Strategic decisions to reduce the size, scope, or ambitions of organizations - including states - in order to enhance future prospects, are among the most difficult and least well-understood choices made in collective life. This volume makes a bold effort to identify the conditions in which less really is more. Each contributor to the volume analyzes the possibilities for institutional redesign, including state contraction, for responding effectively to destabilizing and often violence-laden conflicts. Among the countries discussed in detail are Turkey, Pakistan, Morocco, Congo, Jordan, Indonesia, Russia and the former Soviet Union, Iraq, and India. An impressive array of experts assess strategies that go against the grain, strategies to 'righsize' and even 'downsize' states by changing their external and internal borders. Typically this means opposing prevailing prejudices against partition and 'seraratist' solutions as well as paying high political costs in the short run for more manageable political problems in the long run. Understanding the conditions under which such strategies can be entertained and successfully implemented is as difficult, and as important, as making this kind of option available to beleaguered states in a complex and rapidly changing world.

For over thirty years, Carol Kammen’s On Doing Local History has been a valuable guide to professional and “amateur” historians alike. First published in 1986, revised in 2003, this book offers not only discussion of practical matters, but also a deeper reflection on local, public history, what it means, and why it is done. It is used in classrooms and found on the shelves of local historians across the U.S. The third edition features: Updates to chapters that focus on the current concerns and situation of local historians A new chapter on how the field of history cooperates with other arts A new chapter on writing a congregational history Updated references With the same passion (and now even more experience) that drove her to write the first edition, Kammen has brought her seminal work into today’s context for the next generation of local historians. The new edition ensures that this classic will continue to move anyone interested in public history towards a better understanding of why they do what they do and how it benefits their communities.

Situated in the breathtaking Caucasus Mountains between the Black and the Caspian Seas, the country of Georgia sits at the crossroads between Europe and Asia; it has gone through more turbulence and change in the last twenty five years—the casting off of the Soviet regime, a civil war, two ethno-territorial conflicts, economic collapse, corruption, government inefficiency, and massive emigration—than most countries go through in 250 years. This small nation's strategic location at the crossroads of different civilizations has been a curse as well as a blessing. Once a battlefield between the ancient empires and the Christian and Islamic worlds, today it is caught between its NATO aspirations and its location in Russia’s backyard. Yet, despite all challenges and hardships, this resilient and ancient country, with thousands of years of winemaking, three-thousand years of statehood, and almost two millennia of Christianity, continues to survive and thrive. This book uses its chronology; glossary; introduction; appendixes; maps; bibliography; and over 900 hundred cross-referenced dictionary entries on important persons, places, events and institutions, as well as significant political, economic, social, and cultural aspects to trace Georgia's history and predict its future. This historical dictionary is an excellent access point for students, researchers, and anyone wanting to know more about Georgia.

The legendary filmmaker D. W. Griffith directed nearly 200 films during 1908 and 1909, his first years with the Biograph Company. While those one-reel films are a testament to Griffith's inspired genius as a director, they also reflect a fundamental shift in film style from "cheap amusements" to movie storytelling complete with characters and narrative impetus. In this comprehensive historical investigation, drawing on films preserved by the Library of Congress and the Museum of Modern Art, Tom Gunning reveals that the remarkable cinematic changes between 1900 and 1915 were a response to the radical reorganization within the film industry and the evolving role of film in American society. The Motion Picture Patents Company, the newly formed Film Trust, had major economic aspirations. The newly emerging industry's quest for a middle-class audience triggered Griffith's early experiments in film editing and imagery. His unique solutions permanently shaped American narrative film.