest. It details how the Assyrian tribes of the mountain dioceses of the "Nestorian" Church of the East maintained a surprising degree of independence until the Ottoman governor of Mosul authorized Kurdish militia to attack and subjugate or evict them. Assyrians, Kurds, and Ottomans is a work that will be of great interest and use to scholars of history, Middle Eastern studies, international relations, and anthropology.

Using a wealth of primary sources and covering the entire Ottoman period, Ottoman Women in Public Space challenges the traditional view that sees Ottoman women as a largely silent element of society, restricted to the home and not seen beyond the walls of the house or the public bath. Instead, taking women in a variety of roles, as economic and political actors, prostitutes, flirts and slaves, the book argues that women were active participants in the public space, visible, present and an essential element in the everyday, public life of the empire. Ottoman Women in Public Space thus offers a vibrant and dynamic understanding of Ottoman history. Contributors are: Edith Gülçin Ambros, Ebru Boyar, Palmira Brummett, Kate Fleet and Svetla Ianeva.

Over the past two decades secular polities across the globe have witnessed an increasing turn to religion-based political movements, such as the rise of political Islam and Hindu nationalism, which have been fueling new and alternative notions of nationhood and national ideologies. The rise of such movements has initiated widespread debates over the meaning, efficacy, and normative worth of secularism. Visualizing Secularism and Religion examines the constitutive role of religion in the formation of secular-national public spheres in the Middle East and South Asia, arguing that in order to establish secularism as the dominant national ideology of countries such as Turkey, Lebanon, and India, the discourses, practices, and institutions of secular nation-building include rather than exclude religion as a presence within the public sphere. The contributors examine three fields---urban space and architecture, media, and public rituals such as parades, processions, and commemorative festivals---with a view to exploring how the relation between secularism, religion, and nationalism is displayed and performed. This approach demands a reconceptualization of secularism as an array of contextually specific practices, ideologies, subjectivities, and "performances" rather than as simply an abstract legal bundle of rights and policies.