Too filthy to be a fairy tale… A few years ago, I was an impoverished cocktail waitress struggling to pay the bills. Now I’m marrying gorgeous Maximillian Rochartè, the Prince of Bellèno. Or at least I’m trying to. Pompous windbag Archbishop Causesdesperdeus claims we’re not legally wed. Says we have to track down the unauthorized priest who performed our ceremony, convince him to scrub his name off the license, and get re-married before the paparazzi blows the scandal wide open. But Max must serve his obligatory Guard duty, so it falls on Leo, his brother the Crown Prince -- who recently admitted he’s 'got feelings' for me, the Ladies-in-Waiting, and me to travel to Italy and do whatever it takes get this messy, sexy job done. What could possibly go wrong? PRAISE for THE CROWN AFFAIR "O-M-Freaking-G!!!... I loved this one! I just couldn’t read it fast enough." BCherry 27 "... thanks to the … very dirty mind of a very hot ginger prince." Rae Sonethyn "...heart all mushing, sexy and delightfully entertaining romantic comedy." A. Reviewer One click this LOL, gorgeous, smutty, Rom-Com. The American Princess © 2018 is the re-imagined, ‘smuttier’ version of Royally Wed: The Poser © 2017. Additional content has been added to the original story.

In An American Princess, Laurie Dennett relates the remarkable story of a New England woman whose wealth, intelligence, and charm took her to the heart of aristocratic and intellectual Europe. Marguerite Chapin (1880–1963) was the product of two cultures: her father’s enterprising American one and her mother’s French heritage, which enabled her to move to Paris when she inherited a fortune at age twenty-one. There, she studied singing with the greatest tenor of the age, commissioned paintings from artists such as Pierre Bonnard, Edouard Vuillard, and André Derain, and drew upon her many friendships with writers to found and edit the pioneering literary review Commerce. Her marriage, in 1911, to the composer Prince Roffredo Caetani, a member of one of Italy’s oldest dynasties, added a whole new dimension to her life. Not only did it bring her a title, but happiness, two children, and a set of extraordinarily talented in-laws. When Marguerite and Roffredo moved to Italy in 1932, she found refuge from fascism and an outlet for creativity at Ninfa, the estate where the Caetani had created a garden among the ruins of a medieval town. At age sixty-eight, having survived the death of her son, the war, and the German occupation, Marguerite launched the international review Botteghe Oscure. Its aim was to reclaim respectability for Italian writing, but through her discerning and generous editorial vision, it became a showcase for writers everywhere. An engrossing biography based on extensive original research, An American Princess celebrates Marguerite Chapin Caetani’s impressive accomplishments and legacy.

“As juicy and enlightening as a page in Meghan Markle's diary.”—InStyle “Presidential darling, America’s sweetheart, national rebel: Teddy Roosevelt’s swashbuckling daughter Alice springs to life in this raucous anthem to a remarkable woman.”—Kate Quinn, New York Times bestselling author of The Alice Network and The Huntress A sweeping novel from renowned author Stephanie Marie Thornton... Alice may be the president's daughter, but she's nobody's darling. As bold as her signature color Alice Blue, the gum-chewing, cigarette-smoking, poker-playing First Daughter discovers that the only way for a woman to stand out in Washington is to make waves—oceans of them. With the canny sophistication of the savviest politician on the Hill, Alice uses her celebrity to her advantage, testing the limits of her power and the seductive thrill of political entanglements. But Washington, DC is rife with heartaches and betrayals, and when Alice falls hard for a smooth-talking congressman it will take everything this rebel has to emerge triumphant and claim her place as an American icon. As Alice soldiers through the devastation of two world wars and brazens out a cutting feud with her famous Roosevelt cousins, it's no wonder everyone in the capital refers to her as the Other Washington Monument—and Alice intends to outlast them all.

This book delivers a systematic investigation of Native American princess pageants, exploring when and why they started, how they spread across and within Native American communities, the ways in which these pageants differ from other contests (such as Miss USA), the workings of the pageants themselves, and their socio-cultural costs and benefits.

This volume contains articles on Jewish life from 1920 to the present. Its entries include studies of the economy and migration in postwar America, the impact of Holocaust survivors on American Society and the reaction to gender stereotypes within American Culture.

The period from 1945 to the present day may not constitute an American century, but it can be seen as the American Moment: the time when, for good or ill, the United States became the predominant political, military, economic and cultural power in the world. This revised and updated new edition introduces the historic and tumultuous developments in American politics, foreign policy, society and culture during this period. It includes coverage of key recent events, such as the: - 2008 election of Barack Obama - global recession - protracted war in Iraq and Afghanistan - rise of the internet - transformation of American Society and Culture - challenges of new immigration and multi-culturalism - changing global status of the US in the new millennium. Examining the American Moment in a global context, the authors emphasise the interaction between politics, society and culture. America Since 1945 encourages an awareness of how central currents in art, literature, film, theatre, intellectual history and media have developed alongside an understanding of political, economic and social change.

Focusing on key works of late nineteenth- and early twentieth-century American literary realism, Phillip Barrish traces the emergence of new ways of gaining intellectual prestige - that is, new ways of gaining cultural recognition as unusually intelligent, sensitive or even wise. Through extended readings of works by Henry James, William Dean Howells, Abraham Cahan and Edith Wharton, Barrish emphasises the differences between literary realist modes of intellectual and cultural authority and those associated with the rise of the social sciences. In doing so, he greatly refines our understanding of the complex relationship between realist writing and masculinity. Barrish further argues that understanding the dynamics of intellectual status in realist literature provides new analytic purchase on intellectual prestige in recent critical theory. Here he focuses on such figures as Lionel Trilling, Paul de Man, John Guillory and Judith Butler.

A large number of political plays have been written in Israel over the past fifty years, and they are perceived, by audiences and critics alike, as major interventions in the country's ongoing political debates; the result is that Israeli drama is at the centre of many public controversies. In this first full-length study of Israeli political drama Glenda Abramson shows that during the early years of the State of Israel most of its intellectuals were identified with the 'official' state interpretation of Zionism. After the Six-Day War in 1967 an influential group of playwrights, concerned with the evolution of Zionist ideology in the modern nation state, began to question the ethical basis of Zionism. Hanokh Levin, Yehoshua Sobol, Yosef Mundi, Miriam Kainy, Amos Kenan and others have gone on to examine Zionism as it affects contemporary Israeli society.

In the American world, the presence of African culture is sometimes fully embodied and sometimes leaves only a trace. Africa in the American Imagination: Popular Culture, Racialized Identities, and African Visual Culture explores this presence, examining Mattel's world of Barbie, the 1996 Sports Illustrated swimsuit issue, and Disney World, each of which repackages African visual culture for consumers. Because these cultural icons permeate American life, they represent the broader U.S. culture and its relationship to African culture. This study integrates approaches from art history and visual culture studies with those from culture, race, and popular culture studies to analyze this interchange. Two major threads weave throughout. One analyzes how the presentation of African visual culture in these popular culture forms conceptualizes Africa for the American public. The other investigates the way the uses of African visual culture focuses America's own self-awareness, particularly around black and white racialized identities. In exploring the multiple meanings that “Africa” has in American popular culture, Africa in the American Imagination argues that these cultural products embody multiple perspectives and speak to various sociopolitical contexts: the Cold War, civil rights, and contemporary eras of the United States; the apartheid and post-apartheid eras of South Africa; the colonial and postcolonial eras of Ghana; and the European era of African colonization.