A natural raconteur, Moore delights readers with his candid, witty, and often self-deprecating recollections of the movie business. He shares his thoughts on playing some of the world's most famous roles and how they have enriched his life and career.

p.B. J. Whiting savors proverbial expressions and has devoted much of his lifetime to studying and collecting them; no one knows more about British and American proverbs than he. The present volume, based upon writings in British North America from the earliest settlements to approximately 1820, complements his and Archer Taylor's Dictionary of American Proverbs and Proverbial Phrases, 1820-1880. It differs from that work and from other standard collections, however, in that its sources are primarily not "literary" but instead workaday writings - letters, diaries, histories, travel books, political pamphlets, and the like. The authors represent a wide cross-section of the populace, from scholars and statesmen to farmers, shopkeepers, sailors, and hunters. Mr. Whiting has combed all the obvious sources and hundreds of out-of-the-way publications of local journals and historical societies. This body of material, "because it covers territory that has not been extracted and compiled in a scholarly way before, can justly be said to be the most valuable of all those that Whiting has brought together," according to Albert B. Friedman. "What makes the work important is Whiting's authority: a proverb or proverbial phrase is what BJW thinks is a proverb or proverbial phrase. There is no objective operative definition of any value, no divining rod; his tact, 'feel, ' experience, determine what's the real thing and what is spurious."

The final book of the Bible, Revelation prophesies the ultimate judgement of mankind in a series of allegorical visions, grisly images and numerological predictions. According to these, empires will fall, the "Beast" will be destroyed and Christ will rule a new Jerusalem. With an introduction by Will Self.

A Dictionary of Anglo-American Proverbs & Proverbial Phrases Found in Literary Sources of the Nineteenth and Twentieth Centuries is a unique collection of proverbial language found in literary contexts. It includes proverbial materials from a multitude of plays, (auto)biographies of well-known actors like Britain's Laurence Olivier, songs by William S. Gilbert or Lorenz Hart, and American crime stories by Leslie Charteris. Other authors represented in the dictionary are Horatio Alger, Margery Allingham, Samuel Beckett, Lewis Carroll, Raymond Chandler, Benjamin Disraeli, Edward Eggleston, Hamlin Garland, Graham Greene, Thomas C. Haliburton, Bret Harte, Aldous Huxley, Sinclair Lewis, Jack London, George Orwell, Eden Phillpotts, John B. Priestley, Carl Sandburg, Harriet Beecher Stowe, Jesse Stuart, Oscar Wilde, and more. Many lesser-known dramatists, songwriters, and novelists are included as well, making the contextualized texts to a considerable degree representative of the proverbial language of the past two centuries. While the collection contains a proverbial treasure trove for paremiographers and paremiologists alike, it also presents general readers interested in folkloric, linguistic, cultural, and historical phenomena with an accessible and enjoyable selection of proverbs and proverbial phrases.

For centuries, the transmission of power in feudal European society depended on a code of fidelity, of political allegiance, and truth to one's word. The word as bond extended to include not only the pledge of allegiance between subject and king, but the troth-plight between lovers, the vow of friendship, and the judicial oath. Society was ultimately based upon a gentleman's or gentlewoman's word that was itself underwritten by the Word of God. J. Douglas Canfield argues that English literature of the feudal epoch placed this master trope of word as bond at the center of conflict. The trope does not passively reflect social reality; rather, it helps to define, to constitute the society and its values. Both society and literature were preoccupied by the contest between fidelity on the one hand and its antithesis, betrayal (with the political and sexual anarchy that it threatened) on the other. In literature, the conflict was usually resolved through supernatural aid, the intervention of the Logos, which guaranteed the validity of the word. Canfield analyzes over 25 representative works, focusing on Chaucer, Shakespeare, and Dryden, in the five dominant modes of aristocratic literature-romance, comedy, lyric, tragedy, and satire. In each chapter, he offers three examples, one from the Middle Ages, one from the Renaissance, and one from the Restoration. Canfield's study proceeds synchronically, attempting to show that the trope is always under stress. The language of heroic romance coexists with the language of subversive comedy and absurdist satire. In an Afterword, he suggests why the trope disappears—not from the discourse, where it remains to this day, but from the center of conflict in English literature after 1688.

Explore this stunning quality of God’s grace: It never ends! In this revision of a foundational work, John Piper reveals how grace is not only God’s undeserved gift to us in the past, but also God’s power to make good happen for us today, tomorrow, and forever. True life for the follower of Jesus really is a moment-by-moment trust that God is dependable and fulfills his promises. This is living by faith in future grace, which provides God's mercy, provision, and wisdom—everything we need—to accomplish his good plans for us. In Future Grace, chapter by chapter—one for each day of the month—Piper reveals how cherishing the promises of God helps break the power of persistent sin issues like anxiety, despondency, greed, lust, bitterness, impatience, pride, misplaced shame, and more. Ultimate joy, peace, and hope in life and death are found in a confident, continual awareness of the reality of future grace.

Liberation Theology is the first serious acknowledgment by a white theologian of the challenge of Black Theology. It invites American theology to reconsider radically its foundations and to reorder its priorities. At a time when theology is often presented piecemeal, Frederick Herzog undertakes to ground Liberation Theology in the originating events of the Christian faith as a whole - in this instance, in the life, death, and resurrection of Christ as given in the Fourth Gospel. The systematic readings in the Gospel which he makes and from which emerge the principles of Liberation Theology are the heart of this book. Throughout, the author asks: How do we understand Christ as Liberator? The answer to this question, he maintains, determines whether or not we are still able to contemplate the Word as power and action. Written with contemporary directness and free of vague abstractions, the book casts theology into a new form to meet today's needs. The method of this new theology is confrontation, not correlation; its goal is liberation, not reformation; and it strives for a new space of freedom among people captive to the dehumanizing structures of modern theology.

Bad conscience is rampant in the church, asserts Julian Hartt. There is the feeling that the church has mislead the contemporary world by its own commitment to archaic symbols and outworn attitudes. It has continued to endorse and defend a system of values that has eroded almost past recognition. Dr. Hartt shows how this acute anxiety over bad conscience prompts the radical reorientation of Christian thinking identified as theology of culture. The heralds of the New Morality have not been reluctant to point this out, and to demand from the church a fairly severe penance: a readiness to give up the ghost if it cannot secularize its Gospel without reservation or residue. But, the author says, the church cannot do this faithfully if it simply looks piously to the past, hopeful to heaven, and with good old American optimism to the future. In this timely and fresh theology of culture for the American situation, the author shows that a deep concern for contemporary culture is an elementary and indispensable part of authentic Christian theological reflection. The revelation of God in Jesus Christ, he contends, gives us both a foundation and a critical posture for the assessment of the world in which we live. Dr. Hartt points out that the initial foothold for Christian theological work is a certain criticism of contemporary life. This will demonstrate what the Christian believes God is and what God demands of him and of all men, whether or not they are Christian or are even religious in any ordinary sense. He then goes on to delineate sketches of what he feels are the chief claims of the Christian faith, and what are key realms of culture.

This book is about the death, burial, and resurrection of the author. Having learned that he must die to himself in order to fully receive the life God has reserved for him. He has a unique way of describing the events of his life in detail while simultaneously indoctrinating the testimony of his journey. He keeps you engaged unlike most books riddled with scripture though he places scripture to illuminate his point as it directly related to his experience leaving the reader to examine the scripture for themselves while being given a first-hand testimony. This book will address many factors providing insight into the many different struggles we go through as believers having undergone numerous trial himself and being brought through them by the Father, the Son and his passionate love, trust and insight of how the Holy Spirit plays a vital role in bringing everything full circle.